Captain Scarlet and the Mysterons

Simple stories are probably the result of budget and material restrictions, which is what makes this show so great. Each has some basis in science, technology, or military. All fascinating subjects for "cool" television shows. It is as though a ten year old boy imagined 24 minute plot-lines and had an unlimited amount of model-builders to create a world in which those action figures live out his stories. If you ever played with toys and honed your skills enough to see your "controlling" hands disappear, you'll love Captain Scarlett. However, like watching Knight Rider as a kid, you may not love it so much now because that was a really dumb show. You've got to be able set your frame of mind, again, to that of childhood.

Captain Scarlet and the Mysterons...

In my opinion, Gerry Anderson's greatest Supermarionation series if not the best series he ever made. This show is so full of memorable characters, quotes and of course the theme tune. It is very exciting and tense.

Well, I am a slightly blood-thirsty person! and i quite like violent films, so Captain Scarlet is great! There is sometimes a bit of blood, but nothing too extreme. This is why Anderson series' are cult classics; they know how fare to go with violence and themes. This is why it is ideal for fans of all ages! Nothing is too complicated or over-done.

The voice acting is probably the best of any Supermarionation show and almost every episode keeps you glued to the screen! The only thing which has stopped me from giving this show a 10 is the fact that I wish they were a little longer to develop supporting characters. Never the less most of the episodes are good at their own length.

I think that this is superior to the New Captain Scarlet computer generated show because everything is REAL. The problem with CGI shows is that explosions and effects are not real which I think is not as impressive. The visual effects by Derek Medding's team for Captain Scarlet are great like everything he did.

I grew up watching this series and hope that many more people believe that this show is better than the new one. It is dark and authentic, so what more do you want? Long live Captain Scarlet! Thanks for reading, godzilla1991

And what puppetry mastery it is. The time it took to make this show holds up well over time. The storylines are challenging, though as I age the repetitive nature of most TV and movies are wearing thin on my opinions of new things. Old stuff always holds up well. UFO keeps the same spirit, Space 1999 is showing wear and tear...

But Captain Scarlet presents an old idea in a new and fresh manner.

CS&M's American-broadcast predecessors (Supercar, Fireball XL5, Stingray, Thunderbirds) prompted novelty, fun, and no small amount of wishful thinking on the part of this frustrated model railroader. Thunderbirds to me at least became a pleasurable engineering-problem-of-the-week. But CS&M was different, far different.

Invisible yet palpable evil was afoot. Characters that looked a lot more human got snuffed. Intentional catastrophes abounded or were openly threatened. And to confront this was SPECTRUM, sometimes arriving not quite in the nick of time.

It may have aimed for the kids, but it was adult fare, at times delivered with genuine style and suspense. (I suspect the producers later chose to tone things down, hence Joe 90 and The Secret Service.) And at all times it was delivered with outright craftsmanship, a superb meld of direction, stories, voice acting and characterization, photography and editing, production design, sound and musical score, and in-camera special effects.

If you're new to Supermarionation, don't mind the puppetry, kit-bashed models, tabletop explosions or rolling backgrounds, overlook the occasional wire and slot in the pavement, and just watch a show that has style. Because everything is scaled-down but filmed as realistically as practicable you'll get drawn into it faster than you think. For a sampler view the episodes "Winged Assassin," "Big Ben Strikes Again," "Manhunt," "Operation Time," "Shadow of Fear," "The Heart of New York," "Fire at Rig 15," "Traitor," "Noose of Ice" and "Attack on Cloudbase."

I don't quite know when I'll view the CGI successor series, but I suspect tastes have changed over time. CS&M's original premise has unquestionably grown spookier. Suffice it to say I've seen nothing like this before or since. Be surprised, and enjoy.

(UPDATE: I gradually view the new series' episodes. Though its imagery can dazzle, given the choice between "Hypermarionation" and, as another user puts it, "the luxuriously sedate menace of the 1967 original," I still prefer the latter.)

I grew up with this TV-series. Perhaps I was like 5-6 when I saw it the first time. Totally loved it. I had most of the episodes recorded on VHS and saw them until the cassettes hardly were working anymore. To this day Captain Scarlet remains one of my favourite TV-series of all time, no actually scratch that, it is my favourite of all time. Even now as a grown up I can still see it from time to time. Just as entertaining as it always has been. I have seen several of Gerry Anderson's works like Stingray and Thunderbirds of course. But Captain Scarlet has always been his definitive highpoint for me.

So about the actual series. Captain Scarlet must be one of the most brutal programs aimed at children. There is a lot of violence in it but also the story and themes are dark and serious. Characters die and a lot of them. Sure it's puppets but still very dark atmosphere over it all. There is blood and innocent people getting killed, in cruel ways. The action scenes are thrilling a brilliantly done. Like we knew from his previous shows Gerry Anderson likes to make explosions and Captain Scarlet is no exception. At least one explosion in every episode and sometimes things just blow up for no reason or unrealistically easy. So entertaining. Why are explosions so fun to watch? Compared to Thunderbirds that came before it the episodes in Captain Scarlet were shorter but I don't find that to be any major flaw. The plots are complicated enough and I feel that there is actually real depth in the characters. Far more than one would expect. I actually feel more for these characters than any of Anderson's others or even many other characters I've seen. Very impressive to achieve that in just 32 episodes of 25 minutes. Another proof of the greatness of Anderson. Could it have been even better if the episodes had been at Thunderbirds length, I don't know. The characters are great and so is the voice acting. All voices fit perfectly, which yes is partly because the puppets were modelled after the actors. But also the performance of the voice actors is probably the best in any of Andersons series. Captain Scarlet was the coolest action hero I knew. They changed the look of the puppets to more realistic proportions compared to Thunderbirds and Stingray. Some have pointed out that they don't move as much and more slowly. That is true but it's no problem. They use creative ways to get around these restrictions. In a way this style, not just the appearance of the puppets but also the slower staler movements fit the feel of the show. Having aliens as the villains in a puppet series could have turned out goofy and silly. Could have looked like the aquatic aliens in Stingray. I don't mean that Stingray is sillier in a bad way, not at all it totally fits for that series. Camp can work fine if that is the type of show. It's all a consideration for the filmmakers. Captain Scarlet like I said is of a different more serious type. Making the Mysterons this mostly unseen force and often just an intimidating voice was a masterstroke by Anderson. Less is more is a trick that I've often found to work for the better. Not always showing and explaining everything can make the viewer even more hooked. Just like all of Andersons shows the music is also genius and plays an essential role for the atmosphere and feel. Composer Barry Gray was an absolute master in the field. I can't explain just what a defining role the music scores and sound effects play in all Gerry Andersons productions. So I wrote earlier that the plots are just enough for the show. Still I can admit that now that I'm older one does recognise that a lot don't make sense and many of the episodes have more than one plot hole and a lot of events and actions by characters defy logic. But in some way this just doesn't matter. Too bad that there are just 32 episodes. All of Gerry Andersons shows are short in number of episodes. It seems like he got an idea and worked with it for a while, like a year and then began on something new. Instead of sticking with one like many would he made ten puppet shows. In a way it makes sense to do like that, try different things. Still I which there were more many more. If you have seen the series, you will understand.

Could some of my love for this series be due to nostalgia? Sure I guess. But still I will say that this is an amazing show. Gerry Anderson was a genius. Captain Scarlet is a show that has it all: likable characters, intimidating villains, tense plot and cool action.