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6,3/10
1738
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaUnion Army deserter, Lt. Hewitt, trains a ragtag band of all-female homesteaders to defend themselves against a Comanche tribe on the warpath.Union Army deserter, Lt. Hewitt, trains a ragtag band of all-female homesteaders to defend themselves against a Comanche tribe on the warpath.Union Army deserter, Lt. Hewitt, trains a ragtag band of all-female homesteaders to defend themselves against a Comanche tribe on the warpath.
- Regia
- Sceneggiatura
- Star
Patricia Tiernan
- Stella Leatham
- (as Patricia Livingston)
Irene Barton
- Proprietor's Wife
- (non citato nei titoli originali)
Pamela Beaird
- Nancy
- (non citato nei titoli originali)
Edwin Chandler
- Orderly
- (non citato nei titoli originali)
Cecil Combs
- Man in Store
- (non citato nei titoli originali)
Recensioni in evidenza
When I first saw the movie title as a boy, I thought it might be something almost ridiculous, but now that I've seen it my thoughts have been somewhat amended. The storyline is brief: during the Civil War an army officer (played well by the veteran western actor Audie Murphy) leads a group of women from Texas against hostile, attacking Indians who want to destroy the old fort where the women are found. Again, I was ready to laugh when I saw the title, but I do not think that in real life I would have wanted to tangle with any of these women who, led by Murphy, became practically sharpshooters. They held off Indians and outlaws well. This cinematic piece was exciting and the action good, which is shown through the fact that the women were very emotional. In one point the matter of killing is addressed, so in one place the movie is controversial. Because of the beautiful scenery, exciting western action, and good story, this has become a favorite western of mine.
i have seen this film several times. also, i am looking forward to seeing it again on television this week.
my only regret is that when we visited Arlington cemetery in 1990 we did not visit Audie Murphy's grave.
my only regret is that when we visited Arlington cemetery in 1990 we did not visit Audie Murphy's grave.
Opposing his commanding officer's decision to attack a group of innocent Indians and wipe them out , Lt. Frank Hewitt (Audie Murphy) leaves his post , while the commandant carries out a brutal slaughter , the famous ¨Sand Creek massacre¨. Then Frank heads home to Texas , there he gets a chilly reception back home however . With most of the folkmen away having drafted in the Confederate army , Frank, the Union officer, is seen by the local women as a traitor . Hewitt knows an impending Indian attack , as they will send all of the tribes on the warpath and subsequently Frank wants to forewarn everyone. He meets some homesteaders , all women (Kathryn Grant , Hope Emerson, Jeff Donnell , Jeanette Nolan, Patricia Tiernan , among others) whose men are away fighting in the Confederate Army to take refuge in an abandoned mission and old fort . He overcomes initial distrust and eventually convinces them . They have to defend a cavalry fort while their men are away, enlisted at army . Problems emerge when other women arrive at the besieged mission and their different relation among them . Hewitt trains them to fight and shoot in anticipation of the attack. The only other man at the fort runs away o save his scalp and ends up leading the Indians back to the mission. As they defend against violent furies , Indian attacks , a thousand of perils and hardships . Some were hussies in silk who became heroines in calico . Surrounded and outnumbered, the defenders prepare for the final assault .As the Indians threaten to overwhelm . Of all frontier annals .. Here's the heroic stand that stands alone¡ The thundering story that challenges all filmdom to match its excitement¡ GOOD WOMEN...BAD WOMEN...BRAWLING WOMEN...BRAVE WOMEN! They were all soldiers in skirts!
This fresh , genial picture gets Western action , shootouts , agreeable outdoors , a lot of attractive roles and turns to be quite entertaining . It's a medium budget film with good actors , technicians, production values and pleasing results . A good Western by the professional and craftsman filmmaker George Marshall who brought ¨When the Dalton rode¨and ¨Destry rides again¨. Excitement and entertainment mount in the closing stages as the brave women begin to fall little by little , one by one , while defending a cavalry fort . The main and enjoyable plot line results to be the Union Army deserter, Lt. Hewitt, trains a rag-tag band of all-female homesteaders to defend themselves against a Comanche tribe on the warpath , as he convinces them of the perils that lie ahead and trains them to repel the attack that will eventually come. Gritty and decently written Western with interesting screenplay by Walter Doniger , based on a story by William Harrison , exploring the anguish of women , the hard relationship among them and including jarring bursts of action and emotion . This is a thrilling tale of a valiant and a hard-bitten lieutenant assembling a detail of misfit women to hold-off rampaging Indians . This is a moving story about a surrounded mission/fort and director takes a fine penned script creating a women-cavalry-Indians tale that is far from ordinary , exploring the distresses and desperation of some fainthearted women . This Western is predictable and conventional but entertaining . It is an uneven Western with a plot that several times reminds ¨Beau Geste¨in female style and following an typical American style , such as ¨Chuka¨ and ¨Only the valiant¨ by Gordon Douglas , ¨Mutiny at Fort Sharpe¨ by Fernando Cerchio with Broderick Crawford , all of them dealing with forts also besieged by Indians , as well as taking parts here and there of ¨Westward the woman¨by William A Wellman with Robert Taylor , Denise Darcel . It's the regular plot concerning a motley team stranded by hostile Indians , unfortunately, despite a few good elements like these , I didn't overall care for this movie that results to be decent one , but including some flaws . The movie is sometimes slow-moving , and the characters mostly act alike . As the picture contains nice moments but partially unsatisfying , that's why of the excessive scenes shot at the claustrophobic environment of the mission interior . Audie Murphy gives a nice acting as Lt. Frank Hewitt who deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. The WWII hero Murphy won more than 10 medals , being the most decorated American soldier , including Congressional Medal of Honor and he was prized by 5 decorative medals by France and Belgium , post-WWII . Murphy starred a great number of Westerns as The kid from Texas , Cimarron kid , Gun point , Night passage , The gunrunners , Posse from hell , Gunfight at Comanche , Rifles Apaches , The unforgiven, Legend of Sam Ward , Whispering Smith , 40 guns at Apache pass , Texas Kid . Support cast is pretty well , as Audie Murphy being well accompanied by a fine -mostly women- cast , such as : Kathryn Grant , Hope Emerson , Jeanette Nolan , Jeff Donnell , Patricia Tiernan , Peggy Maley , Isobel Elsom . And the bad guys and good guys include a whole crop of familar faces you love to see , such as : Sean McClory , Ray Teal , Francis McDonald , John Dierkes, Nestor Paiva , the usual nasty James Griffith and Charles Horvath who usually plays Indian roles , here as Yellow Horse .
It provides a rousing and stirring musical score by Mischa Bakaleinikoff , Columbia Pictures's regular , though uncredited. It contains brilliant and colorful cinematography in Technicolor by Ray Rennahan . Being shot on location in Old Tucson , Arizona, Amado, Arizona,Sierrita Mountains, Ironwood Forest National Monument, Tucson Mountains, Sonoran Desert, Picacho Peak State Park, Sedona , San Xavier, Flagstaff, Arizona . The motion picture well produced by Harry Joe Brown and Audie Murphy himself , though uncredited , being directed in sure visual eye by George Marshall . Pretty good serious and acceptable Western with George Marshall's inspired direction and a sensational cast . Marshall realized a variety films of all kind of genres , though especially Western , the best are starred by James Stewart and Glenn Ford . Marshall directed Western along half century , his first Western was ¨Wild gold¨(1934) and he subsequently made his masterpiece ¨Destry rides again¨(1939) in which combines action , charmingly natural story , humor and drama ; in 1951 directed a new version under title ¨ Frenchie ¨ with Eddie Murphy and Marie Blanchard in similar characters to James Stewart and Marlene Dietrich . As Marshall introduces comicalness in realist Western , including a little genre satire on the conventional Western thrown in for good measure . As he directed Western with funniness such as ¨Texas¨ also starred by Glenn Ford and Edgar Buchanan . He went on filming parody/western such as ¨Fancy pants¨(1950) , ¨Advance to the rear¨(1964), and musical Western as ¨Red Garters¨and ¨The second greatest sex¨. Other Westerns he directed are the following ones : ¨When Dalton rode¨, ¨Valley of the sun¨, ¨The savage¨, ¨Pillars of sky¨, ¨the guns of Fort Petticoat¨ and the episode titled ¨The railway¨ from ¨How the West was won¨ . Rating 6.5/10. Better -than -average. Well worth seeing . The picture will appeal to Eddie Murphy fans .
This fresh , genial picture gets Western action , shootouts , agreeable outdoors , a lot of attractive roles and turns to be quite entertaining . It's a medium budget film with good actors , technicians, production values and pleasing results . A good Western by the professional and craftsman filmmaker George Marshall who brought ¨When the Dalton rode¨and ¨Destry rides again¨. Excitement and entertainment mount in the closing stages as the brave women begin to fall little by little , one by one , while defending a cavalry fort . The main and enjoyable plot line results to be the Union Army deserter, Lt. Hewitt, trains a rag-tag band of all-female homesteaders to defend themselves against a Comanche tribe on the warpath , as he convinces them of the perils that lie ahead and trains them to repel the attack that will eventually come. Gritty and decently written Western with interesting screenplay by Walter Doniger , based on a story by William Harrison , exploring the anguish of women , the hard relationship among them and including jarring bursts of action and emotion . This is a thrilling tale of a valiant and a hard-bitten lieutenant assembling a detail of misfit women to hold-off rampaging Indians . This is a moving story about a surrounded mission/fort and director takes a fine penned script creating a women-cavalry-Indians tale that is far from ordinary , exploring the distresses and desperation of some fainthearted women . This Western is predictable and conventional but entertaining . It is an uneven Western with a plot that several times reminds ¨Beau Geste¨in female style and following an typical American style , such as ¨Chuka¨ and ¨Only the valiant¨ by Gordon Douglas , ¨Mutiny at Fort Sharpe¨ by Fernando Cerchio with Broderick Crawford , all of them dealing with forts also besieged by Indians , as well as taking parts here and there of ¨Westward the woman¨by William A Wellman with Robert Taylor , Denise Darcel . It's the regular plot concerning a motley team stranded by hostile Indians , unfortunately, despite a few good elements like these , I didn't overall care for this movie that results to be decent one , but including some flaws . The movie is sometimes slow-moving , and the characters mostly act alike . As the picture contains nice moments but partially unsatisfying , that's why of the excessive scenes shot at the claustrophobic environment of the mission interior . Audie Murphy gives a nice acting as Lt. Frank Hewitt who deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. The WWII hero Murphy won more than 10 medals , being the most decorated American soldier , including Congressional Medal of Honor and he was prized by 5 decorative medals by France and Belgium , post-WWII . Murphy starred a great number of Westerns as The kid from Texas , Cimarron kid , Gun point , Night passage , The gunrunners , Posse from hell , Gunfight at Comanche , Rifles Apaches , The unforgiven, Legend of Sam Ward , Whispering Smith , 40 guns at Apache pass , Texas Kid . Support cast is pretty well , as Audie Murphy being well accompanied by a fine -mostly women- cast , such as : Kathryn Grant , Hope Emerson , Jeanette Nolan , Jeff Donnell , Patricia Tiernan , Peggy Maley , Isobel Elsom . And the bad guys and good guys include a whole crop of familar faces you love to see , such as : Sean McClory , Ray Teal , Francis McDonald , John Dierkes, Nestor Paiva , the usual nasty James Griffith and Charles Horvath who usually plays Indian roles , here as Yellow Horse .
It provides a rousing and stirring musical score by Mischa Bakaleinikoff , Columbia Pictures's regular , though uncredited. It contains brilliant and colorful cinematography in Technicolor by Ray Rennahan . Being shot on location in Old Tucson , Arizona, Amado, Arizona,Sierrita Mountains, Ironwood Forest National Monument, Tucson Mountains, Sonoran Desert, Picacho Peak State Park, Sedona , San Xavier, Flagstaff, Arizona . The motion picture well produced by Harry Joe Brown and Audie Murphy himself , though uncredited , being directed in sure visual eye by George Marshall . Pretty good serious and acceptable Western with George Marshall's inspired direction and a sensational cast . Marshall realized a variety films of all kind of genres , though especially Western , the best are starred by James Stewart and Glenn Ford . Marshall directed Western along half century , his first Western was ¨Wild gold¨(1934) and he subsequently made his masterpiece ¨Destry rides again¨(1939) in which combines action , charmingly natural story , humor and drama ; in 1951 directed a new version under title ¨ Frenchie ¨ with Eddie Murphy and Marie Blanchard in similar characters to James Stewart and Marlene Dietrich . As Marshall introduces comicalness in realist Western , including a little genre satire on the conventional Western thrown in for good measure . As he directed Western with funniness such as ¨Texas¨ also starred by Glenn Ford and Edgar Buchanan . He went on filming parody/western such as ¨Fancy pants¨(1950) , ¨Advance to the rear¨(1964), and musical Western as ¨Red Garters¨and ¨The second greatest sex¨. Other Westerns he directed are the following ones : ¨When Dalton rode¨, ¨Valley of the sun¨, ¨The savage¨, ¨Pillars of sky¨, ¨the guns of Fort Petticoat¨ and the episode titled ¨The railway¨ from ¨How the West was won¨ . Rating 6.5/10. Better -than -average. Well worth seeing . The picture will appeal to Eddie Murphy fans .
An earlier reviewer writes that the title of this Audie Murphy oater suggests a comedy--"F Troop" meets "Petticoat Junction." He can be forgiven this wit since both of those sitcom inanities post-date this western by many years.
But in a way he was not far wrong. While not a comedy it has comedic elements, as all good action films should, and it's a merger of two stories that could be described as "The Alamo" meets "Westward the Women".
The latter is an (apparently) little known film by William Wellman made six years earlier. Robert Taylor has the Audie Murphy role as wagon-master Buck Wyatt leading a group of mail-order brides from Chicago to California. He's also a hard-nosed martinet whose crew deserts him when they can't obey his orders to stay away from the women, thus setting up a similar scenario. Although not the only male guiding the wagon train west (there are four), the setup is pretty much the same as "Fort Petticoat".
The common bond here is Hope Emerson ("Sergeant" Hannah Lacey), a true pro. She was also Patience Hawley in Wellman's film, playing the same character in both, and it's a good one. I believe MGM hoped to establish Emerson as another Marjorie Main but comparisons are invidious and Emerson, a wonderful actress (see "Caged"), inevitably came off second to Main. Sadly, she died a few years after this movie was made.
Many of the same elements populate both movies, particularly in how the man trains the women, who grow beyond his tutelage (and leadership) after overcoming difficult odds, but "Fort Petticoat" manages to come up with a few new turns of its own.
As for Audie, he does well--reprising Buck Wyatt in spirit but remaining true to his own personality. He plays as well off Emerson as Taylor did in "Westward" and both make this an entertaining movie.
This movie can be frequently found on Encore Westerns but if you can catch "Westward the Women" on TCM, I urge you to do so. It's a bit grittier but the two are a credit to each other thanks to Hope Emerson.
But in a way he was not far wrong. While not a comedy it has comedic elements, as all good action films should, and it's a merger of two stories that could be described as "The Alamo" meets "Westward the Women".
The latter is an (apparently) little known film by William Wellman made six years earlier. Robert Taylor has the Audie Murphy role as wagon-master Buck Wyatt leading a group of mail-order brides from Chicago to California. He's also a hard-nosed martinet whose crew deserts him when they can't obey his orders to stay away from the women, thus setting up a similar scenario. Although not the only male guiding the wagon train west (there are four), the setup is pretty much the same as "Fort Petticoat".
The common bond here is Hope Emerson ("Sergeant" Hannah Lacey), a true pro. She was also Patience Hawley in Wellman's film, playing the same character in both, and it's a good one. I believe MGM hoped to establish Emerson as another Marjorie Main but comparisons are invidious and Emerson, a wonderful actress (see "Caged"), inevitably came off second to Main. Sadly, she died a few years after this movie was made.
Many of the same elements populate both movies, particularly in how the man trains the women, who grow beyond his tutelage (and leadership) after overcoming difficult odds, but "Fort Petticoat" manages to come up with a few new turns of its own.
As for Audie, he does well--reprising Buck Wyatt in spirit but remaining true to his own personality. He plays as well off Emerson as Taylor did in "Westward" and both make this an entertaining movie.
This movie can be frequently found on Encore Westerns but if you can catch "Westward the Women" on TCM, I urge you to do so. It's a bit grittier but the two are a credit to each other thanks to Hope Emerson.
Lt. Frank Hewitt absconds from the Union Army to warn fellow Texans that Indian attacks are inevitable due to a massacre at Sand Creek. What he finds is that all the men are away fighting in the Confederate Army so the homesteaders are mainly made up of women. Having to first earn their respect and trust, he convinces them to prepare for an Indian attack at a dilapidated mission station, teaching the majority of them to shoot and fend for themselves in hand to hand combat. Badly outnumbered when the day comes, it will take more than the hand of god to stop this from being another massacre to further darken the South.
What an absolute blast this picture is, for sure it's steeped in "B" movie tropes, but led by the amiable Audie Murphy as Hewitt, the picture is certainly most engaging and never lets the discerning viewer down. Perhaps struggling to shake off the need to be overtly serious, it is none the less dramatic at times and not without serious moments that put the ladies of the piece firmly in a good light. It's not a feminist picture of course because the characters still need their men to be with them, while Hewitt naturally creates a little pitter-patter amongst some of the women. What the picture chiefly portrays is that these gals can step up to the plate when required, and more crucially, the film doesn't rely on sentimentality to raise the story's worth.
Kathryn Grant (soon to me Mrs Bing Crosby), Hope Emerson, Jeanette Nolan, Peggy Maley and Patricia Tiernan are just some of the female cast that brighten up the play. From the intriguing training sequences as Hewitt gets tough with the gals, to the thrilling rush of the Indian attack on the mission, The Guns Of Fort Petticoat is a very enjoyable Western that most certainly doesn't waste the time of the viewer. 7/10
What an absolute blast this picture is, for sure it's steeped in "B" movie tropes, but led by the amiable Audie Murphy as Hewitt, the picture is certainly most engaging and never lets the discerning viewer down. Perhaps struggling to shake off the need to be overtly serious, it is none the less dramatic at times and not without serious moments that put the ladies of the piece firmly in a good light. It's not a feminist picture of course because the characters still need their men to be with them, while Hewitt naturally creates a little pitter-patter amongst some of the women. What the picture chiefly portrays is that these gals can step up to the plate when required, and more crucially, the film doesn't rely on sentimentality to raise the story's worth.
Kathryn Grant (soon to me Mrs Bing Crosby), Hope Emerson, Jeanette Nolan, Peggy Maley and Patricia Tiernan are just some of the female cast that brighten up the play. From the intriguing training sequences as Hewitt gets tough with the gals, to the thrilling rush of the Indian attack on the mission, The Guns Of Fort Petticoat is a very enjoyable Western that most certainly doesn't waste the time of the viewer. 7/10
Lo sapevi?
- QuizAudie Murphy portrays army Cavalry lieutenant Frank Hewitt. In real life Audie Murphy served in the US Army during World War II. He won the Medal of Honor during the war and was the most decorated soldier in World War II. He was commissioned as an officer and eventually retired from the army in 1969 after also serving in the Texas National Guard for sixteen years.
- BlooperThe movie made a big deal about being in Texas. Saquaro (pronounced suh-WAHR-oh) cacti are found only in the Sonoran Desert, which includes Arizona, Mexico, and California.
- Citazioni
Lt. Frank Hewitt: [Hazel McCasslin fires at the charging Indians prematurely] Hold your fire McCasslin, they're outta range! Just want us to get scared and use up ammunition!
Hannah Lacey: Mother o' Moses, you can't get any scareder than I am now!
- ConnessioniEdited into Bruciatelo vivo! (1969)
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Dettagli
- Tempo di esecuzione1 ora 22 minuti
- Proporzioni
- 1.85 : 1
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