La carica delle mille frecce

This film begins with a wagon train heading west and directly through the land controlled by the Pawnee. As it so happens, one wagon in particular has lagged behind the others and is subsequently attacked by a Pawnee named "Crazy Fox" (Charles Horvath) who shoots an arrow into an older settler by the name of "Uncle Tip Alden" (Francis McDonald) before setting fire to the wagon and riding off with the livestock. Fortunately, another Pawnee named "Pale Arrow" (George Montgomery) happens to come along right afterward and surgically removes the arrow from Uncle Tip's shoulder and then takes him and his daughter "Meg Alden" (Lola Albright) to the edge of where the rest of the wagons have camped for the night. Not long afterward their only scout decides to quit and so with nobody else available to guide them through the Pawnee territory they accept the offer of a stranger who agrees to help them out. What they don't know is that this stranger is none other than Pale Arrow who may or may not have an ulterior motive. Now rather than reveal any more I will just say that this was a basic Western which, quite frankly, covered all of the bases if nothing else. Having said that, viewers looking for something to occupy themselves with for an hour or two could do worse and for that reason I have rated it accordingly.

Pawnee is a cliche ridden mid-fifties Western made bearable by a good cast, professional direction, and some decent scenery. George Montgomery stars as a white man raised by the Pawnee Indians who must decide whether to remain an Indian and become chief of the Pawnee nation or return to his roots and save a wagon train from an Indian attack. The basic premise is old hat, and the film is loaded with stock characters includng the wise old Indian chief who seeks peace with the whites and the younger, violent war-mongering chief who seeks to kill the settlers (and his long despised white "brother" and rival Goerge Montgomery), the kindly and wise wagon train doctor, the wagon master who also becomes a rival of Montgomery for the love of a whte woman, a crusty, but lovable old coot of a settler, and so on. The film is juvenile and simplistic, but is watchable thanks to a good cast of old pros, fast and knowing direction, and excellent color photography of the scenic west. George Montgomery was a solid, leading man in many westerns of the fifties, and turns in his typically solid performance as the hero here. He is ably supported by such stalwarts of fifties westerns as Robert Griffin, Francis McDonald, Dabbs Greer, and Bill Williams. Lola Albright, an excellent, but underrated actress who later costarred on TV's Peter Gunn, gives a good performance as a yong woman traveling with the wagon train, who comes between Bill Williams, the wagon master, and Montgomery. It is noted that the lead Indian parts are played by caucasion actors and Native Americans are used almost exclusively as extras. The direction is by George Waggner, who directed the Wolfman and other horror films at Universal in the forties. Waggner is an old pro who moves the script along quickly and makes the cliches bearable while keeping the cast from going over the top in roles that could have easily become laughable. There is nothing new here, but it is a competent film which should mildly entertain western fans and youngsters who have never sat through a western programmer from the fifties.

George Waggner was a good western director, not ambitious but with good talent to show. This one will not stay forever in my memory. The basic scheme is interesting, a White risen grown up among Indians, but that's not that new; some westerns used this plot too. Anyway this one is an agreeable time waster with a George Montgomery doing his job. But everything is predictable, tha's an element which I always take care of. I like being surprised by something unusual and here, nothing of this kind. Many westerns were like this anyway. So just watch it for the quality, atmosphere, charm. Any die hard western buff will like it.

After watching this film I thought back to 1957 when this film first came out and I wonder if anyone noticed that Pawnee was a remake of The Ten Commandments set in the old west. I guess that Paramount thought that Herbert J. Yates and Republic Pictures which was on its uppers at that time had nothing worth suing over.

George Montgomery plays a man who was raised by the Pawnee after his white parents were killed. At least that explained those baby blue eyes that Burt Lancaster in Apache and Chuck Connors in Geronimo couldn't explain. He's the adopted son of Chief Ralph Moody, favored so much so that blood kin Charles Horvath is jealous. Montgomery is even moving in on Charlotte Austin the Indian maid set to marry the chief to be.

It's Moody's wish that Montgomery go among his own race and see how they live and how the Pawnee can adapt in their world. Which he does by taking a job as wagon train scout for a wagon train headed by Bill Williams. And then Montgomery catches the eye of his girl Lola Albright.

I think you can see the similarities and the final climax between the Pawnees, settlers, and cavalry is the parting of the Red Sea and it all ends romantically as it did for Moses.

Pawnee is a below par western that has me wondering if Cecil B. DeMille was insulted or flattered.

An average western with the expected stock footage ( it's probably on the lower end of the B-budget) and some laboured pace, however, as per 1950's oaters, there's some juvenile charm in the cartoony dialogue (" he Pale arrow will die", well something like that), and it's a good time pass.

Could've been better with George Montgomery's character ( a paleface brought up by the Pawnee gets inspired to leave his people after saving Lola Albright and her father and join the wagon train so he can learn about his people, and consequently he saves the day) being conflicted between the white folk and the people who brought him up. The clash between Pale Arrow ( Montgomery) and the crazy fox is quite stirring.