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7,7/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThree pigs' career as a jazz band is complicated by a wolf they rejected for membership who keeps blowing down their gigs.Three pigs' career as a jazz band is complicated by a wolf they rejected for membership who keeps blowing down their gigs.Three pigs' career as a jazz band is complicated by a wolf they rejected for membership who keeps blowing down their gigs.
- Regia
- Sceneggiatura
- Star
Stan Freberg
- Narrator
- (voce)
- …
Recensioni in evidenza
Friz Freleng's 'The Three Little Bops' is a longtime favourite of mine. From the first time I saw it at a very early age, I was always on the lookout for a chance to see it again. While I was growing up during the 80s and 90s, Warner Bros. cartoons were frequently on TV and every so often this one came around. I was absolutely delighted when it finally became available for me to own on the essential Looney Tunes Golden Collection Volume 2. A jazz parody of Disney's famous 'Three Little Pigs' cartoon, 'The Three Little Bops' is entirely set to music with a great vocal by the underrated Stan Freberg (who finally gets screen credit in this cartoon). It tells the story of the Big Bad Wolf's unsuccessful attempts to be accepted into the Three Little Pigs nightclub act and each time he is rejected, he blows the nightclub down! The visuals are beautifully stylised, fitting perfectly with the modern theme of the cartoon, and Warren Foster's lyrics are often priceless ("Dew Drop Inn did drop down"!). It's not quite a perfect cartoon, since there are a couple of slightly mistimed moments and the section in which the Wolf adopts a series of disguises slows things down and unnecessarily breaks from the musical narration for a conspicuously long time. Nevertheless, if asked to list my favourite cartoons, 'The Three Little Bops' would always be one of the first to pop into my head. It's a toe-tapping delight of which I never tire.
It is always interesting to see Warner Brothers cartoons featuring characters that are not the classic ones we know and love and are iconic in animation history.
'Three Little Bops' is one of the finest examples of an animated masterpiece. It is so well made, so fun, so energetic and so cool with phenomenal music and impeccable timing that that the story is a slight one, and basically a gags matched to music experience, is completely forgotten while watching. Proof that when it comes to Warner Brothers animation, one does not need the likes of Bugs Bunny and Daffy Duck present to make it a good cartoon, with 'Three Little Bops' being on par with the best of their cartoons (high praise indeed and to me warranted).
As to be expected, the animation is great with beautiful colours and meticulous detail. The characters are drawn well with smooth movement. The music is phenomenal (being a music/gag-oriented cartoon, this component being good was essential to as whether the cartoon would work), making one sing along, tap their feet and get up and dance and it is just so infectious as well.
Furthermore, there is just so much energy and the gags are impeccably timed and often extremely funny and always clever.
Here, the characters are a joy. Especially the wolf, the funniest and most interesting character. Stan Freberg does a wonderful job here, some of the best work he ever did.
In conclusion, so much fun and so cool, a masterpiece (not a word often thrown around lately for me). 10/10 Bethany Cox
'Three Little Bops' is one of the finest examples of an animated masterpiece. It is so well made, so fun, so energetic and so cool with phenomenal music and impeccable timing that that the story is a slight one, and basically a gags matched to music experience, is completely forgotten while watching. Proof that when it comes to Warner Brothers animation, one does not need the likes of Bugs Bunny and Daffy Duck present to make it a good cartoon, with 'Three Little Bops' being on par with the best of their cartoons (high praise indeed and to me warranted).
As to be expected, the animation is great with beautiful colours and meticulous detail. The characters are drawn well with smooth movement. The music is phenomenal (being a music/gag-oriented cartoon, this component being good was essential to as whether the cartoon would work), making one sing along, tap their feet and get up and dance and it is just so infectious as well.
Furthermore, there is just so much energy and the gags are impeccably timed and often extremely funny and always clever.
Here, the characters are a joy. Especially the wolf, the funniest and most interesting character. Stan Freberg does a wonderful job here, some of the best work he ever did.
In conclusion, so much fun and so cool, a masterpiece (not a word often thrown around lately for me). 10/10 Bethany Cox
Through many of the Looney Tunes cartoons, I've derived that the creators probably had a way with jazz, and it plays out in "Three Little Bops", as a trio of jazz-playing pigs perform in clubs, but a square wolf keeps interrupting and blowing the clubs down. But then, they find a place built out of bricks.
Not only is this a jazz-centric cartoon, but I notice that the narration sounds like "Rock Around the Clock". But that shouldn't be any surprise; after all, rock 'n' roll was pretty much based in jazz and blues. All in all, this is a very fine cartoon. I can say with certainty that Stan Freberg was as great a voice artist as Mel Blanc was.
Not only is this a jazz-centric cartoon, but I notice that the narration sounds like "Rock Around the Clock". But that shouldn't be any surprise; after all, rock 'n' roll was pretty much based in jazz and blues. All in all, this is a very fine cartoon. I can say with certainty that Stan Freberg was as great a voice artist as Mel Blanc was.
10llltdesq
This is a jazzy little cartoon, taking the Three Little Pigs and making them a Jazz combo, consisting of a guitar, drums and piano. The Big Bad Wolf wants to join in on a jam session. He's really bad and a square, so the Pigs tell him to scram. The cartoon focuses on his attempts to join in. The music is great, the narration is sung (by Stan Freberg) and the ending is excellent. The crowd goes wild and the land saw much rejoicing! They just don't make 'em like this anymore! Great cartoon and more than worth your time. Highly Recommended.
Why this absolutely brilliant 1957 "Looney Tunes" entry was not nominated for an Academy Award, I'll never know. In a 1992 television viewers' poll, it was deservedly voted one of the best twenty cartoons in the whole Warner Brothers' repertoire.
For once, the UPA cartoon style isn't employed by the Warner artists simply because it's flavor of the month, but because it's highly suited to the subject matter. The backgrounds and the character animation all perfectly compliment the up-beat vocal.
No matter how many times you watch and listen to "The Three Little Bops", repeated viewing does little to lessen the impact of its cleverly off-beat visual and verbal humor.
For once, the UPA cartoon style isn't employed by the Warner artists simply because it's flavor of the month, but because it's highly suited to the subject matter. The backgrounds and the character animation all perfectly compliment the up-beat vocal.
No matter how many times you watch and listen to "The Three Little Bops", repeated viewing does little to lessen the impact of its cleverly off-beat visual and verbal humor.
Lo sapevi?
- QuizA rare instance where Mel Blanc is not involved in a Merrie Melodies/Looney Tunes cartoon with dialogue during his exclusive contract with Warner Bros.; Stan Freberg provided all of the voices for this cartoon instead.
- Curiosità sui creditiRather than closing with the "That's All Folks!" card, the cartoon ends with "The End" superimposed over an iris-out.
- ConnessioniEdited into You're Still Not Fooling Anybody (1997)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- L'orchestrale freddo
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 7min
- Mix di suoni
- Proporzioni
- 1.37 : 1
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