Prigionieri dell'Antartide

Long before I ever knew about the existence of "The Land Unknown", I had already seen clips of its legendary T-Rex in various TV-shows spoofing bad movies and even wannabe funny commercials promoting the strength of cornflakes. It was like THE archetypal bad 'man-in-a-suit' monster that supposedly had to look ferocious but actually couldn't even fright the smallest child. Granted, the T-Rex looks ludicrous and pitiful, but bear in mind the movie remains a product of the 1950's and – in fact – the T-Rex is the only truly weak element in an overall decent and spirited little Sci-Fi effort. "The Land Unknown" also boosts an adequate screenplay, solid performances and direction and a couple of other and far more successful monster designs, including a Pterodactyl and some kind of Dino living underwater. Heck, the imaginative photography even manages to make smaller and "harmless" animals like iguanas and lizards look menacing. The story revolves on a scientific expedition heading for the continent of Antarctica to investigate why it could possibly have warm-watered seas and lakes amidst all the mountains of ice. A four-headed crew, one woman and three men, become trapped in a sudden storm and their helicopter lowers down a crater, far out of reach of all the headquarters' radars and search parties. For nearly 30 days, they are stuck in a subtropical landscape far below sea level and – even more astonishingly – where times didn't evolve and dinosaurs still prowl around. As paranoia amongst them rises and the hope for rescue lingers, the team faces the biggest ordeals in their lives. Okay, so "The Land Unknown" is rather tacky and often tedious, but it's undeniably charming and the opening quarter is even somewhat educational, with actual footage of the historically fundamental Admiral Byrd expeditions. The footage inside the crater and amongst the dinosaurs is obviously very grotesque and implausible, but hey, so was "Jurassic Park" and yet everybody loved that. Worth watching, but probably not for nowadays Sci-fi target audiences.

Today's kids, raised on computer-generated graphics, will probably sneer at it, but by 1957 standards THE LAND UNKNOWN was pretty hard to beat. Drawing inspiration from 1920s silent classic THE LOST WORLD and using film shot by Byrd during his polar expedition, THE LAND UNKNOWN presents the story of a helicopter forced down at a warm-water oasis in Antartica--where the crew discovers a prehistoric world where everything seems determined to gobble them up.

The special effects are a mixed bag, ranging from live-action shots of lizards-in-combat to Godzilla-style rubber suits to full size mechanics. While I wouldn't describe it as greatly sophisticated or even consistently executed, it is all a tremendous amount of fun. The script is more intelligent than you might expect--and the story takes an unexpected turn that tempers the action-heavy plot with a certain depth. The cast is no-name, but every one plays expertly, and THE LAND UNKNOWN moves at a cracking pace. This will never compete with the likes of Harryhausen's stop-motion classics, nor will it go down in the history of film as an equal to the truly great science-fiction and fantasy films of its day. But THE LAND UNKNOWN is a fun flick, and I recommend it to fans of 1950s creature features.

Gary F. Taylor, aka GFT Amazon Reviewer

This rip-roaring sci-fi adventure scores high marks in several categories. The story concerns four people whose helicopter lands in an unknown prehistoric valley, a freak temperate zone located thousands of feet below sea level in the Antarctic, kept warm by volcanically-heated water and a permanent cloud layer that traps the warm air.

The special effects are by Universal's FX wizard Clifford Stine, and even though the dinosaurs are not animated, they aren't badly done. The Tyrannosaurus Rex is a man in a suit, the flippered dinosaur is fairly convincing puppet, and the rest are enlarged lizards. All the dinosaurs are skillfully integrated with live action shots.

Stine loaded the film with wonderful scenes of the fog-shrouded prehistoric landscape, using marvelous matt shots and impressive sets, creating a Skull Island atmosphere.

In some ways, this is the perfect 1950's sci-fi film, because it proudly presents a wealth of facts about the Antarctic before it begins its fanciful story.

The music by Joseph Gershenson is extremely effective. Director Virgil Vogel ("The Mole People") keeps the action moving right along. Hero Jock Mahoney (who later played Tarzan) is a stalwart hero, and Shawn Smith (the stern lady astronaut in "It! The Terror from Beyond Space" and the luscious babe in a mini-skirt in "World Without End") makes a gorgeous heroine. Henry Brandon does a commendable job as a half-crazed survivor from a previous expedition -- and I read somewhere that he was actually a member of the 1947 Bird Expedition to the North Pole. Don't remember where I read it, so I might be misinformed.

This film is a very good entry in the late '50s sci-fi cycle, about a group of explorers and scientists who discover a lost tropical world below sea level in Antarctica (!) Reynolds (the pilot), Mahoney (the scientist), Smith, and Harvey crash-land and encounter dinosaurs and a survivor from an earlier expedition (Brandon). Great (although obviously indoor) sets, literate script, and good acting are the pluses. The dinosaurs are pretty shaky, especially the Tyrannosaurus (a guy walking around inside a dinosaur suit).

Mahoney seems a little miscast, but Brandon steals the show as the loner...his acting actually conveys the feeling that he's been stuck here alone for years. This is a very good B+/A- sci-fi film that should better known than it is.

A rip-roaring sci-fi adventure that has quite a lot going for it: a novel premise, a square-jawed hero, a lovely blond heroine, and several dinosaurs presented in a bizarre landscape.

Universal's ace effects artist Clifford Stine did a terrific job. The sets are also remarkable. The film's explanation for the presences of a tropical prehistoric world in the frozen Antarctic is intelligent and plausible. The character don't act like stereo-types, so the plot avoids being predictable. Be kind when you view the dinosaurs; they serve the story well, despite the fact that they're puppets, men in suits, and enlarged lizards.

If at all possible, see the wide-screen version. There's nothing worse than watching a dinosaur's mid-section attack somebody off-screen because the dino's head and tail have been cut