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IMDbPro

Viva Maria!

  • 1965
  • T
  • 2h
VALUTAZIONE IMDb
6,3/10
4206
LA TUA VALUTAZIONE
Brigitte Bardot and Jeanne Moreau in Viva Maria! (1965)
ParodyAdventureComedyRomanceWestern

Aggiungi una trama nella tua linguaSomewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus, ... Leggi tuttoSomewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus, and on her debut as a singer, she unintentionally invents the strip-tease and makes the ci... Leggi tuttoSomewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus, and on her debut as a singer, she unintentionally invents the strip-tease and makes the circus famous. Then they accidentally meet a socialist revolutionary and find themselves lea... Leggi tutto

  • Regia
    • Louis Malle
  • Sceneggiatura
    • Louis Malle
    • Jean-Claude Carrière
  • Star
    • Brigitte Bardot
    • Jeanne Moreau
    • George Hamilton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    4206
    LA TUA VALUTAZIONE
    • Regia
      • Louis Malle
    • Sceneggiatura
      • Louis Malle
      • Jean-Claude Carrière
    • Star
      • Brigitte Bardot
      • Jeanne Moreau
      • George Hamilton
    • 33Recensioni degli utenti
    • 30Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 1 vittoria e 3 candidature totali

    Foto110

    Visualizza poster
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    + 102
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    Interpreti principali22

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    Brigitte Bardot
    Brigitte Bardot
    • Maria Fitzgerald O'Malley aka Maria I
    Jeanne Moreau
    Jeanne Moreau
    • Maria Fitzgerald O'Malley aka Maria II
    George Hamilton
    George Hamilton
    • Flores
    Paulette Dubost
    Paulette Dubost
    • Mme Diogène
    Gregor von Rezzori
    • Diogène
    • (as Gregor Von Rezzori)
    Poldo Bendandi
    Poldo Bendandi
    • Werther
    Claudio Brook
    Claudio Brook
    • The Great Rodolfo
    Carlos López Moctezuma
    Carlos López Moctezuma
    • Rodríguez
    • (as Carlos Lopez Moctezuma)
    Jonathan Eden
    Jonathan Eden
    • Juanito Diogène
    Francisco Reiguera
    Francisco Reiguera
    • Father Superior
    Adriana Roel
    Adriana Roel
    • Janine
    José Baviera
    José Baviera
    • Don Alvaro
    José Ángel Espinosa 'Ferrusquilla'
    • The Dictator of San Miguel
    • (as José Ángel Espinoza)
    Fernando Wagner
    • Father of Maria I
    Roberto Pedret
    • Pablo
    Luis Rizo Casolo
    • Strongman
    • (as Luis Rizo)
    Ramón Bugarini
    Ramón Bugarini
    • Minor Role
    • (non citato nei titoli originali)
    José Luis Campa
    • Scout Soldier
    • (non citato nei titoli originali)
    • Regia
      • Louis Malle
    • Sceneggiatura
      • Louis Malle
      • Jean-Claude Carrière
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti33

    6,34.2K
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    Recensioni in evidenza

    Dugy

    A "sleeper" by Louis Malle, and not your typical comedic western.

    What was Louis Malle thinking about when he put forth this gem of a movie? It's a tale of comedic revolution in a fictitious country south of the border, and it happens to be led by a couple of gorgeous carnival entertainers, namely Bardot and Moreau. This French/Italian production is certainly off beat when the girls, leading their little band of performers have to finish a revolution begun by George Hamilton (listen to his voice in French!). A little anti-church, anti-establishment, a little strange, this film will delight the curious. And of course, Bardot is as cute as can be. Don't miss this one, for the delight of it all.
    bamptonj

    Stands up well today!

    VIVA MARIA, a French-Italian co-production, is set in the revolution-torn Mexico in the early 1900s. Maria (Brigitte Bardot) - the daughter of an IRA operative - journeys to Mexico and meets up with her namesake Jeanne Moreau. Under the guise of circus/vaudevillian entertainers, they pursue their revolutionary activities around the countryside. The illustrious pair are captured but escape to fight with an enthusiastic peasantry to free San Miguel from its Spanish oppressors. Thoroughly entertaining and rollicking fun with spectacular visual action. Most of the film was shot on location in Mexico and the railway scenes filmed authentically on the 3ft gauge Interoceanic division of National Railways of Mexico. The featured steam loco is G-023 class 2-8-0 No. 66 (Alco 5209).
    5michelerealini

    For Bardot and Moreau only

    The main merit of the movie is the presence of Brigitte Bardot and Jeanne Moreau, at the top of their charm and beauty. The strip-tease scene is the only funny scene instead.

    Apart from that and from a good cinematography, the film is quite boring. Louis Malle is one of the leading French "Nouvelle vague" directors, but here he deals with a big budget adventure -he doesn't work in his natural context.

    The idea of two girls named Maria who carry on the Mexican revolution could be good, but gags and action scenes are not memorable. In many situations you can guess what is going to happen.

    Obviously it's a movie made for exploiting the commercial appeal of the two gorgeous actresses.

    Malle, Bardot and Moreau made much better things.
    7Bunuel1976

    Viva Maria! (1965) ***

    This vastly enjoyable romp features Brigitte Bardot and Jeanne Moreau at their loveliest as two saloon entertainers who (inadvertently) not only find themselves in the middle of the Mexican Revolution, but also invent striptease in the process! VIVA MARIA! sees Louis Malle return to the "anything goes" territory of his earlier success, ZAZIE DANS LE METRO (1960); here he is aided immeasurably by an engaging cast (which also includes Luis Bunuel regular, Claudio Brook and an understandably daunted George Hamilton!) and an impeccable crew (co-screenwriter Jean-Claude Carriere, cinematographer Henri Decae, composer Georges Delerue, assistant directors Juan Bunuel and Volker Schlondorff)! While the film is uneven in spots, the last half hour is a succession of hilarious sight gags which border at times, perhaps unsurprisingly given its credentials, on the surreal and the anti-clerical.
    6greenheart

    Bardot - Armed and dangerous

    If I was asked what genre this film should be put in, I'd really struggle. I guess it's a Vaudeville black farce comedy musical which occasionally breaks into a spaghetti Western. The daft thing is that it kind of works. Bardot must surely be one of the most gorgeous women ever to grace the silver screen, you simply cannot take your eyes off her. Skimpy clothing, wild strawberry hair and a machine gun in her hand, you need a cold shower after watching this! I'm not sure that I believed her as being of Irish descent but was willing to forgive her anything. There are moments of sublime comedy and I don't think I'll ever trust a homing pigeon again. Not to be taken too seriously but great, great fun.

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    Trama

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    Lo sapevi?

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    • Quiz
      This movie was the subject of one of two U.S. Supreme Court cases that led to the establishment of the MPAA Ratings Code. Upon the U.S. release of this "Viva Maria," the movie classification board of the city of Dallas, Texas, banned the movie within the city on the grounds that it was too racy. The American distributor sued - case title: "Interstate Circuit, Inc. v. City of Dallas (1968) - and, on 22 April 1968, won. In its ruling, the Supreme Court stated that censorship aimed at minors was okay, but censorship could not be applied to adults. On the same day, the Supreme Court handed down its ruling in a second case, titled "Ginsberg v. New York (1968)," which established that 17 years of age constituted adulthood in cases of censorship. The case involved a New York City luncheonette owner named Sam Ginsberg who was caught selling a "Playboy" magazine to a 16 year old in a NYPD sting operation. The Supreme Court ruled that if the boy had been 17 years old, then Ginsberg would have done no wrong in selling him the magazine. By combining these two rulings, the Supreme Court established the precedent that adult-oriented movies were acceptable as long as "no one under 17 is admitted without parent or adult guardian."
    • Blooper
      The Pound sign on the wanted poster has been placed after the figure. This is the French practice. In England it would be in front.
    • Citazioni

      Maria Fitzgerald O'Malley aka Maria II: Rodolfo, come over here and meet my new partner. Oh, that's right, I don't even know your name.

      Maria I: Marie Fitzgerald O'Malley.

      Maria Fitzgerald O'Malley aka Maria II: Marie?

      The Great Rodolfo: Mary?

      Maria I: I'm not Mary. Marie.

      The Great Rodolfo: Mary and Mary. That's splendid!

    • Connessioni
      Featured in Sex, Censorship and the Silver Screen: Hollywood Comes of Age (1996)
    • Colonne sonore
      Paris, Paris, Paris
      Music by Georges Delerue

      Lyrics by Louis Malle and Jean-Claude Carrière

      Performed by Brigitte Bardot and Jeanne Moreau

    I più visti

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 16 febbraio 1966 (Italia)
    • Paesi di origine
      • Francia
      • Italia
    • Lingue
      • Francese
      • Inglese
      • Spagnolo
      • Tedesco
      • Latino
    • Celebre anche come
      • Віва Марія!
    • Luoghi delle riprese
      • Tepoztlán, Morelos, Messico(village where Maria O'Malley goes out with three men)
    • Aziende produttrici
      • Nouvelles Éditions de Films (NEF)
      • Les Productions Artistes Associés
      • Vides Cinematografica
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2.200.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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