La spada di d'Artagnan

The tale takes place in October 1651 , after the battles of Moor , Preston , Naseby (1845) and Worcester at the end of the Civil War , the main purport of Oliver Cromwell's (John Le Mesurier) Commonwealth is to catch Charles Stuart (Gary Raymond's film debut) . The future king's escape depends on the intrepid Earl of Dawlish (George Baker) , who as the Moonraker has already spirited away many Royalists . Dawlish journeys to the Windwhistle Inn on the south coast to prepare the getaway to France , where he meets Anne Wyndham (Silvia Syms) , girlfriend of a top Roundhead officer called Beaumont (Marius Goring) who along with other underlings as Edmund Tyler (Peter Arne) and Captain Wilcox (Patrick Troughton) pursue mercilessly to the hidden Royalist rebel . £500 REWARD! The Moonraker must be captured... DEAD OR ALIVE!

A breathtaking and overblown adventure with historical elements , including great swordplay , colorful cinematography and evocative score. Spectacular historical swashbuckling with fine acting , wonderful locations , glamorous gowns and attention to period detail . In the movie there are historic events , adventure , drama , and a love story between George Baker as The Moonraker and Sylvia Syms as Anne Wyndham who , unfortunately , results to be the fiancée of a villian Roundhead . All Actors , both , main and support cast give nice performances . Great acting by secondary players , such as : Marius Goring , Peter Arne , Gary Raymond , Clive Morton , Richard Leech , John Le Mesurier , Patrick Troughton and a young Michael Anderson Jr. The film is appropriately atmospheric with brilliant cinematography by Mutz Greenbaum and well based on real deeds . First-class production design and sets by Robert Jones are outstanding .The film includes a lively and thrilling musical score by Laurie Johnson and was competently directed by David MacDonald.

Based on historical events which created the only England Republic . The movie deals with take over from Republican government in England . Facing off between Olivier Cromwell and King determined to rid England of a tyrannical rule and an absolutist King : Charles I , it resulted in beheading of the King . There was created two factions : the Roundheads (Cromwell congressmen) and Cavaliers or Royalists (King's nobility) , both sides had generals of considerable skill and undaunted courage as Thomas Farfaix . Cromwell defeated King's army in battles of Moor , Preston and Naseby (1645). Later on , in 1653 , he was named Lord protector of the Republic "Commomwealth" . He imposed a dictatorship ruled by Puritans and vanquished the Irish and Scottish army . Cromwell was a Puritan leader who , according to several historians carried out near genocide in Ireland . He also battled Holland and Spain . Cromwell developed a law of navigation for the British navy . He early died by fever's illness . Richard Cromwell succeeded his father as President but he was rapidly dismissed . Duration Republic was 1648 to 1660 . Charles II went back to British kingdom and the regicides (those who had condemned Charles I to death) were arrested and hanged , drawn and quartered at Charing Cross . The Cromwell's body was disinterred, and his remains were hung from a scaffold.

Earl Anthony (aka The Moonraker) is a gentleman swordsman who is the thorn in the side of Oliver Cromwell and his battle to rid Britain of the royalists. The Moonraker is feared among Cromwell's men and has been responsible for the escape of over 30 royalists to France. When Anthony tries to lead Prince Charles Stuart to safety after a defeat at the hands of Cromwell, they are recognised and forced to evade capture – but can they get passage to France in time?

Contrary to my wife's beliefs, I didn't watch this film in the mistaken belief that Roger Moore was going to burst onto the screen at any moment, but at times I wished he had. The film is a old fashioned swashbuckler done without too much in the way of individual flair. The plot is easy to predict and it is much more wordy that I had expected, with much of the second half being confined to an Inn. That said it still is enjoyable and is worth watching for what it is.

The fights are a little dull and there is nothing to suggest that Anthony is worthy of his fearsome reputation but the sense of period is good. The film drifts between romance and action with an uneasy lilt to it, but the romance works well as it has the darker edge of being forbidden.

The characters are all a little flat with the odd exception. Baker doesn't manage to bring anything to the role of Moonraker except the normal leading man strong jaw and big chest. The support cast are all colleagues or `evil' bad guys, the love interest is OK but is won over a little too easily. A horrid bit of miscasting is Le Mesurier as Cromwell. We all know what type of roles he is famous for playing and the end result here is that Cromwell comes off as one of them and not a real threat.

Overall I enjoyed this film even though it didn't really distinguish itself in any specific way. As part of the genre it is par for the course and will please those who like this type of thing.

American style period film set in the time of the English Republic, although somewhat more violent and without the hearty laughing.

George Baker is Moonraker, a soldier of fortune taking the son of Charles I across to France. John LeMesurier briefly plays the role of Cromwell, and Marius Goring a roundhead general.

The fight scenes are well choreographed, but the film is otherwise carelessly made with many shots of vehicular tracks and even an asphalt road (I mean come on, they were far from ubiquitous at the time). There is an American boy to enable a release in USA.

This is one of those films whose poster I had admired (in an old scrapbook of my father's filled with such vintage ads) long before I ever had the opportunity to watch it; as it happened, I first acquired a mediocre pan-and-scan VHS-sourced edition, which I eventually upgraded to a much superior (but still imperfect) HDTV rip – for the record, the movie was released on R2 DVD not too long ago. Incidentally, it was also known on its home ground back in the day as BLOOD ON THE SWORD and, obviously enough, has nothing whatsoever to do with the much later James Bond extravaganza.

It is a typically handsomely-mounted British historical epic, offering a familiar plot line (set at the time of Oliver Cromwell and Charles Stuart), standard thrills (including plenty of intrigue, disguises, chases, swashbuckling action and, of course, a hesitant romance between people emanating from warring factions), attractive scenery and costumes, etc. Another plus is the sturdy cast: led by George Baker (as the titular avenging figure, at times he bore an uncanny resemblance to Roxy Music's Bryan Ferry!), with Sylvia Syms, Marius Goring (the latter two are engaged to be married and side with the oppressor but, when she learns to respect the enemy and aids in his ultimate escape, her humourless intended – his pride hurt – opts to free the woman from any obligation rather than consign her to the authorities!), Peter Arne (dressed-up for much of the proceedings as a minister, but inevitably emerging a villainous character whose climactic showdown with the hero – starting in the dining-hall of an inn, descending to its cellar and culminating on a rocky shore – leaves both a bloody mess!), Gary Raymond (curiously unbilled during the opening credits – which made me think his was going to be a bit part rather than a pivotal one! – as the hunted royal), John Le Mesurier (surprisingly turning up briefly early on as Cromwell), Patrick Troughton, George Woodbridge and child actor Michael Anderson Jr., among others. A portly and annoyingly cranky traveler also eventually proves heroic and a martyr to the Royalist cause he shamelessly sympathizes with in the face of the enemy. For what it is worth, the fact that the second half takes place almost exclusively within the confines of an inn betrays the script's origins as a stage play.

As I said, the film – which evidently uses "The Scarlet Pimpernel" as a template, down to "The Moonraker" having his own popular ballad reprised throughout the film! – deals with a turbulent period in history that was much in vogue throughout the heyday of British cinema, numbering such disparate films as BONNIE PRINCE CHARLIE (1948; though it deals with a different Charles Stuart!), THE SCARLET BLADE (1963; the one it comes closest to in narrative, style and even quality), WITCHFINDER GENERAL (1968; in which Cromwell is, again, no more than a marginal presence) and CROMWELL (1970; a large-scale biopic of the controversial Roundhead leader and Parliamentarian). For what it is worth, as had been the case with the recently-viewed CHRISTOPHER COLUMBUS (1949), I also have a Vittorio Cottafavi-directed Italian TV mini-series dating from 1969 dealing with the exploits of Oliver Cromwell in my unwatched pile...

THE MOONRAKER (not to be confused with the Roger Moore James Bond film) is a late '50s swashbuckler set during the time of the English Civil War. Charles I is dead, and Charles II is on the run from Cromwell's troops after being defeated at the Battle of Worcester. Into this simmering mix comes George Baker's Moonraker, a dashing hero who fights for all that's right and proper.

The genre is ripe for parody (anyone who's seen THE FLASHING BLADE ought to agree) and, indeed, THE MOONRAKER is a dated film, twee sometimes in its pleasantries. Nonetheless, it proves to be an amusing enough little film, punctuated with enough intrigue and rapier fights to keep it moving merrily along. The scriptwriters have an ear for historical dialogue so that the cast members have a lot of fun slinging it back and forth.

Baker never really made it as a leading man but he's not bad here, and at least looks the part with his broad chest and dominant height - there's nothing worse than a feminine 'girly man' in this type of role. Sylvia Sims is as alluring as ever as his love interest, and Paul Whitsun-Jones bags a particularly fine comic relief role as the overbearing Parfitt. Eagle-eyed viewers may spot Brit favourites Patrick Troughton and John Le Mesurier (as Cromwell, no less!) in brief roles.