Aggiungi una trama nella tua linguaA man who has taken his freedom for granted wakes up one morning to find out that the Communists have taken over America.A man who has taken his freedom for granted wakes up one morning to find out that the Communists have taken over America.A man who has taken his freedom for granted wakes up one morning to find out that the Communists have taken over America.
- Regia
- Sceneggiatura
- Star
Pat Woodell
- Linda Donavan
- (as Patricia Woodell)
Fred Aldrich
- Judge
- (non citato nei titoli originali)
E.J. André
- Malenko
- (non citato nei titoli originali)
Philip Carey
- Major Barnett
- (non citato nei titoli originali)
Ashley Cowan
- Counter Man
- (non citato nei titoli originali)
Paul Cristo
- Townsman
- (non citato nei titoli originali)
Ronnie Dapo
- Jimmy Donavan
- (non citato nei titoli originali)
Chad Everett
- A Customer
- (non citato nei titoli originali)
Carol Nicholson
- Sally Donavan
- (non citato nei titoli originali)
Louis Quinn
- Machinist
- (non citato nei titoli originali)
Recensioni in evidenza
I've been showing this Cold War chestnut to my Constitutional Law students for at least fifteen years. I screen it during our examination of First Amendment cases from the 50s and early 60s. That was when the Supreme Court initially upheld convictions of leading American communists (mostly older, suit wearing and essentially harmless types). Increasingly alarmed that First Amendment freedoms were being sacrificed to fears of a "putsch" that never seemed to be imminent or even real, the Court began overturning convictions while simultaneously expanding free speech protections.
The older students remember the times but most are in their early to mid-twenties and they can't believe tax dollars paid for Jack Webb, employing his best "Sergeant Friday" monotone, to warn Americans about the danger of taking freedom for granted and ignoring the threat of insidious Soviet subversion.
What gets the most laughs are the domestic scenes where "Father Knows Best" is hijacked to deliver the political message. The housewife is a stay-at-home who is assured by her laid back husband that she's no worse a nag than most spouses. The kids are just so adorable. Even the teenage daughter determined to marry her sweetheart can't mount more than a mild sullenness when dad objects to an early marriage. Sheesh!
Hubby's "Red Nightmare," his night of a bad dream, gives a good portrayal of the 1950s view of how the Communists - domestic and conquering - would wipe out all our freedoms. Reflecting the fears that swept Hollywood in the age of HUAC and Mc Carthy, the viewer is assured that this very important film was produced under "the direct supervision of Jack L. Warner."
If you want to really get a flavor of that fear-laden time, check out http://www.conelrad.com.
The older students remember the times but most are in their early to mid-twenties and they can't believe tax dollars paid for Jack Webb, employing his best "Sergeant Friday" monotone, to warn Americans about the danger of taking freedom for granted and ignoring the threat of insidious Soviet subversion.
What gets the most laughs are the domestic scenes where "Father Knows Best" is hijacked to deliver the political message. The housewife is a stay-at-home who is assured by her laid back husband that she's no worse a nag than most spouses. The kids are just so adorable. Even the teenage daughter determined to marry her sweetheart can't mount more than a mild sullenness when dad objects to an early marriage. Sheesh!
Hubby's "Red Nightmare," his night of a bad dream, gives a good portrayal of the 1950s view of how the Communists - domestic and conquering - would wipe out all our freedoms. Reflecting the fears that swept Hollywood in the age of HUAC and Mc Carthy, the viewer is assured that this very important film was produced under "the direct supervision of Jack L. Warner."
If you want to really get a flavor of that fear-laden time, check out http://www.conelrad.com.
Red Nightmare (1962) was a government promo film produced by narrator Jack Webb. It was made to scare the populous and to encourage young men to join the fight against terrorism. Today this movie is nothing more than a reminder about how scared the government actually was of the "reds" and their ideology. The short plays out like a badly written and acted version of a Twilight Zone episode. The acting ranges from hammy to wooden at times. It pretty silly at times and if you're in the mood a great watch.
What's even scarier is if you ever get a chance to watch this propaganda piece, just place the word terrorists instead of communists. In some ways this movie can still be used and made today (with some obvious tweaking of course). A sad reminder of what times we lived in during the red scare days of the early 50's to late 60's (but the "threat" never faded away until the late 80's). Oh well, it's a fun watch for those who like to "relive the days of yesteryear!"
Recommend for historical purposes.
What's even scarier is if you ever get a chance to watch this propaganda piece, just place the word terrorists instead of communists. In some ways this movie can still be used and made today (with some obvious tweaking of course). A sad reminder of what times we lived in during the red scare days of the early 50's to late 60's (but the "threat" never faded away until the late 80's). Oh well, it's a fun watch for those who like to "relive the days of yesteryear!"
Recommend for historical purposes.
This educational short intended as a propaganda piece, solemnly narrated by Jack Webb (a familiar face of the era) and personally overseen by movie mogul Jack L. Warner feels very much like an episode of "The Twilight Zone". As in INVASION USA (1952), on whose DVD it's included, the politics are hard to take nowadays though the fantasy, albeit moralistic, framework of the narrative (wherein a passive working-class American wakes up one morning to find his hometown overrun by the Communists) makes it at least palatable in an IT'S A WONDERFUL LIFE (1946) sort of way. On the other hand, being compact and on a much smaller scale than the earlier feature-film, it's easier to suspend belief in its case. By the way, George Waggner (billed "waGGner", for whatever reason) is best-known for his stint directing such classic Universal chillers as THE WOLF MAN (1941).
I got this expecting a camp riot. What I found was a fairly standard propaganda piece, a bit confused at times but generally aware of itself enough to stay "on message" as the phrase goes these days. Jack Webb, though obviously rightist, was too knowledgeable and talented to let things get completely out of control. As a result, the film isn't as funny as originally billed; it really provokes no strong response in me at all. Ho-hum.
I could not remember the name of this movie. I saw this about 35 years ago in 1971 and never did know the name of the movie. I was in a very small town in Colorado (Rangely) and the movie makes one think of a small town being infiltrated by terrorists. Well, it's 2006 (August) and we have another wave of xenophobia spreading across the country. I love Jack Webb even though he exemplifies true patriotism and love of country. I served in the military in the Persian Gulf War and believe in defending this country from attack. I have read several of the reviews and many of the readers attack Webb as being too right wing and zealous. But people, this was his nature to begin with. Look at all of his productions (Dragnet, Adam 12, Emergency) and he believed in the USA and also his generation lived to defend the country. He was essentially, 'America's Greatest Generation' and he believed in the country. We live in a different era now and generations question loyalty vs. right wing fervor. Jack Webb was caught up with loyalty to American and it's institutions so give this movie a break and view it as harmless. But bear in mind the 80/20 of the Army. 20% defending freedom for 80% who don't really care!!! Mark Lockwood, Lubbock Tx...
Lo sapevi?
- QuizPat Woodell's debut.
- ConnessioniFeatured in Lifestyles U.S.A. Vol. 12 (2002)
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- Freedom and You
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- Tempo di esecuzione29 minuti
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