Un amore splendido

What one has to consider about the Deborah Kerr/Cary Grant characters is that they are both "kept" individuals: Kerr by a wealthy Texan named Ken (-doll, played by Richard Denning), Grant a gigolo engaged to an heiress (Neva Patterson). They meet on an ocean cruise, with this some cute and also silly comedy thrown in. Kerr & Grant are British and speak the accents yet their characters are from the U.S.; a not too distracting error, however. An unusually touching scene is when they de-bark in Italy and visit Grant's 82-year-old grandmother (Cathleen Nesbitt). It's a beautiful setting with wonderful music and pathos. Back in the states the couple agree to meet atop the Empire State Building in 6 months. One wonders why Kerr won't marry the handsome Denning, athletic, wealthy and kind (in real-life the actor was married to the British-raised actress Evelyn Ankers, a beauty in the Kerr-mold). Much of the second half is infused with un-necessary scenes of singing children but this all leads up the the final, long scene, beautifully acted and directed (by Leo McCarey). A mystery is very slowly unraveled in layers until the peak of the scene, scored by the emotional title theme song. This scene "gets" one every time, that's how effective it is. Beautiful costumes, scenery, clever photography (note the scene where the open patio door reveals the Empire State Building in its reflection), great cast make this an enduring, never-forgotten golden classic.

Grant's charming philanderer Nicky Ferrante, a renowned bachelor, and Kerr's American nightclub singer Terry McKay meet aboard a transatlantic luxury liner steaming back to New York via Naples and surrender—in the midst of good humor—to their undeniable chemistry…

Unfortunately, both are hampered with others lovers… At the end of the voyage, they make a promise… In six months, if both are free they will reunite at the top of the Empire State Building, "the nearest thing they have to heaven in New York."

In the day of the meeting, the reformed Grant put his paintbrushes away and luckily paces the skyscraper's roof, but Kerr, looking up to heaven to see him, is involved in a serious accident…

What fallows is almost unbelievable as Grant yields to pompous cynicism, unaware Kerr is too proud to let him know the truth…

With four Oscar nominations, and with attractive settings as the French Riviera, and two appealing beautiful people sharing pink champagne, Leo McCarey's pretty good romantic film gives off flashes of gaiety and sways with longing hearts to be filled with love and life

As a comedy film of sexual manners, "An Affair to Remember" is very frothy, sentimental and somewhat sugary. It is not perfect either, the film has a tendency to be rather slow moving and it does loses its way in the last half. But I still really liked it, thanks to the sophistication of the direction and the rapier delivery of the dialogue. The atmosphere is endorsed with rhinestone-encrusted dresses, impeccable dinner suits and raised champagne classes, making it lovely to watch visually, courtesy to some beautiful cinematography. The music score in general is gorgeous, the incidental music certainly is that and the title song(sung with unusual sensitivity by the talented Marnie Nixon) "An Affair to Remember" really is a pearl in an oyster. However, I didn't care for the children's songs, I didn't hate them, I found them forgettable and I wasn't taken with the way they were sung either(too shouty). The performances from the two leads are what drives this film. Cary Grant is wonderfully arch and urbane, not to mention charming, while Doborah Kerr is enchanting, self-contained and sassy. With these qualities, the two wonderful actors share a what I consider believable chemistry that does bubble on screen in the best scenes. All in all, this is not a perfect film, but a pleasant one with a tearjerker of an ending. Better than its reputation I think, not for everyone, there are those who understandably find it too sugary sweet, but I think it is a handsomely mounted and a in general well performed film. 7.5/10 Bethany Cox

This film has to be the best romantic film that I've ever seen, even above Gone With the Wind, and Casablanca, but on the same level as The English Patient (my favorite film of all time). After I saw Sleepless in Seattle when I was in high school and caught the many references to this film, I decided to check it out for myself. Needless to say, with the whole "shipboard romance" aspect of it, and the promise to meet again in six months atop the Empire State Building of all places, I quickly became hooked. The scene that takes place on the French Riviera with Nickie's grandmother playing the piano, oh God is it beautiful! Cary Grant is so debonair and suave and Deborah Kerr is so ravishing and stunningly beautiful, that it always demands repeated viewings from me (at least twice a year).

Seeing this film always makes me wonder if something like the kind of relationship describes within this film would actually BE possible in real life. Would and could someone actually leave the person they were engaged to in order to marry a complete and total stranger they just met days ago? I'd like to think that it could, but then again I am nothing but a hopeless romantic. The final scene always tears my heart out no matter how many times I've seen it. I'm always sobbing. Watching this film around the fourteenth day of February (even if you are single) is always a treat. It allows our fantasies to take wing so that we may think we are actually the one meeting our beloved atop the Empire State Building in a thunderstorm.

Watch this film with a box of industrial-strength kleenex nearby.

My rating: 4 stars

I've had this DVD in my collection for several years now, having picked it up cheap at a Black Friday sale. Deborah Kerr's unfortunate passing finally got me to pull it out. Should have went with my first choice, Black Narcissus, instead. An Affair to Remember starts off fine, with Cary Grant and Kerr, both engaged to be married, meeting on a voyage across the Atlantic. The first half of the film follows them as they try to avoid each other, but end up falling in love anyway. As they are about to part ways, they agree to meet each other in six months at the top of the Empire State building. So far, it's lovely. Unfortunately, there's an hour left, and, where the first half was a lovely romantic comedy, the second half is all dull melodrama. When Cary and Kerr are apart, the sizzle between them burns out pretty much instantly. And then the film inserts a bunch of precocious children, whom Kerr teaches to sing. There were a couple of fine child actors in classic Hollywood, but the vast majority of them seem like they are being fed lines two seconds before the camera comes on, and then they just repeat it out of rote. If there's a Hell, I'll be surrounded by kids who appeared in classic movies.