Duello a Durango

Never heard of Director Salkow but he does a decent job with this B pic, and cleverly allows child actor Bobby Clark to steal the spectator's heartstrings.

Montgomery is not a great actor but he is effective as a gun hand trying to reform and stop killing. Ann Robinson is a dish, so they make a great couple. Steve Brodie is a convincing villain, and the action is somewhat slow and frustrating because initially Sabre wants to take on the identity of Bobbly Clark's father and allow killer Sabre to be reported dead but then he dithers and goes back on his plan, when all he had to do was to shoot all the members of the Sabre gang dead and the sheriff would not be able to identify him.

At one point he tells lovely Robinson that he has switched names because he does not want to kill anymore but, after much hesitation, he goes ahead and kills three or four gang members for good measure.

So go figure that contradiction. Apart from that, it's a touching and entertaining B pic.

Sad to say that a cheap production characterizes this George Montgomery B western. With some color and a few more touches Gun Duel In Durango might have rated a bit higher. It also would have been nice had the hero who of course is Montgomery and chief villain Steve Brodie actually had a classic gun duel in the middle of street as per the title.

Even so Montgomery turns in a fine performance as an outlaw who wants to quit his gang and go straight, straight to Ann Robinson an old girl friend and marry her. But the gang won't leave him alone and the current leader Steve Brodie has a notion he can take Montgomery.

In addition to Robinson, Montgomery also picks up orphan Bobby Clark and the three do become a family after a few rough patches. George must have felt like Michael Corleone the way his old crew wants to drag him back in.

Western fans should be pleased with this one.

A Tad Above Average B-Western that has Plenty of Heart and Plenty of Gunfire. George Montgomery is trying to Hang-Up His Outlaw Guns but His Old Gang won't let go. The always Reliable Steve Brodie is now Heading the bunch of No-Goodniks and is Determined to make Montgomery Pay in more ways than one.

Nifty Little Saddle Soap that utilizes that 50's Plot Point that Post-War Baby-Boomers got there Handle. It's all about Kids ("Shane", "The Rifleman"). This one isn't too Sappy and the Cast makes it Appealing and Heartwarming.

Guns Ablaze and the Solution has an Optimistic, Forgiving Attitude about Gangster Reform for a Sunny Conclusion. Enjoyable, Fast-Paced Western that should Please Fans of the Genre.

Brodie Steals the Show as a Nasty Creep and the rest of the Seasoned Cast Help things stay on course. The Kid, who just Lost His Dad, shows some Intelligence and Attitude that Rivals the Grownups and does Not Diminish the Grit of the Movie.

George Montgomery plays Will Sabre--an outlaw. However, he's sick of the life and wants to retire--but his gang vows to kill him if he does. But, they like him so they give him 30 days to change his mind...or else.

On his way into town, Sabre happens upon an orphan. Robbie's father is dead and he's stranded along the trail. Sabre feels sorry for him and takes the boy with him into Durango. There he gets a job and tries to make something of himself--renaming himself Dan Tomlinson. But the gang is an ever-present threat. What is he to do? As is the case with all of George Montgomery's westerns I've seen, this is a very very competent and well made lower-budgeted film. Montgomery is excellent as always and they manage to make rather ordinary stuff a bit better than it should be. Well worth seeing.

By the way, the trivia section on IMDb is mistaken. It says that the boy Robbie was played by a 20 year-old. Bobby Clark was only 12 or 13 when the film debuted, as he was born in 1944.

An infamous criminal's attempts to live an honest life are complicated by his love interest, his concern for a young orphaned boy, and former gang members who don't want to see him going straight. An ordinary B-Western held together by a workmanlike performance from George Montgomery and competent direction from Sidney Salkow. Loses points for an unaccountably rushed ending, though.