La storia di Buster Keaton

Donald O'Connor plays Buster Keaton in this flick. It follows him mostly from his arriving in Hollywood, becoming a star, hitting doldrums in his career as well as alcohol problems...especially alcohol problems.

"The Buster Keaton Story" is a bio-pic which represents the worst sort of thing that Hollywood could do. Why? Well, despite Keaton being a real person, so much of the film is completely wrong and the writers didn't even consult with Buster to make sure they got his life story right...presumably because they just didn't care. Too often bio-pics do this...and I wonder why...especially because Keaton DID have an interesting life and while he did have troubles with alcohol, it was way overblown for the movie. My advice is to read up on the man...you'll likely enjoy learning about him...much more than you'd learn in the film.

While you might not immediately think Donald O'Connor would be the perfect choice to play Buster Keaton, after you watch The Buster Keaton Story, you'll change your mind. Buster was a trained stuntman and Donald was a trained dancer; they each have incredible control over their bodies. After all, if someone's going to portray Buster, it would be sacrilegious for him to use a stunt double, wouldn't it?

There are so many wonderful elements to this movie. If you know and love silent film legend Buster Keaton's stunt sequences, you'll get to relive his glory by watching Donald O'Connor recreate some of his most famous film scenes. Not only is this a treat because this movie was made at a time before audiences could rent or own their favorite films-they hadn't been able to watch these snippets in thirty years-but it's touching to see someone who was in diapers during Buster's heyday give such a tribute to his talent and legacy. Also, if you know anything about Buster Keaton's real life, you'll recognize that this Hollywood recreation is very sugarcoated. If you love Buster, you'll like seeing things turn out better for him, and that he could live out a do-over on the screen. And if you need one more reason to love this movie, here it is: Buster in real life didn't adjust well to talking pictures, and as his career ended, his bank account dwindled. By selling the rights to his life story for this film, Buster was able to live comfortably for the rest of his life. Isn't that heartwarming?

The weird thing about this film is it's NOT the Buster Keaton story at all. The main character is a fictional studio executive named Gloria who falls in love with Buster (inexplicably, as he's portrayed as a graceless, unattractive slob) and puts her happiness and career on the line in order to nurture and protect him as he chases another woman, blows all his money and drinks himself silly. The surprisingly faithful recreations of classic Keaton routines dropped in awkwardly here and there do nothing to relieve the tedium of this glum, sour women's picture masquerading as a biopic.

If you want to learn the facts about Marion Davies, you don't watch "Citizen Kane." If you want to learn the facts of the St. Valentine's Day Massacre, you don't watch "Some Like it Hot." Similarly, don't watch "the Buster Keaton Story," if you want to learn the facts of Keaton's amazing life. This is what Keaton and some other people thought would be entertaining for a 1957 audience to know about Buster Keaton. It emphasizes three points 1. Keaton was a vaudeville child performer and became a big star in Hollywood Silent films in the 20s, 2. When sound came in some mean people in Hollywood forced him to talk in ways he didn't like and this caused his films to bomb and he became an alcoholic, and 3. Later Keaton with the help of a good woman who loved him, found appreciation again when he returned to live audiences.

The bad part is that there are no other real historical characters besides Keaton and his parents (for four minutes) in the film. Not only names but also characters have been changed and generalized into types , probably to avoid lawsuits. Even the clothes are not of the historical period.

The good part is that it is still an interesting story with very good acting, especially by. Donald O'Connor, Ann Blyth, Rhonda Fleming, Peter Lorre and Larry Keating.

The best part is that we know that Buster Keaton as the technical advisor on the film recreated about 15 of his great bits and gags from his early films. One of the funniest was a brief recreation of a great scene with Thelma Todd from the movie "Speak Easily," where he tries to put a drunk woman on a bed.

Take the movie for what it is: a fictional biography by and about Buster Keaton, and you will enjoy it. Take it for what it is not: a true biography of Keaton, and you will be disappointed.

It's always been the case in Hollywood when "they" go to make a film based upon an actual historical event or do a biopic on an historical figure: they never get it right. The names and dates are usually correct but after that, it's pretty much whatever they think will sell tickets. And this picture is certainly no exception. The shame of it really is that this was made while Buster Keaton was very much alive and still relatively active in show business. But, obviously, he was never contacted concerning the facts about his own life. And that's a real shame. Donald O'Connor is great, for what he's allowed to show of Keaton's genius but the writers and producer were obviously much more interested in portraying Keaton as a base, alcoholic slob without any real feelings. And we who have read the books know that to be totally untrue. I'm surprised Keaton didn't actually sue the production company for defamation of character over this. I sure would have. In any case, despite Mr. O'Connor's valiant efforts to "save" this film, don't bother with it. Watch the documentary "Keaton: A Hard Act to Follow." You'll enjoy that much more.