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Growing up, my list of favorite action heroes was an odd one, including George Nader, who I enjoyed starring in that series of German-made B movies beloved by TV syndication packages (similarly, Klaus Kinski my favorite villain from his endless Edgar Wallace junkers -imagine my thrill in 1981 interviewing the great KK when "Venom" was released!).

Here we have Nader starring as a most unusual man of the cloth, playing perhaps the obverse of the character played by Charles Bronson in "Death Wish" two decades later. Watching this Universal-International release on Youtube in glorious CinemaScope and crisp black & white just now was a reminder of the late '50s when theaters were a great leveller - little movies given a deluxe treatment. In fact, here's a Nader vehicle shot by the great Russell Metty and boasting an original score by Henry Mancini!

The problem with "Man Afraid" is very, very poor pacing. The opening reel dramatically sets the table: putting all the elements of suspense and thrills in play, then for seemingly a full hour the picture just lies there, not action-packed, not heroic, but merely repetitive. Eduard Franz as the silent, dour bad guy wanders around threateningly, and given that this came from Universal Pictures, I immediately thought of The Mummy, that shambling horror figure in the studio's pantheon who is the least frightening of all, desperately in need of a shot of industrial strength Geritol.

Nader is earnest and forced to carry the movie single-handed, while poor Phyllis Thaxter as his wife is scripted pathetically, literally.

I decided to watch this movie because the premise seemed promising. And I did watch it all the way to the end, which says something good about it since often I give up on a movie that doesn't hold my interest. What I found wrong with 'Man Afraid' is that right off the bat the parents - especially the father - are playing so fast and loose with the safety of their son, i.e. Having him walk to his friend's house after dark especially after the kid has told them that the father of the dead burglar has approached him. The kid's father knows that the other father is upset and would not even talk to him, so he just dismisses the kid's claims out of hand? Even though the kid has a history of exaggeration, this would be no time to dismiss his claims about being pursued by the dead guy's father.

And the police seem awfully reluctant to do much about the dead guy's father either, even when the kid's mother sees him in her home and she has to try and get away from him. 'Oh, she couldn't have seen him, she didn't know what he looked like,' says the police detective. Over and over the police refuse to believe there's anything really going on to be concerned about.

This movie was only so-so. And I have to say that I didn't find the ending all that satisfying either. This is not in the same league as 'Cape Fear' as someone else said. Not even close IMO.

Having disturbed and overpowered a burglar in his son's bedroom (No doubt in search of a priceless jigsaw puzzle), church minister George Nader is shocked to find himself at the centre of a homicide case. Who would have imagined that skidding on a toy, seconds before being involved in a head on collision with a flying snow globe would have such tragic consequences?

The relatively tense climax and moralistic denouement only partially mask the fact that much of the plot is just a series of cobbled together contrivances. Terrorized, half blind Phyllis Thaxter contrives to demolish a table lamp and dislodge pictures from the wall as she frantically reels around the room, while hard as nails detective Harold J. Stone contrives to be ultra cynical as Nader shovels more and more clues in his direction. When Nader discovers vital evidence in the form of a tin box full of half smoked dimps, dog ends and roll ups, close to the church bazaar, he bizarrely neglects to hand it in to the police. When he later returns to the spot.....Whaddya know? It's gone!

Home security was clearly low on Nader's list of priorities. Long before the walk-in shower became fashionable, he had a walk-in house. An all too easy target for the passing trade of thieves, prowlers and cops.

Man Afraid is.....Oh Man! A frayed and frazzled stab at film noir. Never rising above routine, a loose retread of the previous year's 'The Killer is Loose', with disturbed loner, Eduard Franz out to avenge the murder of his son paralleling angry, grudge bearing Wendell Corey's eye for an eye fixation in the aftermath of his wife's fatal shooting.

I'm sorry, but. I wasn't afraid of a man who didnt change his clothes for over a week. You could probably smell him two blocks away. George Nader plays a minister and is relatively convincing. Eduard Franz, however, steals the film as the sicko Simmons, who wants some type of revenge for his son being killed by a fastball to the bean of his son by the minister while he was robbing a house. He had it coming. Nice pitching job by Nader; he might have helped the Yankees that year.

Watchable mess just for the Simmons character. The music by Henry Mancini is not very romanic. Nader's son, Michael Collins, would go on to become a great leader of the Irish resistance in Ireland, although the name might just be a coincidence. Don't waste your time on this one.

I was well entertained by this late 50's film. Normally movies like this have a slow pacing, however this one is more interesting and the pacing is terrific. Your eyes will never leave the screen start to finish.

The plot concerns Rev. David Collins(played by George Nader) who surprises a burglar in his house and accidentally kills him. Feeling profound remorse for his actions, he tries to apologize to the victim's father Carl Simmons(played by Eduard Franz), who is a tailor by profession.

However Carl will hear none of it. He refuses to speak to David. Meanwhile David tries again and again to appeal to Carl's sensibilities.

What will happen next is for you to see and find out!

Verdict: excellent acting, background music, direction and script. I would also recommend for your collection of 50's thriller movies.