Dopo essersi rifiutati di attaccare una postazione nemica, dei soldati sono accusati di codardia da parte di un generale e dovranno essere difesi dal loro comandante.Dopo essersi rifiutati di attaccare una postazione nemica, dei soldati sono accusati di codardia da parte di un generale e dovranno essere difesi dal loro comandante.Dopo essersi rifiutati di attaccare una postazione nemica, dei soldati sono accusati di codardia da parte di un generale e dovranno essere difesi dal loro comandante.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 5 vittorie e 3 candidature totali
- Pvt. Pierre Arnaud
- (as Joseph Turkel)
- German Singer
- (as Susanne Christian)
- Capt. Sancy
- (non citato nei titoli originali)
Riepilogo
Recensioni in evidenza
Kubrick displays a great control of sound effects and camera movement in the brief but effective battle scenes that expertly depict the controlled chaos that was trench warfare during WWI. Things get juicier during the ensuing courtroom battle where the deafening disparity between the elite who propagate and profit from war and the common citizens who suffer and die in war is shown with great lucidity.
Unlike later Kubrick epics, this runs at a crisp 90 minutes, though suffers briefly from a slow and awkwardly staged opening ten minutes before Douglas comes on screen. Ultimately, this holds up very well to modern scrutiny thanks to the flawlessness of Kurbick's craft, the amazing ensemble acting, and the surprising depth of its philosophical and psychological pondering. "Paths of Glory" is more anti-arrogance than anti-war, and is unapologetically sentimental and pro-soldier. As such, much can still be gleaned from its message.
As powerful a film as ever existed against those who pursue war as a solution, painting a portrait of the incompetence of command and the futility of armed conflict, as French soldiers on the front during WW1 discover the penalty for disobedience, the consequence of insubordination and that everyone is accountable, and that nothing's fair, there is no love in war.
Top performances all round, especially from Kirk Douglas, and a director that went on to make his mark quite significantly in the world of film.
The setting is the Western Front of 1916 in the trenches with French soldiers faced off against an invisible German force across a barren No Man's Land. The German's are never seen and the dramatic "combat" is between vain French officers as they vie for prestige and honors. The victims are the innocent French soldiers under their command who suffer miserably because of their arrogance and ignorance.
Brilliant, gripping, and definitely a "must see".
The more I watch Stanley Kubrick's films, the more I am genuine blown away and captivated by his incredible film making. He captures the claustrophobia and futility of trench warfare, what a ghastly piece of history The First World War was.
It shows the true depravity of some men, as well as the extraordinary humanity some have inside. Definitely dramatic and full of some impressive sequences, it also boasts and ending that may just
It's so twisted, Mireau is one of those characters that manages to get under your skin, he burrows away into the unit like a termite, it's a terrific performance from George Macready, he's so twisted and full of malice.
Kirk Douglas is incredible, it's performances such as this that make it clear he was a great, that scene where turns down the promotion was fantastic.
It truly is a brilliant film.
9/10.
Lo sapevi?
- QuizBanned in Spain under Gen. Francisco Franco's dictatorship for its anti-military message. It wasn't released until 1986, 11 years after Franco's death.
- BlooperCol. Dax commits a glaring military faux pas by jamming his hands into his pants pockets while standing and walking in the courtroom during the trial. No military officer would do such a thing, particularly in such a formal setting as a court martial.
- Citazioni
Pvt. Pierre Arnaud: I'm not afraid of dying tomorrow, only of getting killed.
soldier in bunk: That's as clear as mud.
Pvt. Pierre Arnaud: Well, which would you rather be done in by: a bayonet or a machine gun?
soldier in bunk: Oh, a machine gun, naturally.
Pvt. Pierre Arnaud: Naturally, that's just my point. They're both pieces of steel ripping into your guts, only the machine gun is quicker, cleaner, and less painful, isn't it?
soldier in bunk: Yeah, but what does that prove?
Pvt. Pierre Arnaud: That proves that most of us are more afraid of getting hurt than of getting killed. Look at Bernard. He panics when it comes to gas. Gas doesn't bother me a bit. He's seen photos of gas cases. Doesn't mean anything to me. But I'll tell you something though, I'd hate like the devil to be without my tin hat. But on the other hand I don't mind not having a tin hat for my tail. Why is that?
soldier in bunk: You're darn tootin', because...
Pvt. Pierre Arnaud: Because I know a wound to the head would hurt much more than one to the tail. The tail is just meat but the head- ah, the head is all bone.
soldier in bunk: That's...
Pvt. Pierre Arnaud: Tell me this. Aside from the bayonet, what are you most afraid of?
soldier in bunk: High explosives.
Pvt. Pierre Arnaud: Exactly, and it's the same with me, because, because I know that it can chew you up worse than anything else. Look, just like I'm trying to tell you, if you're really afraid of dying you'd be living in a funk all the rest of your life because you know you've got to go someday, anyday. And besides...
soldier in bunk: Yes?
Pvt. Pierre Arnaud: If it's death that you're really afraid of why should you care about what it is that kills you?
soldier in bunk: Oh, you're too smart for me, Professor. All I know is, nobody wants to die.
- Versioni alternativeThe Criterion DVD version features the opening and closing MGM logos.
- ConnessioniEdited into Hai-Kubrick (1999)
- Colonne sonoreLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
In the score during the opening credits
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Patrulla infernal
- Luoghi delle riprese
- Schloß Schleißheim, Oberschleißheim, Bavaria, Germania(Command Headquarter)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 935.000 USD (previsto)
- Lordo in tutto il mondo
- 8290 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1