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I dannati di Varsavia

Titolo originale: Kanal
  • 1957
  • T
  • 1h 31min
VALUTAZIONE IMDb
7,9/10
8495
LA TUA VALUTAZIONE
Teresa Izewska in I dannati di Varsavia (1957)
DrammaGuerra

Nel 1944, durante la rivolta di Varsavia contro i nazisti, il tenente polacco Zadra e i suoi combattenti della resistenza usano il sistema fognario di Varsavia per sfuggire all'accerchiament... Leggi tuttoNel 1944, durante la rivolta di Varsavia contro i nazisti, il tenente polacco Zadra e i suoi combattenti della resistenza usano il sistema fognario di Varsavia per sfuggire all'accerchiamento tedesco.Nel 1944, durante la rivolta di Varsavia contro i nazisti, il tenente polacco Zadra e i suoi combattenti della resistenza usano il sistema fognario di Varsavia per sfuggire all'accerchiamento tedesco.

  • Regia
    • Andrzej Wajda
  • Sceneggiatura
    • Jerzy Stefan Stawinski
  • Star
    • Teresa Izewska
    • Tadeusz Janczar
    • Wienczyslaw Glinski
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    8495
    LA TUA VALUTAZIONE
    • Regia
      • Andrzej Wajda
    • Sceneggiatura
      • Jerzy Stefan Stawinski
    • Star
      • Teresa Izewska
      • Tadeusz Janczar
      • Wienczyslaw Glinski
    • 38Recensioni degli utenti
    • 31Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 1 vittoria e 2 candidature totali

    Foto112

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    Interpreti principali31

    Modifica
    Teresa Izewska
    Teresa Izewska
    • 'Stokrotka'
    Tadeusz Janczar
    Tadeusz Janczar
    • Ens. Jacek 'Korab'
    Wienczyslaw Glinski
    Wienczyslaw Glinski
    • Lt. 'Zadra'
    Tadeusz Gwiazdowski
    Tadeusz Gwiazdowski
    • Sgt. 'Kula'
    Stanislaw Mikulski
    Stanislaw Mikulski
    • 'Smukly'
    Emil Karewicz
    Emil Karewicz
    • Lt. 'Madry'
    Vladek Sheybal
    Vladek Sheybal
    • Composer Michal
    • (as Wladyslaw Sheybal)
    Teresa Berezowska
    • Halinka
    Zofia Lindorf
    • Old woman looking for her daughter
    Janina Jablonowska
    • Screaming Woman in the Sewer
    Maria Kretz
    • Wounded Woman
    Jan Englert
    Jan Englert
    • Zefir
    Kazimierz Dejunowicz
    Kazimierz Dejunowicz
    • Capt. 'Zabawa'
    Zdzislaw Lesniak
    • 'Maly'
    Maciej Maciejewski
    Maciej Maciejewski
    • Lt. 'Gustaw'
    Adam Pawlikowski
    Adam Pawlikowski
    • SS Man
    Wlodzimierz Bednarski
    Wlodzimierz Bednarski
    • Insurgent
    • (non citato nei titoli originali)
    Zenon Dadajewski
    • Insurgent
    • (non citato nei titoli originali)
    • Regia
      • Andrzej Wajda
    • Sceneggiatura
      • Jerzy Stefan Stawinski
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti38

    7,98.4K
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    Recensioni in evidenza

    futures-1

    It is relentless

    "Kanal" (Polish, 1957): This is the second of Andrzej Wajda's trilogy about WWII in Poland. I love the photography – the light, the angles, the flowing camera movements. "Kanal" is about a group of resistance fighters and civilians who, out of necessity, band together to fight (what appears to be a losing battle) against the oncoming Nazis. First set in an incredibly bleak ruin of Warsaw, the story and acting only intensify as they begrudgingly try to escape through the underground sewer system. This one will take it out of you. It is relentless. It is relentless. It is relentless. It is relentless. Relentless. Relentless. Relentless. Relentless. Relentless. Relentless.
    10Goodbye_Ruby_Tuesday

    Watch this film closely in the last hours of heroes lives...

    Did Andrzej Wajda predict the modern horror film? Or was he merely acting on--and manipulating--our fear of the big, scary monster? There are many shots in KANAL where the camera will simply stay on a passageway seconds after the survivors leave the shot. As a modern audience who has lived through horror films, we expect a Nazi or a monster to slip into the frame in the background, but it never does. KANAL truly is a horror film, but what's unbearable to us and the sturdy group of Resistance fighters isn't the Nazis above the sewers or the metaphorical monster, but it is the solitude and emptiness that drives them to insanity, death or a bitter end.

    KANAL is Andrzej Wajda's dirty, bloody valentine to the heroes of the 1944 Warsaw Resistance as the film follows the last hours of a band of heroes in their ultimately futile attempt to escape the Nazis through the labyrinth of underground sewers. We are first introduced to them as strong, willful humans trying to survive in a world that's falling to ruins (One could also argue that Andrzej Wajda also created the first post-apocalypse film). They laugh, they love, they play music in the last happy moments of their lives. After they enter the sewers, we expect and want them to come out even more strong-willed than ever--how many people can face dead bodies floating in the water of a dirty sewer with the same calm defiance? But as time goes on and the group gets separated, it becomes more and more inevitable that these heroes are not meant for a Hollywood's movie's happy, redemptive ending.

    Andrzej Wajda, like Roman Polanski, was a real survivor of the Nazi invasion of Poland during WWII, and both became filmmakers who brought their experiences to films, as Polanski did with Oscar-winning THE PIANIST. However, Polanski's film, though absolutely profound, doesn't have Wajda's eye for details--the scenes of ruined Warsaw, for example, seem almost CGI'ed and it's obvious that he's trying to go for more, while Wajda will focus solely on the dirty ground, the debris blowing in the wind, or the flames of a burning building in the background. With Wajda, less is much more effective. If there is a situation more dirty, awful, lonely, scary or haunting than these people making their way through the labyrinths, I have yet to see it.
    rmoba13

    Dante in Warsaw

    That this movie was made is a near miracle, since it squeaked out barely 3 years after Stalin died; and the Polish film industry could even begin to suggest that Poles could struggle against the Germans without Soviet "fraternal" help. It looks likely that it was saved from oblivion by the Silver Palm (1957), at least in Poland. My suspicion that this got past the Party censors as a Dantean allegory about the worker and peasant struggles, with each character and episode exposing some lesson. However, like Ashes and Diamonds, much of the real message is just at the surface: regular Poles struggling for a better future.

    The real hidden message of the film is a metaphorical struggle against Soviet oppression. Wajda seems to suggest this by quoting Szczepanski(1944): "... But know this: from our tombstones A victorious new Poland will be born And you will not walk this land You Red Ruler of bestial forces!" (1) Indeed the resolution suggests the Stalinist Inferno is far from over. Those who have tried to bring light to the world suffer a Promethean fate.

    What seems remarkable to me is the positive spirit, humor, and love of life that most of the characters display in the face of their passage into the underworld. There is additional irony (humorous to me), for example, that the composer attempts to play a particularly patriotic Chopin, but is then ordered to play "something with feeling:" an inane dance tune. (By the way, the Beckstein piano that the composer tries to protect was made by a company that provided Hitler with crucial early support.)

    It is also remarkable that such a dark, almost anti-heroic view of combatants was made only 12 years after the event. It is not so far from the spirit of Ernie Pyle, and just think how long it took to make Band of Brothers.

    (1) Interview on www.wajda.pl
    10begger

    Resistance is Futile

    In many respects this movie is sheer brilliance. For starters "Kanal" describes the entire Polish Revolt in a single instance at the eve of its termination. But this movie is much more than a parable of Revolution and struggle. "Kanal" has great characters, great settings, great scenes, and, above all, an important message to be told.

    What would it be like to fight an impossible battle against a larger force and be in the real world? What would it be like to face death at every turn and still travel on knowing defeat awaited you at the next bend? "Kanal" is the answer to these questions.
    9planktonrules

    awful and relentless as well as great

    This is certainly NOT a feel-good film, as it deals with the horrors of the Nazis and their crushing of the Warsaw uprising of 1944. After all, there is no way or reason to make this a nice or fun movie to view. It just isn't possible. BUT, we are treated to an intensely realistic and viscerally disturbing film showing the war in all its awfulness. The first portion of the film is set in crumbling buildings and the nobility of the cause is apparent. However, the vast majority of the film is set in the sewers (hence the title "Kanal") and the characters, over time, lose some of their nobility and just ache to survive. The film is intensely claustrophobic and the filth they move about in literally looks like raw sewage--so as the characters fight for life and, in most cases, give up hope, you find yourself being pulled into their world and their terror. A great, though intensely awful film to watch. So, it comes as no surprise that I would not recommend this film to children or people afflicted with claustrophobia.

    PS--if the musician seems familiar, it's because Wladyslaw Sheybal (also known as "Vladek Sheybal") is one of the Bond Villains in the movie FROM Russia WITH LOVE.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Director Andrzej Wajda was himself a fighter in the Polish resistance movement against the Nazis in World War II and several scenes in the film were based on his experiences.
    • Blooper
      When Korab is attacking Goliath self-propelled tracked mine, a wire pulling it can be seen.
    • Citazioni

      Narrator: These are the tragic heroes: watch them closely in the remaining hours of their lives.

    • Connessioni
      Featured in Vieras (1984)

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    Domande frequenti16

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    Dettagli

    Modifica
    • Data di uscita
      • 16 aprile 1958 (Italia)
    • Paese di origine
      • Polonia
    • Sito ufficiale
      • Studio Filmowe Kadr (Poland)
    • Lingue
      • Polacco
      • Tedesco
    • Celebre anche come
      • Kanal
    • Luoghi delle riprese
      • Dluga, Sródmiescie, Varsavia, Voivodato della Masovia, Polonia(manhole)
    • Azienda produttrice
      • Zespol Filmowy "Kadr"
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 31min(91 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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