International police

1957's Pickup Alley, or Interpol, directed by John Gilling, looks like a travelogue but evidently a lot of it was filmed in Naples. However, cinematographer Ted Moore did such a beautiful job - the locations are really the star.

The film begins with a woman calling "Charles" with urgent information; someone then enters and kills her.

She turns out to be the sister of an American narcotics agent Charles Sturgis (Victor Mature). The killer is international drug smuggler Frank McNally (Trevor Howard), and Sturgis is determined to bring him to justice.

With the aid of Interpol, he is able to track McNally and his girlfriend Gina (Anita Ekberg) to Europe.

Clearly a B movie using British and American actors, Pickup Alley is on the dull side without much in the way of characterization, except showing McNally's violence toward women. The old buildings, the streets, the docks, plus a chase on a roof make it interesting.

Ekberg is beautiful as McNally's drug mule but has been shown to much better advantage. She met Tyrone Power when she was an extra in Mississippi Gambler and embarked on a several year affair with him, even meeting his family in Cincinnati.

To avoid a lawsuit, wife Linda Christian's did not name her in her book, but she is clearly the woman for whom he wanted a divorce. He and Christian eventually reconciled. He liked blonds with accents.

Found in Noir Archive vol 3, this is a watchable English noir that has some perfunctory acting from Mature and Ekberg, along with enjoyable scene chewing from Howard--what a long way from The Third Man and Brief Encounter!--and a terrific cameo from Bonar Colleano, whom I don't recall seeing before.

You won't care about the plot--something to do with international heroin smuggling, a murky subject dealt with carelessly by John Gilling. The interest lies in the locales, which are beautifully shot by Ted Moore, who besides making a half dozen Bond films also won an Oscar for A Man For All Seasons. The catacombs scene might have come from an Orson Welles film, Othello say, it's that evocative.

This was an interesting film which starred Victor Mature, (Charles Sturgis) who was a US Narcotics Agent working with Interpol in order to catch a large dope smuggling operation. Gina Broger, (Anita Ekberg) played a young gal who was working with a big shot dope king, Frank McNally, (Trevor Howard) and was only working with him because he kept her against her will and would not let her go. There is plenty of travel into Lisbon, Greece and New York and it seemed at times that Charles Sturgis was running around in circles. Trevor Howard gave a great supporting role along with Anita Ekberg, but this film was definitely a low budget film and because this was a 1957 film, the gals all wore skirts down to their ankles.

American British co-production, released as Picket Alley on USA and Interpol on UK, Mature plays Charles Sturgis an American policeman from US narcotics department, when his sister who works as informer, was killed before to reveal the identity of the smuggler's Boss in New York, now he got starts again from scratch, the new clue nothing less than the beauty Anita Ekberg as Gina Bolder a delivery girl, they track down his steps, a long journey through Lisbon, Rome, Greece and finally back to New York, this picture goes far beyond the standards known, Charles Sturgis tireless pursuit of his unknown target, the long waiting romance between he and Gina Bolder never Happens, actually she plays a cold women, pressure by his Boss, due she committed a murder of his former old partner, the highlights coming from of nowhere, the Italian character Amalio played by the big mouth Bonar Colleano brings some relief on the plot, also a bit humor neither, Trevor Howard was fabulous as the slippery man, moving each couple days, unknown face, a hard assignment really, interesting picture!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD-R / Rating: 7

A film unconsistently complicated, which thing adds nothing to the plot, but rather deprives it of clearness and smoothness.

A film in which all the faces look the same (apart from V. Mature's and A. Ekberg's, the only woman among the characters), so you don't really know, at times, who is doing what.

A film with many guns shootings, in whose - as it happens in so many films of the same genre - rarely any man of some importance happens to be shot. Bulletts completely obey the filmmakers' will.

A film where the final chase brings no thrill whatsoever, as no thrills are to be expected from the whole movie. It's not really a whodunit: you know from the start who the villain is, you only have to be patient enough for him to get caught.

Locations range from New York, Paris, Lisbon, Rome, Athens. Curiously enough, when in Rome you can hear Italian phrases pronounced with a strong American accent, while when in Athens, the backround chatter is mostly in pure Italian, and repeatedly proposed in loops of a few seconds' duration. Sometimes the filmmakers get a little confused, and even signs and labels, when in Greece, are in Italian.