VALUTAZIONE IMDb
5,4/10
3609
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaVolcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
- Regia
- Sceneggiatura
- Star
Carlos Múzquiz
- Dr. Velazco
- (as Carlos Muzquiz)
Pascual García Peña
- José de la Cruz
- (as Pascual Peña)
Pedro Galván
- Father Delgado
- (as Pedro Galvan)
Arturo Martínez
- Major Cosio
- (as Arturo Martinez)
Quintín Bulnes
- Lineman killed on pole
- (non citato nei titoli originali)
José Chávez
- Train conductor
- (non citato nei titoli originali)
Roberto Contreras
- Chumacho
- (non citato nei titoli originali)
Fernando Curiel
- Pillo (foreman)
- (non citato nei titoli originali)
Ángel Di Stefani
- Military man
- (non citato nei titoli originali)
Alfonso Díaz Landa
- Military man
- (non citato nei titoli originali)
Jaime González Quiñones
- Boy in San Lorenzo
- (non citato nei titoli originali)
Leonor Gómez
- Villager
- (non citato nei titoli originali)
Bob Johnson
- Narrator
- (voce)
- (non citato nei titoli originali)
- …
Recensioni in evidenza
Volcanic activity in Mexico frees an enormous variety of scorpion from entombment in the Earth. The beasts proceed to terrorize the locals, and it's up to macho geologists Hank Scott (Richard Denning) and Arturo Ramos (Carlos Rivas) to help save the day. Naturally, Hank also has to spend whatever spare moment he's got romancing rancher Teresa Alvarez (Mara Corday).
You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.
Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".
Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.
Seven out of 10.
You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.
Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".
Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.
Seven out of 10.
Edward Ludwig directed this science fiction horror thriller that stars Richard Denning as American geologist Hank Scott, who is recruited by the Mexican authorities when an earthquake unleashes a horde of giant scorpions upon the Mexican countryside, causing havoc and destruction as they threaten to overrun the nearby city, then the world. Good model F/X on display, with some harrowing attack scenes(including a vivid cavern sequence), but there is no story or character involvement at all, with the plot being overly familiar and uninspired. A pity, because the film pushed the violence boundaries for its time, but the film just comes up short, and has been strangely forgotten. Basically a rehash of the much superior "Them!"
Way above average giant insect thriller, mainly due to the awesome special effects of Willis O'Brien ("King Kong" - 1933). Three set-pieces are superb: the first appearance, rather unexpectedly, of heroine Mara Corday talking to telephone linemen, who soon are under attack, then the train wreck which is terrifying and bizarre, and the final confrontation in the stadium, featuring grand editing and surprising touches. Mexico setting works well, music and sound effects are exemplary, sub-Earth sequence featuring more creatures is eerie. Title refers to the largest creature in the climax, budgetary limitations revealing a black traveling matte, still mystical, with fascinating zoom-in camera shots. Some have faulted the scorpion's "drooling" close-ups, but I find them bone-chilling. Even the main titles are innovative - alternating flashing white/black letters on white/black backgrounds, set to gripping soundtrack. Defects: some poorly-executed process shots, and the leading actors, Corday, Richard Denning, and Carlos Rivas, are hammy and unsubtle and a Corday-Denning romance occurs too late in the script, especially after all the mayhem.
This little gem from Warner Brothers is actually a pretty good movie for it's time and genre. The basis of the story is that 2 scientists, one American, one Mexican, head to Mexico to study an erupting volcano. What they find however, is nest underground of huge scorpions that are terrorizing Mexico City. The special effects are good for the era, the scorpion drools and makes scary sounds. The acting is so-so, Richard Denning overacts at times, and the relationship with the ever lovely and B movie horror queen Mara Corday, is not well developed, and the little Mexican boy "Juanito" is nothing short of annoying. But overall the story works helped by the great special effects and the good storyline. A fun movie to watch on a rainy Saturday night.
A volcano erupts and spits up these scorpions that are huge and prehistoric. This is the premise for The Black Scorpion, a 50's sci-fi/giant bug film. As cheesy 50's films go, this one is entertaining, if not a little slow in places. The Mexican landscape looks authentic and the scorpions themselves are pretty good when left in the hands of Willis O'Brien. But the close-ups of the creatures are a bit overused, almost to the point of becoming annoying. The scorpions kill each other off until one giant one is left to wreak his vengeance(and whet his appetite) in Mexico City. The best scene is the one when scientist Richard Denning(and his incredibly boring assistant Carlos Rivas, and annoying stow-a-way Juanito) are lowered into a giant cavern and the realm of Willis O'Brien's wonderful stop-motion animation. The rest of the film is rather predictable but still entertaining, and Mara Corday is at least pleasant to the eye as she must have had her clothing painted onto her.
Lo sapevi?
- QuizA typical Willis O'Brien touch - in a long shot of the cage descending into the cave, a tiny stop motion bat flies across the screen. Only O'Brien would add another day's work to a scene where it would be barely noticed.
- BlooperMost likely due to budgetary issues, the voices of the opening sequence's narrator, the police radio dispatcher, the radio newscaster, and the public address announcer are all the same. Specifically, it belongs to Bob Johnson, best remembered for being heard in the opening sequence of most episodes of Missione impossibile (1966) ("Good morning, Mr. Phelps...").
- Citazioni
Hank Scott: [after hearing an onimous noise] Ordinarily I've got nothing against moonlit nights, but I'll be glad to get by this one.
- Curiosità sui creditiThe Warner Bros. logo does not appear at the beginning of this movie.
- ConnessioniEdited into FrightMare Theater: The Black Scorpion (2017)
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Dettagli
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- The Black Scorpion
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- Tempo di esecuzione1 ora 28 minuti
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By what name was Lo scorpione nero (1957) officially released in India in English?
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