I 27 giorni del pianeta Sigma

Five Earthlings from different countries (including Gene Barry of "War of the Worlds" and lovely English actress Valerie French) are kidnapped by a Klaatu-like alien who gives each of them a palm-sized transparent case containing three silver capsules. The capsules have the power to make millions of humans vanish, without harming animals or causing destruction.

The alien's race desperately needs the planet Earth, but they are morally opposed to conquering it, so they give the war-pron Earthlings the ability to finish themselves off without devastating the planet in a nuclear war.

Don't expect any special effects except for two brief clips from "Earth versus the Flying Saucers", one space scene from "The Day the Earth Stood Still", and a small-scale test of the alien weapon. But the interior of the spacecraft is nicely done. This is an intelligent and uplifting movie, done on a small budget, although it's a bit too talky and actionless for some taste. John Mantley wrote both the screenplay and the original novel. In the novel the capsules had a somewhat more far-reaching (and disturbing) effect on humans than they do in the film. [Originally co-billed with "20 Million Miles to Earth"]

One of those 1950s sci-fi movies that plays out as a kind of morality play. Five people from all over the planet are taken on a UFO and provided with a mega-weapon as a kind of experiment to find out if mankind will destroy itself in a month. When they're returned, each adopts a different method to cope with their newfound powers. Inevitably this soon adopts a Cold War bent and builds to a climax with incredible - not to mention eyebrow-raising - implications. This reminded me of a TWILIGHT ZONE story.

1957's "The 27th Day' remains a seldom seen Columbia effort made on an obviously low budget without much in the way of special effects. Five people from different nations are chosen at random by a being from another world who identifies himself only as The Alien (Arnold Moss), his world dying but seeking to colonize the earth to survive. As their species abhors violence they need reassurance that mankind can put a stop to their self destructive tendencies, and to that end each of the five is given a small container with three capsules each, capable of wiping out all human life within a 3000 mile radius (the bombardment of radiation has no effect on plants or animals). Granting them the power of life and death, The Alien releases his captives unharmed, the five all facing difficult challenges ahead for they have only 27 days to use these tiny weapons before they are automatically deactivated. The Chinese girl, plucked from a burning village and without hope, takes her own life thus rendering her capsules useless. The Russian soldier is tortured by his superiors to reveal his secrets, the Soviet leader (Stefan Schnabel) eager to force the West to withdraw from Europe and Asia or face obliteration. German professor Klaus Bechner (George Voskovec) flies to Los Angeles for an important conference, only to hear a devastating worldwide broadcast by The Alien revealing the names of all five people in possession of the deadly capsules, injured by a speeding car and having his capsules confiscated by the United States government during his convalescence. Residing in Los Angeles is hot shot reporter Jonathan Clark (Gene Barry), swiftly going into hiding at a nearby race track after reuniting with English Rose Eve Wingate (Valerie French), the only recipient who immediately threw her capsules away into the ocean. Learning that an innocent man thought to be Clark was killed by a panicked mob, the pair decide to give themselves up to find a solution with Prof. Bechner's invaluable assistance, only 12 days left. The viewer is put in the position of wondering what to do in such a situation, and in the hands of comedy specialist William Asher things remain on a commendably serious level (Asher graduated from features to television, at the helm for BEWITCHED, starring his then-wife Elizabeth Montgomery). The ending is a bit too convenient to be credible but at this point adult sci fi was relatively rare, a welcome change from the more juvenile antics of something like "The Giant Claw." Good roles for reliable players like Paul Birch as the Admiral, Mel Welles as a Russian Marshal, and Paul Frees (seen as well as heard) as a newscaster, but Arnold Moss steals the film. A ubiquitous presence on television who did relatively few features, Moss is instantly recognizable by his Shakespearean voice, best remembered as Anton Karidian in STAR TREK's "The Conscience of the King."

This movie is an underrated gem that has been overlooked by science fiction buffs. The 27th day rates with such films as: The Day The Earth Stood Still and The Thing From Another World. This movie was too cerebral for its' time. It examines the possibility of a superior life form, from another galaxy, providing mankind the power to obliterate life or to salvage life from our planet. The handling of this subject is done with intelligence, a good cast and a decent script.

The movie portrays the constant struggle between good and evil. In this case, with the paranoia of the cold war, the Russians are the ones who seek world domination. All in all a good movie to watch and enjoy. An 8 out of 10!!

27th Day, The (1957)

*** (out of 4)

There were dozens and dozens of science fiction movies released throughout the 1950's and for everyone like THE DAY THE EARTH STOOD STILL you got at least ten "Z" movies like PLAN 9 FROM OUTER SPACE. The movie here seems to be forgotten even by the biggest sci-fi fans. I had personally never heard of the film, which is saying quite a bit because of the amount I read on various message boards. When sci-fi films were mentioned this one here never came up and that's a shame because it's a real gem. The film has an alien from a dying planet giving capsules to five people. These capsules have the power to destroy life on Earth, which would give the aliens a place to move. The humans can determine their fate but sure enough there are some bad people who want to use the capsules for their own gain even though they don't fully understand their power. During the decade people in this country were afraid of aliens from space and anything dealing with the Cold War so this movie combines both and makes a very entertaining movie out of it. There's really not too much "action" that goes on here and the monsters don't have four eyes or green bodies. Instead the monsters are pretty much certain humans who want to do bad in the world. The way the film makes this capsules so important and powerful was a nice move but so is the pay off at the end. The very final thing in the movie is a tad bit too preachy but the message is still there. Gene Barry, Valerie French, George Voskovec and Stefan Schnabel add nice performances as well. When people think of sci-fi from the 1950's it's doubtful they'll think of this movie but it's a real shame because here's a gem that needs to be rediscovered.