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26. THE ONE THAT GOT AWAY (war, 1958) During air raids on Britain during WW2 German Lt. Von Warren's (Hardy Kruger) plane is shot down. He's captured and made a P.O.W. He repeatedly tries to escape but to no avail. Undaunted in his efforts he finally succeeds but has to survive the long and dangerous trek back to Germany.

Critique: Although the title is a bit of a giveaway, this is one of the most intriguing of war films, a substitute to the countless Americanized versions of P.O.Ws. The picture is perfectly paced adding to the excitement and suspense. Based on a true story of the only German to escape from an allied camp, it has beautiful crisp black and white photography. What makes it a standout in film history though is the fact that a German soldier is made the hero here.

Actor Hardy Krugers' portrayal is an unusual mix of boyish charm, and cockiness. The film is virtually flawless except for the screenwriter's depiction of Von Warren. They make him so much likable and appealing (funnier) than the Brits that one walks out rooting for him. I mean isn't he the enemy? One of Hitler's tools of war?

Furthermore, it's disturbing to learn that Von Warren returns home but goes back to the front and dies fighting the Allies. This little known film is hard to get on video (though I've seen a re-released copy), so your best shot is to catch it on TV.

QUOTE: Von Warren: "It's the duty of an officer to try and escape."

I'm somewhat biased about this film - which really is a great piece of story telling - because my Dad was in it! He was doing his National Service at the time the film was made, and the Army provided squaddies as extras in the search scenes.

When Von Werra is captured in a boggy patch my Dad is the corporal who provides a spare poncho to keep the German officer warm. He even has a line... "Yes, I've got one Sir." or something to that effect. Last time the film was shown in the U.K. his speech was rather badly edited out, much to the dismay of his loyal following.

I think the film works really well at putting you on the side of the captive, so that even watching from a partisan British perspective it is hard not to want him to succeed in outwitting his gaolers.

The only flaw for me is the slightly romanticised crossing of The St. Lawrence. By this stage the director is going for such a sympathetic depiction of Von Werra that he seems almost childlike. I think Von Werra was a sufficiently capable media manipulator for his version of events to have percolated down into the film. He wanted to be seen as a romantic, chivalrous hero but maybe he was tougher and more ruthless than he would have us believe?

Overall a great story, based on real events and characters, with some wonderful film making. Watch it, and watch out for my Dad!

I occasionally found this movie in a DVD-sold-out for just 1,99 Euro - not a big risk to buy it, I thought. The movie is more or less unknown in Germany. Used to the British/American stereotype "The Ugly Nazi-Kraut"-productions of that area I was surprised to watch an movie which tells its story in a "neutral", adventurous and partly documentary-like style.

The film makes a difference between "Nazi" and "German soldier" (that is something many people from Britain or the US doesn't realise until today) - but of course one should not forget that many German soldiers were Nazis indeed. On the other hand, have all allied soldiers been "democratic heroes", fighters against racism or defenders of the Genevea Convention? Unfortunaltey not.

Other commentators have pointed out the pros and cons of the story so I'd like to write something more on the main actor Hardy Krüger and why he was the - so to say - ideal cast for the role of OLt. Fritz von Werra. Krüger himself belongs to a generation of "normal people" which more or less automatically became involved in the NS-system.

Hardy Krüger, born in Berlin 1928 (he is not Dutch!) grew up in Nazi-Germany. He seemed to be a typical boy of that area and surely he was intelligent and had outstandingly talents. 1941 he entered the Adolf-Hitler-School in Sonthofen, an elite school to be prepared for a leading position in the Nazi-regime.

1943/44, at the age of 15, he got his very first role in the UFA-production "Junge Adler" (Young Eagles), a NS-propaganda movie to inspire the youth for service in the Wehrmacht/Luftwaffe. During the making of this movie he met other UFA-actors who had helped Jews to escape and which opened him the eyes for the real intentions of the Nazi regime.

The end of the war 1945 Hardy Krüger survived as a soldier of the German mechanized infantry division "Brandenburg" and became POW of the Americans.

After the war Krüger started his career as an actor. In many films he represented the type of the charming, boyish and a little bit gruff young man. Later he was one of the very few German actors in the 60/70ies who worked in international productions, eg Un Taxi pour Tobrouk (Taxi to Tobruk with Lino Ventura), Hatari (with John Wayne), Flight of the Phoenix (w. James Steward), The Wild Geese, Barry Lyndon, A Bridge too Far and many more.

I first saw this movie as a child in my small local cinema. It had a profound effect on my (and my friends) attitude to the German people, (remember that this was only 12 years after the war) Our whole concept of Germans as 'nasty baddies' was turned on its head. It was probably the first step (I was six years old) in my realisation that things are not black or white. The scene with Hardy Kruger hiding from his pursuers behind a stone wall wearing flying boots is still etched in my mind more than forty years later

"The One that got away" is an outstanding World War Two adventure, based on the legendary exploits of Franz Von Werra - the only Luftwaffe Officer to escape from Allied captivity.

The film is now considered by many to be something of a minor classic, and it really isn't difficult to see why.

What particularly impressed me, was how Roy Ward Baker managed to create a genuine empathy between Von Werra (brilliantly portrayed here by Hardy Kruger) and the audience without resorting to cliché or racial stereotyping. Accepted, Von Werra may be representing one of the most vile regimes in history but you desperately want him to succeed, and it's real edge of the seat stuff to see if he can pull it off.

Head and shoulders above most other British war movies produced during this era, it just gets better and better every time I see it.