La strada è bloccata

Remarkably similar to Cy Endfield's 'Hell Drivers', which came out slightly earlier; but that was probably a coincidence.

This probably owes it's provenance more to Hollywood blue collar road movies of the forties like 'They Drive by Night' and 'Thieves Highway' - with a bit 'The Wages of Fear' thrown in - while the Brylcreemed, zoot-suited villain Joe Easy is presumably based on Johnny Friendly in 'On the Waterfront' and his sidekick played by Peter Reynolds on Rod Steiger's Charley.

Harry (Victor Mature) and Connie have a horrible marriage. You don't realize to what extent when the film begins...but there are definite signs they are having trouble when she refuses to move to the States when Harry's hitch in the service is over...and they HAD agreed on this move. Harry gives in and later his resentment comes out...in the form of a sexy receptionist, Lynn (Diana Dors). However, there is much more to the story...in fact, the main thrust of the film is Harry's job with a trucking company in the UK. It's run by a real creep, Joe Easy (Patrick Allen) and the guy isn't above faking hijackings of his trucks (so he can sell the loads), slapping folks about and even murder!! So how does Harry fit into all this?

In many ways, this film has a very noir feel to it. However, unlike most American noir pictures, pretty much everyone in it is a jerk! Connie is a poor excuse for a wife, Harry's moral compass becomes more and more bent through the course of the film and everyone has an aura of sliminess about them. This is NOT a complaint...more an observation. If you are looking for heroes...well, you won't really find any here....just jerks and bigger and nastier jerks! My complaint isn't really this...it's the ending when, inexplicably, there is some selflessness! Still, an exciting British film...and worth seeing.

This is a rather wrenching melodrama for those who like such things. Although on the surface The Long Haul is a trucking film and a noir, some of the characters' interrelationships and motivations add enough heft to the tense script to make you lean forward out of your seat for more reasons than just action and suspense.

I admit to watching the film for Dors, not previously being much of a fan of Mature, but I thought his contribution to the film was every bit as solid as hers.

Dors is nowhere as hot here as she was in Tread Softly Stranger, released a year later, but she gives a solid performance.

This is a very good film, starting with a great , sensitive script, terrific acting from Victor Mature and Diana Dors , and beautiful wide-screen B&W photography.

Anyone who's ever doubted the two leads acting ability should see this film. Diana Dors is particularly great in a role which was a surprise to me, displaying great sensitivity beyond the script, which is already very good.

I highly recommend this movie, it is much more than just a trucker, road action flick.

The relationships of the principal characters are very well drawn,

and the outcome is not the normal cliché ending one might expect.

The Long Haul is really a great film-noir of the 50s era, as good as any of the classic 40s noir, I believe.

It is available on DVD ... see it , you won't be disappointed.

There is a sort of inevitability about casting Victor Mature and Diana Dors. That is if you the reader have any passion for 1950's films as I do. They were larger than life then, and their physicality alone caught people's attention back then even if it does not now. Imagine the star of ' Demetrius and the Gladiators ' and the star of ' Passport to Shame ' meeting in a dream and insisting on their acting together and you have it. A dream for many came true to them as well as us, both with the male and female audience. Ken Hughes was a good director for them, and the screen is in stark and beautiful black and white showing off their mutual acting and physical abilities. Typecast as bad girl we all loved back then, but good at heart even when she kills in ' Yield to the Night ' (arguably her best performance) Dors shows yet again how well she could handle her sexual allure and her skills as a fine actor. Victor Mature in his rough, beat up good looks, and his equal power as a very strong actor make as I said a perfect match. And Hughes given a complex Film Noir plot does not let the audience down with trucks burning up the asphalt quite literally and corrupt men manipulating the weak and the good. No spoilers but Mature is a married man, but despite falling in love with Dors, duty to a mistaken marriage haunts him to the film's end. I enjoyed every minute of this very thrilling and sexy film (more so if the censor would have allowed) and it is well worth seeing once, and maybe more than once. Not a great film and a little bit derivative of others it somehow holds its own, and corruption in the long haul trucking business shows well the underside of British life in the mid-1950's.