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One would call "Decoy" for what it is... a female "Dragnet", with the beguiling Beverly Garland ("My Three Sons", "Scarecrow and Mrs. King") and the city of New York filling in for Jack Webb and sunny Los Angeles. But once you get caught in its premise, it's easy to overlook other aspects of the show. Such as the fact that Ms. Garland is required, in her role as undercover policewoman Patricia "Casey" Jones, to play a different role in each of the 39 episodes filmed. In one episode, she could play an exotic dancer in a carnival, in the next, she can play an addict, and so on and so on, all in the guise of a crime fighter. Whether Angie Dickinson, as Pepper Anderson - "Police Woman", took her cues from Beverly Garland is open to debate, but it's clear to say that Ms. Garland's Casey Jones is clearly a trailblazer for other lady lawmen to follow.

As for the other co-star, New York City... "Decoy" isn't the first series filmed on location in the Big Apple, nor was it the last, but it was certainly one of the most effective in terms of its film noir look and fully fleshed characters. This isn't "Naked City", but it's as close a similarity as you can get on a shoestring budget. And it does the city justice, as "Naked City" would do the next year. Check it out on DVD when you get the chance.

"Decoy" is a Pyramid Production in association with Official Films, Inc. with technical assistance from the Policewoman's Bureau, NYC Police Department. 39 episodes were filmed on location in 1957.

Watching this on Amazon Prime. It's a series I hadn't had the opportunity to view on television. Yes, it's dated and some police techniques might seem questionable by today's standards, but it's ahead of its time by focusing on a female police officer and female victims and criminals. Lots of terrific early performances by actors who became well known and respected.

This past Christmas, I found a $3 discount DVD with four episodes of this obscure 1950s TV series. I was intrigued about a cop show featuring a female police officer dating back to the Father Knows Best and I Love Lucy era. Plus I admit I thought Beverly Garland looked cute in uniform.

I was very pleasantly surprised to discover - at least based upon the 4 episodes on the DVD - that Decoy was an excellent, ahead-of-its-time show. Yes, it was very much a forerunner of Police Woman, only without the cheesiness. In fact the show felt a lot more like Dragnet - complete with Garland providing a Jack Webb-style narration.

The 4 episodes all focused on women being victimized by crime, and Policewoman Casey Jones' efforts to right wrongs, often acting undercover (in one episode she becomes what is called a "honey trap" to attract a bad guy). Despite it being 1957-58, an era when women were not expected to be action heroes, Beverly Garland provides a surprising amount of action in an appealingly understated way, whether it be sneaking through a forest to snatch a hostage to freedom, or (in the DVD's most memorable moment) outdrawing a bad guy with a rifle!

Casey Jones is a character who takes her work very seriously. Perhaps too seriously -- but then Joe Friday was never a bundle of laughs, either. If I had to pick a modern-day equivalent to Casey, it would have to be Mariska Harigtay's policewoman in Law and Order Special Victims Unit. The two characters have much in common.

Sadly, Decoy only ran one season (and it looks as if some episodes were in cold storage for a couple of years before being aired), and while there are a few DVDs out there with episodes, the series looks set to fade into undeserved oblivion. Personally, with the popularity of such female action hero series as Alias and La Femme Nikita on TV and on DVD these days, I think a DVD release of the Decoy series would be a great move. Decoy is undeniably an historical document - but it stands up well more than 45 years later.

A couple of years ago, I was able to get a set of 5 DVDs that contained 20 of the 39 episodes of Decoy, and it was great to watch them again after so long. Back when Decoy aired in 1957-58, I was 12 and 13 years old and had something of a crush on Beverly Garland. Recently, I found an advertisement--for the first time--for a DVD set with all 39 episodes. And the price was hard to beat as well. Naturally, I ordered the set and have been enjoying watching them all over again.

The picture quality is excellent, but at times the sound is a little muffled; however, all in all, it is great viewing. For anyone who enjoys the genre of Dragnet, Police Woman, etc., this is a great series that ran, sadly, for only one season. Yet, I consider it to be a classic.

Most lead characters on TV cop shows in the 1950s and 60s were guys. Decoy was a departure from the usual fare by casting Beverly Garland as Policewoman Casey Jones. Amazon Prime currently has all episodes available.

"Decoy," a title fitting perfectly with Casey's assignments, would have benefited with the more marketable name "Policewoman." Surprisingly the classictvhistory.wordpress blog only mentions Decoy once in an article about Brenner, another late-50s Manhattan-based crime show. It deserves a detailed analysis.

What I first noticed about Decoy is the performance by the great Beverly Garland and her sympathetic yet no-nonsense, duty-bound and calm characterization. There is no humor whatsoever in Decoy, not even fatalistic police humor or the sardonic closing line of a conversation that Jack Webb practically patented in Dragnet. In her narration, she accepts her job with a sense of pessimism about the worst qualities of human nature that she knows will continue to repeat. What real policemen and policewomen see and deal with everyday would break the average person.

Then there's the world Casey lives in, when police science technology was still fairly crude and a lack of knowledge by the TV writers about the physical reality of criminal acts, something that continues in today's TV and films. She relies on her intuition and her ability to influence criminals to accept her so she can find the evidence or get the confession that allows her to slap the cuffs on them. There's very little gun play and shootouts, no insane car chases or gun glorification that's filled TV screens for decades and there's not much physical violence, something that Angie Dickinson's Policewoman would make up for in the more permissive 1970s, adding sexual themes and an emphasis on Dickinson's sex appeal to the mix.

The black and white location shooting of New York City and outer boroughs, when the city was heading to a decline adds a huge downbeat, melancholy tone. The dirty streets, sense of decay and crumbling tenements that Naked City also captured (and Hawk did in color in the 60s) creates a moody, grim feel to Casey's thankless job. The threadbare, shabby studio sets, a standard in 50s TV, reinforces that atmosphere. The brief, opening theme music to Decoy is stock, used in several earlier movies, and creates a sense of impending doom that sets the pace.

Casey solves her cases with a sense of fatalism, knowing that solving a case doesn't close the book on the tragedy in the wake of a crime. Families are destroyed, reputations are tarnished.

Later on, Beverly Garland opened the Beverly Garland hotel in Studio City. I occasionally attended movie collectible shows at the hotel but never had the chance to meet her and get an autograph. Now called The Garland as of 2014, it was built by her second husband.

This show took me completely by surprise. When it showed up on my suggested list, on a whim I watched the 1st episode and was hooked.

It's been called the female Dragnet but in my opinion it is better. The topics are timely even for today and definitely ahead of it's time for 1958. Filmed entirely in NYC, it is a enlightening snapshot of the city in the 50's with many of the structures looking exactly the same to this day. Also of note are the many actors appearing in Decoy who would go on to become household names.

Don't let the name or age of the show dissuade you. I think American TV audiences were just not ready for an empowered female lead in a series and that's a shame because personally, I would have liked to have seen a few more seasons.

Watching Decoy in the year 2025, you would never know this show was groundbreaking. And I mean that in a positive way. Decoy is well-performed - and you might recognize many popular actors from that era. B-movie star Beverly Garland gives an understated, gritty & effective performance as policewoman Casey Jones, setting a fine standard for police woman roles yet to come.

Negatives: There is not much action - and little to no character development for Casey. The writing & direction is dull. A little humor here and there would have helped.

Decoy had decent ratings in its initial run, but the producers apparently ran out of cash. Thus, Decoy lasted one season.

Watch for the many scenes shot on-location in New York City. For instance, at the start of episode 4, you'll have a rare inside look at the original Pennsylvania Station.

Decoy lacks excitement. But its historic value and a strong performance by Garland make it worth a look.

Back in 1957, women were seen as homemakers, school teachers, nurses, sales clerks, and those roller skating waitresses at a "drive-in" diner. If they were a bit more down on their luck, they might be prostitutes, exotic dancers or bar waitresses on the seedier side of town.

But there was another role for particular women who could handle it, who were strong enough, brave enough and ready enough to step into it. And that's where this show tells its story.

At the beginning of each episode of "Decoy," there was a block of text that read as follows:

Presented as a tribute to the Bureau of Policewomen Police Department, City of New York.

This was the first time in television history that a woman was the lead character in a police-based action-adventure series, and the show was popular, though it wasn't available on a network, so it had a bit less reach. "Decoy" was telecast nationally, just not necessarily at the same time in every city and admittedly wasn't available everywhere, because of the limitations of syndication.

The decoy of "Decoy" is Detective Casey Jones, played by Beverly Garland, who goes undercover into the world of third shifters, nightclubs, and other sordid or common jobs that women might have to eke out a living at the time. She plays the roles in order to investigate cases of theft, drug trafficking, arson, racketeering, even murder.

As was the custom at this time, we never see or hear anything about the lead character's personal life, except what leaks out in her brief discussions with her colleagues, nearly all of whom are male. It's strictly police work and lots of it, with Casey needed to become proficient in all sorts of skills to find her way into the lives of the criminals and take them down. Conversely, Casey didn't have a partner, per se, and worked at night usually, so there really wasn't any time for blithe discussions about hobbies and relationships. That was important because it kept Casey a rock solid, no-nonsense character.

It was a tour-de-force role for Ms. Garland, who weekly got to do various things, singing, dancing, emoting, and fighting for her life as she was asked to step into the roles required of various jobs every week. She often had to play innocent, dumb, weak and vulnerable, though audiences knew that Casey was none of those things, which is another element that added quality to her portrayal.

New York played a part because the seamy underbelly of The City is always there and the need to stop crime when and where it happens is a regular element that, like NYC itself, constantly changed and grew. Current footage around town was included in each episode, which gave the series value as a Time Capsule for what NYC looked like at that moment, with the Times Square area being prominently featured, both in plots and in the program's opening titles.

"Decoy" wasn't canceled; it was ended because the producers ran out of cash to keep it going. This was well before a program like this could earn the kind of bucks that today's syndicated shows get. And it took nearly twenty years before Angie Dickinson took the titular role of "Police Woman" and a network finally picked up the concept of a woman undercover cop doing the job.

In a way, it's sad that more people don't know about this series and its groundbreaking star, who eventually played the part of Fred MacMurray's wife on the long running sitcom "My Three Sons" and played Amanda's mom on the comedy/drama "Scarecrow and Mrs. King," two roles that fell into the "typical" category for women to play on television.

The good thing is that "Decoy" is essentially in the Public Domain, so nearly all of the episodes are available to view on YouTube, and with a thirty minute run time (about 24 minutes without commercials), they are brief to watch and mostly pretty entertaining. Not a lot of lag time when you're setting up an episode, getting the baddies to fall into the trap and hauling them down to Central Booking.

This is presented as a tribute to a great, somewhat forgotten actress, Beverly Garland, who deserves to be remembered for her versatility, her balance and her convincing portrayal of a police officer at a time when only the guys were doing the tough stuff.

Stumbled across this on YouTube and ended up watching all 39 episodes - some better than others , most kept interest and some very good indeed - I remember having seen Beverly Garland in guest roles in many other tv shows back in the day - Westerns etc - she was very good - had great expressive eyes that did get the acting - The NYC locales were good and her voice overs added to the intimacy of the scripts - The Amazing thing was the number of later very familiar stars and character actors that appeared in this small syndicated show - if look up show on Wiki it lists them, over 35 listed - Peter Falk , Suzanne Pleshette , Simon Oakley and Barbara Barrie and on and on - almost a time capsule for fans actually . All from back in the day.

Yes, this is a wonderfully gritty, no-nonsense cop yarn. What struck me is: Where's the sexism? Where's the condescension? Where's the "Oh, ya gonna arrest me, Officer Sweetie Pie?" This was the Fifties, right? It's a cop show with a twist: a cop who gets emotional over what she sees and what she has to do. But Casey Jones never, and I mean never, lets it get in the way of her completely professional approach to her job. She works with male officers, and they are nothing if not equals, comrades in arms. And for those of you who know Beverly Garland only from the fluff of My Three Sons, have you got a surprise coming. Great entertainment all the way around. And for something a little snappier, try Front Page Detective.

Decoy's the first TV police drama to star a woman and casting couldn't have done better than Garland. She's strong and appealing but hardly glamorous, and really good at not over-playing her part though the tension is often there. As Casey Jones she goes undercover in downscale NYC to crack cases. The on-location filming in the city's seediest precincts lends a lot of color plus perspective to even the mildest episodes. Nevertheless, I'll bet the Chamber of Commerce was none to happy about grubby sites not often shown. Anyway, we get perspectives on the Statue of Liberty, crowded city streets, and soaring towers that seemingly entrap her as she walks along. All add color and period interest to the storylines. Of course some episodes are better than others but all offer abundant compensations. I haven't seen every episode, but let me recommend The Red Clown as particularly riveting. A look at the cast lists shows no stars but an abundance of familiar A-grade supporting players, e.g. Simon Oakland, Barbara Barrie. I guess ratings weren't strong enough for a second season (1958). Likely, 50's audiences weren't ready for a female lead in a traditionally male genre. Then again, to my knowledge, Decoy's never been re-run or put into syndication; so to say it's obscure is a mild understatement. Too bad, because the series was clearly ahead of its time, while its abundant human interest has no time limit.

In passing-- I caught up with the complete series in a DVD collection titled "Decoy" from Film Chest Media. I'd recommend the collection because of the detailed notes about locations and historical aspects of the productions that the enclosed booklet provides. For those like me who've never been to NYC, it's something of an interesting tour guide.

The original DRAGNET TV series ran from 1951 to 1959 until Jack Webb decided to cancel it after 8 seasons despite continued high ratings. DRAGNET became the template for every cop show that followed including a second DRAGNET that ran from 1968-1971. The many police programs in its wake included DECOY which featured a woman as its main character. That choice of character made it the flip side to DRAGNET which was male dominated. DECOY starred Beverly Garland as policewoman Patricia "Casey" Jones and lasted for a single season (39 episodes) between 1957-58. In the majority of those episodes (25 out of 39), Casey went undercover to catch the criminals which accounts for the title of the series. But there are several further differences between the two shows besides the female undercover officer.

To begin, DRAGNET was a West Coast produced show centering around Los Angeles (filmed at Walt Disney Studios) with very little location shooting whereas DECOY was centered in New York City and incorporated lots of location shooting. Interior shots were done in the old Biograph Studios where D. W Griffith once worked. DRAGNET's performers were mostly from the movie industry while those in New York came from television and the NY stage. Jack Webb was already well known in Hollywood and, in addition to being the creator-star, was also the head of production. DECOY's head of production was Stuart Rosenberg, an unknown TV director who would go on to a successful Hollywood career (COOL HAND LUKE, THE AMITYVILLE HORROR).

Each DRAGNET episode opened with "The story you are about to see is true, only the names have been changed to protect the innocent" DECOY's disclaimer came not at the beginning but at the end of each episode and read "This story is based on actual cases. All names and places are fictitious for obvious reasons" And as Casey Jones was the main character, each DECOY episode opened with "Presented as a Tribute to Bureau of Policewomen, Police Department Of New York City". Also each program opened with a New York locale before the title credit appeared. A celebrated, retired policewoman, Officer Margaret Leonard, who served as the inspiration for the Casey Jones character, was credited as the technical advisor for the show.

However the greatest difference between the two series lay in the storylines. In DRAGNET, each program was your basic "Chase 'Em, Catch 'Em, & Convict 'Em" while DECOY's was "Chase 'Em, Catch Em & And Try To Understand 'Em". Sgt. Joe Friday was just an ordinary, everyday, hardworking cop doing his routine job. Policewoman Casey Jones was given more exciting fare. She got to pose as everything from a high class call girl to a fashion model to a nightclub singer to lure and flush out the bad guys. Once they were duly apprehended, Casey would address the camera to point out how it was the faults of Society that created criminals. DRAGNET on the other hand closed with the criminals being tried, convicted, and sentenced according to the severity of their crime, minus explanations. You do the crime, you do the time.

While Jack Webb was the ideal personification of Joe Friday (as it should be since he created Joe), I can't say the same for Beverly Garland as "Casey" Jones. Garland was a very capable actress as proved in a number of 1950s B movies. She could be really tough when called for as shown in SWAMP WOMEN and GUNSLINGER (both 1956). In DECOY, however, I found her a little too glam to be entirely believable as an undercover cop. Class and charm might work for the occasional high end assignment but not for the majority of the down and out characters she also impersonated, such as a nightclub singer or woman's prison inmate. I blame the producers and 1950s sensibilities for this approach. My choice for the role would have been Ida Lupino, who had more grit.

Having said this, DECOY has two things going for it. 1) New York City locations ca.1957. We are given the rare opportunity to glimpse iconic NYC locations such as Penn Central station, Horn & Hardart Automat, The Stork Club, Charlie Parker's Birdland Jazz Club, Colony Records on Times Square, and Sardi's Restaurant. While shooting on location the cameras were hidden so passersby were unaware of what was going on and didn't stop to stare, lending authenticity. And 2) The secondary performers. While DECOY gives us old pros like Al Lewis, Vincent Gardenia, Albert Dekker, and Frank Silvera, it's the up and coming talent like Colleen Dewhurst, Martin Balsam, Ed Asner, Lois Nettleton, Larry Hagman, Frank Sutton, Suzanne Pleshette, and Peter Falk on the cusp of their careers that are really interesting to see. Almost all of them hailed from the New York stage and would later make their marks in television.

Although inspired by and modeled on DRAGNET, DECOY explored controversial subject matter which DRAGNET expressly avoided. Topics such as obscene phone calls, heroin addiction, gun running, dysfunctional families, spousal abuse, and mental illness. Unlike DRAGNET which had several episodes in the can before it aired, DECOY's shows were shot only two weeks in advance before broadcast. Ultimately the controversial subject matter of some the shows coupled with the social commentary-like endings discouraged would-be advertisers and the series was cancelled after one season due to lack of funds. Now, thanks to Film Chest Media, all 39 episodes are available on 3 CDs with lots of bonus materials for a very good price.... For more reviews see The Capsule Critic.