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Tormento di un'anima

Titolo originale: Man on Fire
  • 1957
  • Approved
  • 1h 35min
VALUTAZIONE IMDb
6,5/10
478
LA TUA VALUTAZIONE
Bing Crosby in Tormento di un'anima (1957)
A wealthy businessman whose wife has divorced him, is bitter about the divorce, and prevents his ex-wife from seeing their child. The ex-wife takes him to court, and a judge tries to determine what will be best for the child.
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11 foto
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Aggiungi una trama nella tua linguaA wealthy businessman whose wife has divorced him, is bitter about the divorce, and prevents his ex-wife from seeing their child. She takes him to court, and a judge tries to determine what ... Leggi tuttoA wealthy businessman whose wife has divorced him, is bitter about the divorce, and prevents his ex-wife from seeing their child. She takes him to court, and a judge tries to determine what will be best for the child.A wealthy businessman whose wife has divorced him, is bitter about the divorce, and prevents his ex-wife from seeing their child. She takes him to court, and a judge tries to determine what will be best for the child.

  • Regia
    • Ranald MacDougall
  • Sceneggiatura
    • Ranald MacDougall
    • Malvin Wald
    • Jack Jacobs
  • Star
    • Bing Crosby
    • Inger Stevens
    • Mary Fickett
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    478
    LA TUA VALUTAZIONE
    • Regia
      • Ranald MacDougall
    • Sceneggiatura
      • Ranald MacDougall
      • Malvin Wald
      • Jack Jacobs
    • Star
      • Bing Crosby
      • Inger Stevens
      • Mary Fickett
    • 21Recensioni degli utenti
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Official Trailer
    Trailer 3:35
    Official Trailer

    Foto11

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    + 4
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    Interpreti principali34

    Modifica
    Bing Crosby
    Bing Crosby
    • Earl Carleton
    Inger Stevens
    Inger Stevens
    • Nina Wylie
    Mary Fickett
    Mary Fickett
    • Gwen Seward
    E.G. Marshall
    E.G. Marshall
    • Sam Dunstock
    Malcolm Brodrick
    • Theodore 'Ted' Carleton
    Richard Eastham
    Richard Eastham
    • Bryan Seward
    Anne Seymour
    Anne Seymour
    • Judge Randolph
    Dan Riss
    Dan Riss
    • Mack
    Rodney Bell
    • Loud Member
    • (non citato nei titoli originali)
    Marjorie Bennett
    Marjorie Bennett
    • Mrs. Delaney
    • (non citato nei titoli originali)
    Tex Brodus
    • Party Guest
    • (non citato nei titoli originali)
    Theona Bryant
    • Minor Role
    • (non citato nei titoli originali)
    Don Burnett
    Don Burnett
    • Lab Assistant
    • (non citato nei titoli originali)
    Charles Calvert
    • Bartender
    • (non citato nei titoli originali)
    Phil Chambers
    Phil Chambers
    • Roberts
    • (non citato nei titoli originali)
    George Cisar
    George Cisar
    • Bailiff
    • (non citato nei titoli originali)
    Jack Daly
    • Parking Attendant
    • (non citato nei titoli originali)
    Roy Damron
    • Passerby
    • (non citato nei titoli originali)
    • Regia
      • Ranald MacDougall
    • Sceneggiatura
      • Ranald MacDougall
      • Malvin Wald
      • Jack Jacobs
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti21

    6,5478
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    Recensioni in evidenza

    7SnoopyStyle

    angry Bing in modern divorce

    Wealthy industrialist Earl Carleton (Bing Crosby) has full custody of his son Ted for the last two years after his divorce. His ex-wife Gwen is back in town with second husband lawyer Bryan Seward. Bryan is a skilled government lawyer and they're looking to share custody. Sam Dunstock (E. G. Marshall) is Earl's lawyer.

    Bing is doing a more serious role without any singing. He's still Bing, but the character's stubbornness gets rather awful. He has a seething anger just under the surface which blows up after the judgement. It's a very modern role and a very modern subject matter. The big climax seems to happen in the middle. The self-pitying Earl is not a fun watch. I don't care much about the new romance. After all, it is all about the boy. My mind keeps drifting to Kramer vs Kramer. In a way, this movie is not as good, but it also shows how forward thinking this is. I do have two issues. First, the judgement is rather short-sighted. She should order the boy to go for a summer vacation. This seems to be done for dramatic purposes. Second, the boy is way too stupid. I get that he needs to ask questions about King Solomon, but he sounds so stupid. It would work better if the kid is younger.
    8aromatic-2

    realistic, even-handed account of the issues involved in divorce

    Spirited performances by Crosby, Stevens, Seymour, and E.G. Marshall notches this one above its clinical routes. William Schallert has a wonderful bit as Judge Seymour's secretary. In many ways, a 20-year predecessor to Kramer vs. Kramer -- and in its own way, no less poignant.
    9dgmproductions

    Well worth seeing

    A film that is rarely seen today is a must see if you get the chance. The acting is terrific with Bing Crosby giving a performance worthy of another Oscar nomination - in fact all the cast do an excellent job in this well constructed drama about the ugly side of divorce and custody. The film deals very well with these issues and is still relevant even though it was made in 1957. Also this is one of the very few films in which Bing Crosby doesn't sing - except over the titles at the start of the film. Hopefully this will eventually gain a DVD release and a chance to be seen by more people as it only achieved a limited release in 1957 and hasn't been seen a lot since.
    4mls4182

    Dull, yet very ironic

    Bing might have been one of the most loved singers of the early 20th century but he was no great actor.

    From all I've heard he was no great father either. A complete tyrant. His children must have watched this movie in awe, not even recognizing his behavior towards his son.
    8dawh1

    Glad I saw this movie again

    The first time I saw this movie I was a teenager, barely older than the boy in the movie. (By the way, Malcolm was 13 and his voice was changing -- why did they have to say his character was 10?). It made me very angry. I was the son of divorced parents and I didn't even know where my father was. I envied the boy his relationship with his father. I thought the situation in the movie was unfair to men because it undervalued the importance of male bonding between father and son. Now that I've watched it again in my 60s I see I was wrong about it. Of course it's best for a kid to have two parents who love each other and stay married, but when we can't have what's best, we have to decide from the options that are available. I think this movie does a very good job of being fair to everybody.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Bing Crosby wanted to marry Inger Stevens after making this film, but she refused to convert to Catholicism.
    • Blooper
      At about the 24 minute mark, when Earl and Nina are sitting at the bar talking, Earl having ordered coffee and ginger ale for her, their beverages are suddenly there, along with cream and a sugar bowl, without any appearance of the bartender bringing them.
    • Citazioni

      Theodore 'Ted' Carleton: King Solomon who was going to cut the baby in half. Why did Solomon smile?

      Earl Carleton: Because he knew who the real mother was.

      Theodore 'Ted' Carleton: The one who gave up the baby.

    • Connessioni
      Edited into Toast of the Town: Johnny Mathis, Polly Bergen, Rusty Draper, Bing Crosby (on film), John Raitt, Inger Stevens (1957)
    • Colonne sonore
      Man On Fire
      Music by Sammy Fain

      Lyrics by Paul Francis Webster

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    Dettagli

    Modifica
    • Data di uscita
      • 21 ottobre 1957 (Svezia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Man on Fire
    • Luoghi delle riprese
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Stati Uniti(Studio)
    • Aziende produttrici
      • Bing Crosby Productions
      • Sol C. Siegel Productions
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.180.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.66 : 1

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