La belva del Colorado

I've seen this movie rated as 1 1/2 stars on the 5-scale in some places but it's much, much better than that. True, it's a low budget film, but it doesn't take a big budget to come up with a good script and people who know how to play their roles with conviction. This movie has one of the best fistfight scenes I've seen in a long time, with the big mirror behind the bar as the first casualty - followed by chairs, the front window of the saloon, and a lot of wear and tear on Brock Mitchell and Miley Sutton (played by John Derek and John Smith respectively) who end up being dragged down the street beneath a wagon. This is a movie with good guys you like and bad guys you like to hate. It may be a low budget film, but I've seen some with much bigger budgets that I didn't like anywhere near as much. This one is well worth your time - get out the popcorn and enjoy a good Western.

Fury at Showdown is directed by Gerd Oswald and adapted to screenplay by Jason James from the novel Showdown Creek written by Lucas Todd. It stars John Derek, John Smith, Carolyn Craig, Nick Adams, Gage Clarke and Robert Griffin. Music is by Harry Sukman and cinematography by Joseph LaShelle.

After killing a man in self defence, reformed gunfighter Brock Mitchell (Derek) finds that the brother of the man he killed is intent on evening the score.

It's a tried and tested formula here, that of a one time gunman trying to reform but finds others simply will not let him. There's a love interest tantalisingly in the balance, some brotherly love playing a key part in the story, a bit of angst, fisticuffs (including a superb saloon brawl) and machismo, and a well constructed finale. Oswald has skills with the camera, nice shots and an ability to ensure each frame has something to offer, his work really belying the quickfire turnaround for release he was tasked with.

Elsewhere, Lashelle's monochrome photography is lush, seen at its best with the TCM-HD print doing the rounds on cable networks. Also appealing is Sukman's musical score, very subtle and stripped back to be a nice tonal accompaniment. Acting is in the main decent, with Derek a likeable presence in the lead, to leave us with a good sturdy Oater where Fury at Showdown manages to overcome its small budget and isolated location setting to hold its head up high. 7/10

After serving a year for a killing in self-defense, gunfighter Brock Mitchell tries to help his younger brother save his ranch but a crooked lawyer has other ideas.

John Derek stars as a gunslinger just released from jail and a crooked lawyer whose brother had died in a gunfight when facing a showdown with Derek plots revenge by goading the easily riled Derek into a gunfight with his gun thug (Laramie's John Smith). Fury at showdown is a tightly-conceived stark western similar in vein to the Brass legend ( also directed by Gert Oswald) in terms of its starkness and its emphasis on character depth and tension. Not much action, but there's a killer fist fight between Derek and Smith. You got to see it to believe it.

Sometimes the tension can fluctuate and the pace is slow; overall, though, it's a decent western with good performances- but Derek steals the acting honours as the young man who is trying to restrain his anger and not turn to violence. The camera work, the town and characterisation is good. The finale was quite tense.

Looks like much of the movie was turned over to a John Derek uplift, his once promising career then in decline. He may get the screentime, but an unusually meek and mild Nick Adams almost steals the flick with his sympathetic portrayal as Derek's loving brother. I gather (Trivia) the western was shot in just five days, and frankly, the congested narrative and crowded cast show a hurry-up schedule. The various storyline threads are hard to figure out, while the number of supporting cast members drift in and out in hard-to-follow fashion.

Nonetheless, the rivalry thread between Derek and gunslinger Adams is well-done, especially Adams' unusual verbal abuse of the oddly silent Derek. How this will resolve amounts to the flick's main suspense. There're also good touches from director Ulmer, such as realistically keeping the brawlers' bruises for the narrative's remainder, or dragging the brawlers away beneath a galloping stagecoach, et al.

All in all, I get the feeling that a much better Western could emerge from the clotted ingredients if more time were afforded to preparation, especially in better organizing the screenplay''s unusual elements - for example, heightening the critical business papers suspense, or what will happen to Adams's vulnerable character. What survives is a promising flick that needs a more accommodating remake. So anyway, here's hoping.

This is not a major western, this is not a Delmer Daves, John Ford or Anthony Mann's western, it will not stay in memories. It's just a seventy five minutes film, without much ambition, except bringing something unusual, moving, as the Budd Boetticher's western films series was during the same period. Not big budget yarns, but still riveting because of the characters study, not necessarily the gunfights. The two brothers relationship is really the must see of this Gerd Oswald's movie. Not ambitious at first sight, but, I repeat, really worth. Try it, just try, and I am sure you won't regret it. And It's rare too.