Red Nightmare

Red Nightmare (1962) was a government promo film produced by narrator Jack Webb. It was made to scare the populous and to encourage young men to join the fight against terrorism. Today this movie is nothing more than a reminder about how scared the government actually was of the "reds" and their ideology. The short plays out like a badly written and acted version of a Twilight Zone episode. The acting ranges from hammy to wooden at times. It pretty silly at times and if you're in the mood a great watch.

What's even scarier is if you ever get a chance to watch this propaganda piece, just place the word terrorists instead of communists. In some ways this movie can still be used and made today (with some obvious tweaking of course). A sad reminder of what times we lived in during the red scare days of the early 50's to late 60's (but the "threat" never faded away until the late 80's). Oh well, it's a fun watch for those who like to "relive the days of yesteryear!"

Recommend for historical purposes.

I suppose it's to be expected that this film laid on the anti-Communism a bit thick. Red Nightmare was a film for our Armed Services that Warner Brothers produced on their lot which utilized a whole lot of familiar faces from their television shows. Jack Webb in his patented staccato style narrated the film where Jack Kelly plays Mr. Average American who takes his American way of life quite for granted.

The funny thing is that I have no real problem with films encouraging greater citizen participation. Where folks might differ is the result of said participation. Nor do I have a problem with anti-Communism either as long as it doesn't involve persecution of people whose opinions are to the left of the then president of the United States when this film was made.

But this film ratcheted up the paranoia scale to unbelievable heights. We see Kelly in his daily life with wife Jeanne Cooper, daughter Pat Woodell and two other younger kids and Woodell's boyfriend Peter Brown. Job, family life are just stuff Kelly takes for granted.

But at night Kelly has an It's A Wonderful Life type dream as he sees his same life after a People's government has taken over the USA. And there's no angel named Clarence to get him out.

As there are a few survivors left from the cast I wonder how many of them feel about this film seen today.

Looking back today, it's still hard to believe that as late as 1962 we'd be seeing propaganda films like this. But then, this was made around the time of the Cuban Missile Crisis, so in that sense it figures. But in a way, one can see why some people would believe (as many reference books have claimed) that this piece came out in or around 1957, since the '50's were the height of anti-Communist hysteria in America, although Mr. Webb's necktie and jacket lapels were far too narrow for that year, more appropriate for the early '60's. Another key that this was a 1962 piece, if nothing else, was the presence of a young actress who within a year would go on to become the first Bobbie Jo Bradley on "Petticoat Junction", Pat (billed here as Patricia) Woodell. The year this was filmed, she also put in guest shots on some Warner Bros.-produced shows such as "Hawaiian Eye" (whose star, Robert Conrad, also appeared here) and "The Gallant Men", being at the time she was under contract to that studio.

I got this expecting a camp riot. What I found was a fairly standard propaganda piece, a bit confused at times but generally aware of itself enough to stay "on message" as the phrase goes these days. Jack Webb, though obviously rightist, was too knowledgeable and talented to let things get completely out of control. As a result, the film isn't as funny as originally billed; it really provokes no strong response in me at all. Ho-hum.

The government ID and title are" AFIF 120 "FREEDOM AND YOU" AFIF stands for Armed Forces Information Film. Shot on Universal backplate including famous City Hall steps from Bye Bye Birdie and City Square shots from "Back to the Future" series. Only thing film missing is Ann-Margret and Michael C. Fox! Peter Brown actually tries to act and Jack Kelly, he of "Bart Maverick" fame overacts wildly. If you look hard you see Beaver's neighborhood too!

Jack Webb looks solemn and oh so sincere. Film ends with shots of everything that was wonderful in 1962 America. Rioting scenes from unidentified countries. Film is good for a few laughs due to it's overtly simplistic examination of Communism.