La sposa del mare

Richard Burton and Joan Collins in a shipwreck/lifeboat drama was something that I could not resist checking out. Once all has been said and done I'm still happy to have checked it out and spent some time with these characters. The entire cast does a fine job, Grant and Sydney are also both solid and their story is ultimately one of the more interesting elements of Sea Wife. Some reviewers mentioned having trouble with Collins playing a Nun but for me I think those individuals are bringing too much baggage to that analysis because if you are able observe her soley for her performance here she does an excellent and to me believable performance. The main weakness is the story, it just doesn't dig deep enough into any of the four main characters development. That's unfortunate because the setting kinds of lends itself to that type of exploration but it was just not forthcoming. I also feel the direction, while competent, was not particularly interesting. Despite some major shortcomings I did fine Sea Wolf kind of interesting.

Facile dramatics about four disparate characters--three men and one woman (Joan Collins)--shipwrecked off the coast of Singapore in 1942. One of the men grows very fond of the lady, who is secretly a nun. The nun's curious reluctance to divulge her vocation unnecessarily drags out these proceedings (and makes Sister Collins out to be something of a tease, which is touched upon fleetingly). Film verges on camp but is saved from silliness by an adept, surface-pretty production, also by Richard Burton's fiery emoting (predictably, he's colorful and mercurial as ever). Shallow, but certainly entertaining on a minor scale. **1/2 from ****

Joan Collins is a nun (!!) shipwrecked on an island with Burton. This movie is hilarious and sexy. Burton as usual is so serious he's got his tongue in his cheek because the script's morality won't let him use it to plow the ever-gorgeous Collins. I haven't seen it for years, but I still use Burton's growling "I love you, Sea Wife" to make my wife laugh. And a note on Collins: Evidently the eternal self-pitier Russell Crowe was upset to see himself compared to her at an awards show. But she is the one who was shamed; she was, is, and will always be wonderful. Enjoy this flick and "Land of the Pharoahs" as proof!

What a poignant picture that I'd watched in my childhood days, according my files it was in 1976, I stay baffled when saw the paltry rating 5.7, well as I'm a painstaking movie buff always ensue my feelings, therefore whatever be the rate it didn't changes nothing at all, this movie is proposed as non-linear story, Michael Cannon (Burton) just arriving at London put several advertisements on many majors newspapers, searching for a girl called just "Sea wife" signing as "Biscuit" only, after some months no answer from the girl, although he receives a message from a dying man from hospital, "Bulldog" is his nickname, there they remember all story of these four survivors of a shipwreck after their ship has been torpedoed by a Japanese submarine, they meets at life-raft and know themselves just by nicknames, Sea wife is a faithful beauty girl, actually just one knows that he is a Nun (Joan Collins), the mid age men Biscuit (Burton), the harsh and prejudiced Bulldog (Basil Sydney) and a black purser number Four (Cy Grant), they reach a pacific island, there Biscuit falling in love by Sea wife, who told to him which she already gave his hand to someone else (Jesus) in other hand the relationship between the racist Bulldog and the Number Four is getting worst, one of great movies of my tender age, finally l got it on DVD fully restored and color, due in 1976 my grandfather's TV was in black and white!!

Resume:

First watch: 1976 / How many: 5 / Source: TV-DVD / Rating: 8

Still pining for a mysterious woman with whom he and two other gentlemen shared a lifeboat many months earlier, a British army officer recollects the shipwreck that led to their encounter as well as their intimate time together in this early career Richard Burton motion picture. The film plays out primarily in flashback and seeing Burton so young is just as curious as Joan Collins being cast as his love interest - a nun who never revealed her true identity to him during their time together. The story is propelled by a couple of implausible elements -- namely, her extreme reluctance to say that she is a nun, and the fact that the four shipwreck survivors insist on calling each other by nicknames rather than their real names -- however, these improbabilities add unexpected layers of depths. In particular, the film handles Burton's attraction to Collins with delightful ambiguity; we never find out if she truly ever reciprocated his feelings, and is it out of craving for human affection that she chose to never tell him that she was a nun? The naming thing is quite interesting too as we get to know the characters through their traits and idiosyncrasies more than anything else, and as Collins keeps telling Burton, things are different when stuck out at sea. Clocking in at just over an hour and a quarter long, the film feels incredibly short with a lot of unrealised narrative potential, but the ending is so unexpected and packs such an emotional wallop that it is hard not to exit the film a tad shaken. Certainly, 'Sea Wife' is very far removed from the average wartime romantic drama out there.