Il delinquente del rock'n'roll

For his third feature film Colonel Tom Parker over to MGM where they assigned a couple of very experienced hands behind the camera, producer Pandro S. Berman who among other folks he produced for was Fred Astaire and director Richard Thorpe. He was one of MGM's busiest craftsmen, who directed just about every MGM star during that studio's golden years. As he always did, Colonel Parker made sure that his star got the best possible support and he didn't fail him in Jailhouse Rock.

In Jailhouse Rock, Elvis plays a rather surly, ill tempered youth whose quick with his fists. A brawl in a bar and Elvis kills a guy with his fists. Granted the deceased was a lout, still the state does frown on that and Elvis got a term for manslaughter. While there, he shares a cell with old time country singer Mickey Shaughnessy.

Mickey helps Elvis survive prison and discovers he's got a voice. When he's released before Shaughnessy, Elvis goes out in search of a career and determined to let nothing stand in his way. He discovers the music business is a cutthroat one and he responds in kind. He gets his success, but it costs him the love and respect of all around him, including young record promoter Judy Tyler who develops a thing for the king.

Elvis has some good songs to sing with the title song being the biggest hit from this film. Jailhouse Rock is given a good MGM style production, worthy of anything you might have seen MGM give one of Fred Astaire or Gene Kelly's musicals. And the record of course is still selling good.

Mickey Shaughnessy appeared in a lot of good films in the Fifties, but usually playing cheerful oafs. This was one of the few times he had a serious part and he carries it off well.

I was disappointed that Judy Tyler did not get to display her musical talents. Elvis's is not the only tragic story from the cast of Jailhouse Rock. Young Judy Tyler with a brilliant career in front of her was killed shortly after completing this film with her husband in an automobile accident. I remember it well because she had been Princess SummerFallWinterSpring on the Howdy Doody Show a few years earlier. After leaving that she got good notices on Broadway in one of Rodgers&Hammerstein's lesser shows, Pipe Dream.

My guess is that Colonel Tom did not want anyone sharing musical time with Elvis so early in his career. Otherwise she might have gotten a number on her own and a duet with the king. Her musical talent would have been preserved in a hit film, but who could have known? Elvis would have to wait until Viva Las Vegas and Ann-Margret before he got a leading lady who could sing and dance to match him.

The plot of the film is similar to The Carpetbaggers so if you've seen that you know how this one comes out. Elvis does a fine acting job and singing, well he is the king.

"Jailhouse Rock" is an entertaining film which Elvis Presley, its star, carries all the way. Judy Tyler is gorgeous as a love interest and Mickey Shaughnessy is tough but goodhearted as his jailhouse buddy. They provide good support. This is an early film for Elvis, maybe only his second film after his debut in "Love Me Tender." This movie felt like a pop culture time capsule from the late fifties era with the clothes, the music and the cars. It is a forerunner of many Elvis films of the same type where Elvis sings, overcomes obstacles and gets the girl, and yet it has the charm and innocence often typical in this era. The concept is still fresh in 1957, and it shows in Elvis's performance which is good. The plot is a bit weak in places but passable. "Jailhouse Rock" features roughly half a dozen performances by Elvis and they all add to the fun. There are also one or two numbers by costar Mickey Shaughnessy and they also enhance the film. This is one of the more substantial Elvis Films and a good one to watch to introduce you to the phenomenon of Elvis Presley. Sadly, Elvis's lovely costar Judy Tyler was killed in an automobile accident before the film was released in theaters. It has been said that Elvis refused to watch "Jailhouse Rock" ever again after Judy's death. I give this movie an 82/100 points.

"It ain't tactics, honey. It's just the beast in me." Elvis is smoldering in this classic flick, and he delivers a great performance as Vince Everett; a youngster who is thrown in jail on the charges of manslaughter, and then becomes a rock star when released. Judy Tyler is wonderful, and it's a shame we lost her at such a young age. Mickey Shaughnessy gives a solid performance as Hunk Houghton, the jealous former cell mate and business partner. The soundtrack is amazing, featuring songs as Jailhouse Rock, Young And Beautiful, One More Day, Don't Leave Me Now, and my favorite, I Want To Be Free. You can't help but wonder how many other great movies like this Elvis could've made if his manager Col. Tom Parker didn't screw things up for him. Ah well, see this great movie and enjoy, because it's a one of a kind.

Perhaps Presley's best movie. It casts him as a young hothead serving a jail sentence for manslaughter.Released from jail he makes it big in the music-business.The sudden success goes to his head and alienates his best friends. Elvis delivers a very magnetic performance with the aid of director Thorpe's skilled handling.Judy Tyler's performance is also very good.The movie's sour tone makes it stand out in comparison with the later Presley vehicles.The famous production number of the title tune is a smash. Rating: ***1/2 of *****

I heard a young woman who hadn't seen "Jailhouse Rock" before leaving the Parkway Theater here in Oakland say "I didn't expect it to be so sad." And yes, it's a pretty dark version of Elvis' own early life. To add to the dark shadow over this film, Elvis' lovely and tolented young co-star, Judy Tyler, died before this film was released (I believe it was a car accident, but I could be wrong). Elvis was pretty broke up about it, and so am I. Well, enough said, it's got the classic "Jailhouse Rock" number (often excerpted and included in TV retrospectives on Elvis), with some pretty smooth dance moves revealed by the often immobile Elvis. E really shines in this one; one of his best films.