I casi di un brillante avvocato difensore che si prende carico di imputati innocenti accusati ingiustamente.I casi di un brillante avvocato difensore che si prende carico di imputati innocenti accusati ingiustamente.I casi di un brillante avvocato difensore che si prende carico di imputati innocenti accusati ingiustamente.
- Vincitore di 3 Primetime Emmy
- 7 vittorie e 7 candidature totali
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Recensioni in evidenza
10twanurit
One can tell the timeless longevity of a television series by the condition if it's still playing on TV. "Perry Mason" (1957-1966) is! It followed a tried-and-true formula: the first half-hour the situation is developed, then there's a murder. The second half-hour is filled with courtroom dramatics, to find the killer. But this is considerably heightened by a moody musical score, shadowy, gripping B&W photography, incisive scripts, magnificent guest stars (many who appeared multiple times), and lastly the brilliant ensemble cast headed by Raymond Burr, with Barbara Hale, William Hopper, William Talman and others. The series was re-done (poorly) in 1973, the more recent 2 hour TV movies were padded and don't hold up to repeated viewings. Voted the top dramatic series by TV Guide, it just does not get any better. Case closed.
More than 40 years since the series debut, Perry Mason is still a classic, and is highly watchable today without seeming dated. The first half of the show tells the story of the events leading up to the murder and the preliminary investigation of the crime, while the second half of the hour dealt with the subsequent trial, where Mason exposed the truth in the courtroom. The plots were quite complex at times, but the writers also treated viewers with intelligence. The acting was superb by all, and even the bit players do an excellent job. Probably my favorite character was private detective Paul Drake, whom apparently could dig up any fact no matter how obscure within a short period of time. Much better than the 2 hour movies produced in the 1980s and early 90s, Perry Mason will always be a classic in the history of television.
Everything about this series was perfect, from the acting, to the scripts, to the directing, and even to the fact that black and white was used even after the advent of color. Of course, Raymond Burr WAS Perry Mason, just about the world's greatest defense attorney, who stops at NOTHING in his search for the truth. The supporting cast was also excellent, and the guest stars, unlike in so many other series, were always of a high calibre. Some might say that the scripts were a bit formulaic, but within the basic format, over the 10 year run of the series there was infinite variety in the details of each show, with enough unexpected plot twists to constantly keep any audience guessing. The atmosphere was perfect: black and white lent a mysterious, almost gothic feeling to the episodes, which at the same time was beautifully contrasted with Perry Mason's ice cold reasoning and razor sharp sense of right and wrong. There are so many other things I could say about this series; perhaps it is best left at saying that this is the one, the only court drama, probably the best TV drama in general, and definitely one of the ten greatest series of all time.
Perry Mason is one of the finest shows (courtroom or otherwise) that was ever made. A memorable cast, great scripts, and always a surprise in the courtroom. I watched the shows for years and years in re-runs. Being blessed with a poor memory, I could usually be depended on to forget the final outcome of the trials. There were quite a few shows and guest starts to keep track of. One "highlight" of my life was to get onto a murder trial jury myself during some of my more intense Perry Mason years.
The thing that separated 'Perry' from other shows was it's compactness. It was all story. Personal relationships were hinted at, but took up little time on the screen. If some errand needed to be run, Paul Drake (the detective) would appear with the information in the next scene. Nor car chases, no fistfights, and no love interest in every episode. JUST STORY. I've heard this is one reason Raymond Burr gave up the show. The show was so dependant on him in just about every scene that he had to live on the studio lot in a trailer during filming (and that was most of the year).
In contrast, later 'Perry Mason' attempts HAD the aforementioned elements. There were car chases, fist fights, and Paul Drake Jr. was allowed much screen time for these and to win over the girl too. We got to see all the painstaking effort to get the information his dad just seemed to pull out of the air.
It was good to see Perry back, and I did watch. The 'newer' shows paled by comparison to the all-time classic original. But, it's tough for anything to live up to our memories.....
PS- I even sang along to the very recognize-able theme with lyrics of my own.......
The thing that separated 'Perry' from other shows was it's compactness. It was all story. Personal relationships were hinted at, but took up little time on the screen. If some errand needed to be run, Paul Drake (the detective) would appear with the information in the next scene. Nor car chases, no fistfights, and no love interest in every episode. JUST STORY. I've heard this is one reason Raymond Burr gave up the show. The show was so dependant on him in just about every scene that he had to live on the studio lot in a trailer during filming (and that was most of the year).
In contrast, later 'Perry Mason' attempts HAD the aforementioned elements. There were car chases, fist fights, and Paul Drake Jr. was allowed much screen time for these and to win over the girl too. We got to see all the painstaking effort to get the information his dad just seemed to pull out of the air.
It was good to see Perry back, and I did watch. The 'newer' shows paled by comparison to the all-time classic original. But, it's tough for anything to live up to our memories.....
PS- I even sang along to the very recognize-able theme with lyrics of my own.......
"Perry Mason" was not only a great legal drama, but it was also a great whodunnit. Perry Mason's detective skills would serve him well in gathering evidence to prove his client's innocence. Also, the casting of Raymond Burr finally gave him his defining role after years of playing heavies. And let's not forget the supporting cast. Barbara Hale as Della Street, Perry's faithful secretary, William Hopper as Paul Drake, the able bodied gumshoe, William Tallman, as his nemesis district attorney Hamilton Burger and Ray Collins, as the always dogged Lieutenant Arthur Tragg.
Lo sapevi?
- QuizWhen Raymond Burr missed several episodes due to illness, he was replaced by several guest attorneys who were played by Bette Davis, Walter Pidgeon, Hugh O'Brian, Michael Rennie, and Mike Connors.
- BlooperPerry Mason's office is given as on the 9th floor of the fictional "Brent Building" in Los Angeles, and has a distinctive terrace outside (as does the next-door office in S.8 Ep. 30). However, establishing shots of the exterior use a photo of a plain-sided office building with no balconies or terraces on the 9th floor, or anywhere else.
- Citazioni
Hamilton Burger: Incompetent, irrelevant, and immaterial!
- ConnessioniFeatured in Masquerade (1967)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Перрі Мейсон
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h(60 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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