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Quando volano le cicogne

Titolo originale: Letyat zhuravli
  • 1957
  • T
  • 1h 35min
VALUTAZIONE IMDb
8,3/10
21.504
LA TUA VALUTAZIONE
Tatyana Samoylova in Quando volano le cicogne (1957)
DrammaDramma politicoGuerraRomanticismoRomanticismo tragico

Veronica organizza un incontro con il suo amante, Boris, sulla riva del fiume, solo per lui per essere arruolato nella seconda guerra mondiale poco dopo.Veronica organizza un incontro con il suo amante, Boris, sulla riva del fiume, solo per lui per essere arruolato nella seconda guerra mondiale poco dopo.Veronica organizza un incontro con il suo amante, Boris, sulla riva del fiume, solo per lui per essere arruolato nella seconda guerra mondiale poco dopo.

  • Regia
    • Mikhail Kalatozov
  • Sceneggiatura
    • Viktor Rozov
  • Star
    • Tatyana Samoylova
    • Aleksey Batalov
    • Vasiliy Merkurev
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,3/10
    21.504
    LA TUA VALUTAZIONE
    • Regia
      • Mikhail Kalatozov
    • Sceneggiatura
      • Viktor Rozov
    • Star
      • Tatyana Samoylova
      • Aleksey Batalov
      • Vasiliy Merkurev
    • 102Recensioni degli utenti
    • 57Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 2 BAFTA Award
      • 4 vittorie e 3 candidature totali

    Foto130

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    + 122
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    Interpreti principali26

    Modifica
    Tatyana Samoylova
    Tatyana Samoylova
    • Veronika
    • (as T. Samoylova)
    Aleksey Batalov
    Aleksey Batalov
    • Boris Fyodorovich Borozdin
    • (as A. Batalov)
    Vasiliy Merkurev
    Vasiliy Merkurev
    • Fyodor Ivanovich Borozdin
    • (as V. Merkuryev)
    Aleksandr Shvorin
    Aleksandr Shvorin
    • Mark Aleksandrovich Borozdin
    • (as A. Shvorin)
    Svetlana Kharitonova
    Svetlana Kharitonova
    • Irina Fyodorovna Borozdina
    • (as S. Kharitonova)
    Konstantin Kadochnikov
    Konstantin Kadochnikov
    • Volodya
    • (as K. Nikitin)
    Valentin Zubkov
    Valentin Zubkov
    • Stepan
    • (as V. Zubkov)
    Antonina Bogdanova
    Antonina Bogdanova
    • Varvara Kapitanova -babushka Borisa i Irina
    • (as A. Bogdanova)
    Boris Kokovkin
    Boris Kokovkin
    • Nikolay Chernov
    • (as B. Kokovkin)
    Ekaterina Kupriyanova
    • Anna Mikhaylovna Lebedeva
    • (as Ye. Kupriyanova)
    Valentina Ananina
    Valentina Ananina
    • Lyuba
    • (as V. Ananina)
    Valentina Vladimirova
    Valentina Vladimirova
    • Soldatka
    • (as V. Vladimirova)
    Olga Dzisko
    • Dasha
    • (as O. Dzisko)
    Leonid Knyazev
    Leonid Knyazev
    • Sachkov
    • (as L. Knyazev)
    Georgiy Kulikov
    Georgiy Kulikov
    • Anatoliy Kuzmin
    • (as Yu. Kulikov)
    Daniil Netrebin
    Daniil Netrebin
    • Ranenyy
    • (as D. Netrebin)
    Aleksandr Popov
    • Borya
    • (as Sasha Popov)
    Irina Preys
    Irina Preys
    • Antonina Monastyrskaya
    • (as I. Preys)
    • Regia
      • Mikhail Kalatozov
    • Sceneggiatura
      • Viktor Rozov
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti102

    8,321.5K
    1
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    9
    10

    Recensioni in evidenza

    9KFL

    Visually inventive by any standards; inventive narrative by Soviet standards

    The story told by The Cranes are Flying is not, admittedly, all that original. Young lovers are separated by war; bad things happen to both. We've seen it many times before.

    Nonetheless, we haven't seen it filmed this well, with bold shots that take liberties to emphasize separation, or destruction, or hopelessness. All the more remarkable coming from the Soviet Union, and reason to conclude that Tarkovsky is not the last word in modern-era Soviet cinema.

    I was reading Chekhov's "Three Sisters" the other day, and chanced upon what may be the meaning of the title of this film. In Act 2, Masha objects to the notion that we must live our lives without meaning or understanding:

    "MASHA: Surely mankind must believe in something, or at least seek for the truth, otherwise life is just emptiness, emptiness. To live and not to know why the cranes are flying, why children are born, why there are stars in the sky. Either you must know why it is you live, or everything is trivial - mere pointless nonsense."

    Likewise, Veronika has a hard time believing that the war, and her and others' sufferings, have been pointless. Better to assign a meaning, to live as if one's life is significant, and not to give in to despair. It is perhaps this thinking that prompts her to her final act in the film.

    BTW as a minor correction to one other comment here--there may be a pattern of V's in the film, though I hadn't noticed them myself. But the first letter of Veronika's name is not a further instance of this; in the Cyrillic alphabet, her name begins with a letter which looks like an English "B".
    10GreySphinx

    Very very very good.

    If you're looking for a typical war movie, this is not it, so a note to all the testosterone-pumped carnage-craving war buffs out there, don't bother. Although the film is about Russian characters in WWII, don't expect to see any Nazis, cannons, blood, gore, etc. It's not a film about people who cause a war or who fight a war. It's a film about ordinary people who war happens to and the choices they make in dealing with it.

    Acting, cinematography, writing: all perfect 10s here. You'll certainly appreciate it if you're Russian like me, but even if not, you'll probably love it. If you speak no Russian, look for the RUSCICO (Russian Cinema Council) DVD version. It's got subtitles in about 14 different languages, but the English dubbing on this one I'd say is just as good. It's of course not as good as the original Russian track (some stuff is lost in translation), but just as good as the English subtitles. So go check it out, especially if you're studying film in any aspect.
    10vdg

    Masterpiece from Russia.

    I would like to tell you just a few things before considering seeing this movie. If at one point or another you thought you've seen good camera work, be prepared to be amazed by this movie. For the record, this movie was made in 1957 in Russia, but the technique used here is probably something that we've seen much later in the western world...about 20 years later. The level of emotions through the film varies quite a lot: happiness -love-war- despair-joy, but in the end you remain with something quite unique: the joy of seeing one masterpiece of filmmaking. The young directors from our time should study more this kind of movies and maybe they will be able to create something similar..even though I think movies like this are very hard to come by... If you've seen "I am Cuba" , then this movie would appeal to you very much, but if not, be prepared for a unique experience. The Russian directors have something in common: very small budgets, great actors, and a joy of creating art...and yes, they are able to create more masterpieces than all the western world together. I am not a big fan of Russia, actually I hate everything that's communist, but the film making in that part of the world, manages to create such feelings that are hard to describe.

    Enjoy it.
    10green2u

    Where has the film been all my life?

    Sick of the current cinema output, particularly American cinema, I've been making an effort to see the Oscar-winning foreign films. That's when I came across this gem. Slow to start, it picks up nicely once war is declared. Basically an old fashioned girl-waits-for-boy-to-return-from-war-story, the performances, the cinematography make this so very much more. Why Tatyana Samojlova as the young woman didn't become an international star after this is beyond me(though she has remained successful in her own country). You take the journey with her: young, defiant impetuous young girl, who, through the ravages of war becomes a very sober, somber woman who keeps a glimmer of hope (her final scene is devastating). We love her as much as the camera does. And the camera-work! Was this the pioneer in hand-held camera work? It truly adds an immediacy to the story. And the beauty of it (like when Tatyana's character is running up stairs and next to a slatted fence). I am humbled and grateful to see this film.
    Kirpianuscus

    just a gem

    more than a movie, it is a special experience. more than part of a period, it is a form of revelation. for extraordinaries images. for splendid shots. for the simple story. for drama. for the delicacy for present a profound tragedy. for the acting. to see The Cranes are flying is an event. for soul. and for the mind. a travel in time. and rediscover the basic values who defines each life. it is difficult to define it . because it is not only beautiful or seductive, touching or impressive. it is a honest testimony, a kind of window in the Soviet regime's gray reality. a film about love and about war. about innocence. and about survey. about the existence as drawing used the basic colors. see it ! for discover a new frame for your life. and new meanings for every day fights.

    Altri elementi simili

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    The Cranes are Flying and Soviet Cinema
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    L'intendente Sanshô
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      One of the most notable features of the film is cinematographer Sergey Urusevskiy's then ground-breaking use of hand-held cameras. He had learned how to film like this when he was a military cameraman during the war.
    • Citazioni

      Stepan: Dear mother, father, sisters and brothers! The happiness of our reunion is immeasurable. The heart of every Soviet citizen is filled with joy. Joy sings in our hearts. It is victory that has brought us this joy. We have all waited for this moment. But we shall not forget those left behind on the battlefield. Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish. We share the grief of those who cannot meet their loved ones today, and we will do everything to insure that sweethearts are never again parted by war, that mothers need never again fear for their children's lives, that fathers need never again choke back hidden tears. We have won, and we shall live not to destroy, but to build a new life!

    • Connessioni
      Edited into Nitrato d'argento (1996)

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    Dettagli

    Modifica
    • Data di uscita
      • 4 dicembre 1958 (Italia)
    • Paese di origine
      • Unione Sovietica
    • Sito ufficiale
      • Mosfilm [rus]
    • Lingua
      • Russo
    • Celebre anche come
      • Volano le gru
    • Luoghi delle riprese
      • Mosfilm Studios, Mosca, Russia(Studio)
    • Azienda produttrice
      • Mosfilm
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 17.923 USD
    • Lordo in tutto il mondo
      • 32.549 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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