Show Biz Bugs
- 1957
- 7min
VALUTAZIONE IMDb
7,7/10
1203
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBugs and Daffy are vaudevillians competing for praise from the audience. They love Bugs no matter what; just the opposite for Daffy.Bugs and Daffy are vaudevillians competing for praise from the audience. They love Bugs no matter what; just the opposite for Daffy.Bugs and Daffy are vaudevillians competing for praise from the audience. They love Bugs no matter what; just the opposite for Daffy.
- Regia
- Sceneggiatura
- Star
Mel Blanc
- Bugs Bunny
- (voce)
- …
Recensioni in evidenza
Fun Bugs and Daffy short directed by Friz Freleng. This one has Bugs and Daffy both performing at a theater, where Daffy is upset to learn that Bugs is getting top billing. When he's told this is because Bugs is the bigger star, Daffy sets out to upstage his rival. A very funny series of gags follows as Daffy tries one thing after another to get over with the crowd. The animation is good, with bright colors and nicely-drawn characters and backgrounds (although the backgrounds are of that slightly sketchy, slightly off-kilter style that was becoming popular in the mid-to-late '50s). Excellent voice work from the great Mel Blanc. The music is bouncy and lively. This is a fun short that any fan of Bugs or especially Daffy will like. The Bugs/Daffy rivalry was rarely funnier than it is here.
Although Bugs plays the title role, Daffy is the real star of this show and gets the most screen time. Bugs fans, of course are happy because once again Bugs outsmarts Daffy. But Daffy fans will enjoy the true genius of the Duck. Bugs may have more charisma but Daffy has more heart. Daffy is more like a human being, flawed yet lovable while Bugs seems to be too much of an ideal character.
10nnwahler
As a young adult buff of the Warner cartoons, I felt that this was #5 on my personal list of Freleng's greatest Bugs films
.that was a couple of years before I saw more of the greatest pre-1948 cartoons when I re-subscribed to cable. Man. There were biggies like "Stage Door Cartoon," "Bugs Bunny Rides Again," and "Slick Hare"—prompting me to revise somewhat my list of Freleng faves.
I've always been befuddled by cartoon buffs' downgrading a short because it uses gags utilized before. If it's a "cheater" film, that's a different matter. But nearly all the animation here's genuinely new, including Gerry Chiniquy's exemplary execution of Bugs's and Daffy's dances. Also, I for one never penalized, say, Benny Hill for using the same dozen or so gags multiple times: he always makes me feel I'm experiencing it and laughing at it for the first time because he always puts some new wrinkle in.
Similary, then, I don't penalize Freleng for borrowing wholesale several scenes and jokes from his earlier "Curtain Razor" and "Ballot Box Bunny" because, despite the fact he's aware of that, he now is doing all those gags in DEFINITIVE form.
"Show Biz Bugs" also benefits from the work of new backgrounds man Boris Gorelick. He was at Warner's for only a year, and contributed to the success of some of Freleng's finest (this one, and " Birds Anonymous"). The signature part of Gorelick's style was his use of portions of art apparently crayoned or charcoaled over sandpaper (or maybe a miniature pebble garden). Gorelick apparently crumbled early on, over Freleng's frequent and legendary temper tantrums.
I've always been befuddled by cartoon buffs' downgrading a short because it uses gags utilized before. If it's a "cheater" film, that's a different matter. But nearly all the animation here's genuinely new, including Gerry Chiniquy's exemplary execution of Bugs's and Daffy's dances. Also, I for one never penalized, say, Benny Hill for using the same dozen or so gags multiple times: he always makes me feel I'm experiencing it and laughing at it for the first time because he always puts some new wrinkle in.
Similary, then, I don't penalize Freleng for borrowing wholesale several scenes and jokes from his earlier "Curtain Razor" and "Ballot Box Bunny" because, despite the fact he's aware of that, he now is doing all those gags in DEFINITIVE form.
"Show Biz Bugs" also benefits from the work of new backgrounds man Boris Gorelick. He was at Warner's for only a year, and contributed to the success of some of Freleng's finest (this one, and " Birds Anonymous"). The signature part of Gorelick's style was his use of portions of art apparently crayoned or charcoaled over sandpaper (or maybe a miniature pebble garden). Gorelick apparently crumbled early on, over Freleng's frequent and legendary temper tantrums.
Bugs Bunny and Daffy Duck are a dancing double act in a vaudeville theatre. However Daffy is not content for equal billing and wants to have all the glory for himself. He challenges Bugs that whatever he can do, Daffy can do better. Bugs does his stuff on stage to great acclaim from the audience, but everything Daffy tries is greeted with all the appreciate of a f*rt in a lift. As the stakes continue to rise, Daffy increasingly pulls out all the stops.
I love Daffy Duck a great deal but much prefer him when he is in full-on wacky mode rather than the more greedy duck of his later cartoons. In this short we see Daffy being his greedy self but him being pushed to crazy limits reminds me of whom he once was. The material is not that good when I think about it and some of the gags are a little under whelming but it still manages to be pretty amusing. The ending is OK but it has been done elsewhere to better effect with Porky Pig and a wolf.
What makes this short work past the average material is the characters. Bugs' delivery is pretty fun although he isn't really his usual tricky self - all he's doing is being a good dancer. Daffy is also good and it is his jealous rage that makes the material much better than it should be. His big finish is not as good as he deserved but up till that point he is funny even if he is not the Daffy that I prefer.
Overall this is enjoyable enough but that's it. The material is average enough and is pretty thin but thankfully the two famous characters both do good work to make it better than it really is.
I love Daffy Duck a great deal but much prefer him when he is in full-on wacky mode rather than the more greedy duck of his later cartoons. In this short we see Daffy being his greedy self but him being pushed to crazy limits reminds me of whom he once was. The material is not that good when I think about it and some of the gags are a little under whelming but it still manages to be pretty amusing. The ending is OK but it has been done elsewhere to better effect with Porky Pig and a wolf.
What makes this short work past the average material is the characters. Bugs' delivery is pretty fun although he isn't really his usual tricky self - all he's doing is being a good dancer. Daffy is also good and it is his jealous rage that makes the material much better than it should be. His big finish is not as good as he deserved but up till that point he is funny even if he is not the Daffy that I prefer.
Overall this is enjoyable enough but that's it. The material is average enough and is pretty thin but thankfully the two famous characters both do good work to make it better than it really is.
Daffy Duck is in a vaudeville act with Bugs Bunny which he detests because of all the accolades that Bugs gets, and the lack of them that he gets. Which leads him to drastic measures to win the audience over. Some re-used famous gags cause this short to be less than what it could have been, but using the old saying that "any Looney Tunes is Good Looney Tunes", I can't really dislike this one either. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2 and also features an optional commentary by Greg Ford (as well as vintage sound clips and unused musical scores)
My Grade: B-
My Grade: B-
Lo sapevi?
- QuizThe exploding musical instrument scheme is the same in three Warner Brothers cartoons. The musical score is "Those Endearing Young Charms". In order, they are, first is Campagna elettorale (1951), as Yosemite Sam tried to get rid of Bugs Bunny, with a piano. Second is Show Biz Bugs (1957), as Daffy Duck tried to get rid of Bugs Bunny, with a xylophone. Then in Rushing Roulette (1965), the rivals were Wile E. Coyote and the Roadrunner. Wile E. Coyote set up a piano, and after the Roadrunner played a 'sour note', Wile E. played the correct theme. The very same musical note, approximately the seventh note to the tenth note, is the note, that is not played correctly, every time and when correctly played, by the schemer, instead gets the explosion occurred to the note.
- BlooperFor his dance, Daffy asks the orchestra to play "E-flat, from the top." The orchestra proceeds to play in B-flat.
- Citazioni
Daffy Duck: Try not to trip me up with those big feet, please.
Bugs Bunny: I'll try, Daffy.
Daffy Duck: We're on!
- Versioni alternativeOn Nickelodeon, the climax involving Daffy's fatal stunt mixture was edited thus: Daffy swallows all of the explosives and then "shakes well", but blows up before he can light and swallow the match (which is what ultimately blows him up in the short's unedited form).
- ConnessioniEdited into Person to Bunny (1960)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Gelosia da primadonna
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 7min
- Mix di suoni
- Proporzioni
- 1.37 : 1
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