L'uomo di Hong Kong

Turbulent, fast-paced comedy adventure (one of the best of its time) about unhappy billionaire Belmondo, whose suicide attempts keep failing. When he hires some killers to do him in, he falls in love with beautiful Andress and wants to reverse the deal. Belmondo is ideally suited to this role, exotic locations and lots of stunts make this a joy to watch. A worthy companion piece to the Bond movies of that time. Based on a Jules Verne novel. Score by Georges Delerue. English title: UP TO HIS EARS.

...if you haven't seen it, seek it out... an absolute must! Text-book example of a fast pace... still unequalled in its mad-cap sequences

this is a remake of "L'homme de Rio" of the same director and also starring Belmondo. The producers told De Broca to make a "super"-L'homme de Rio this time. But the comedy is taken a bit too far this time, which means the border to pure slapstick is crossed several times throughout the movie, which is unfortunate. Also the actor of the suicidal millionaire and the actor playing his butler should have switched roles; I think even the director stated that once in an interview.

There are several references to its preceding movie, most obvious; in one scene the girl calls Belmondo "Arthur" instead of "Adrien"; "Arthur" was the name of Belmondos character in the first movie. In the first movie Belmondo asks his girl; "what's next, are we going to China?".

User reviews of "L'homme de Rio" correctly mention the fact that Spielberg very obviously was inspired by that '63 French movie when making Indiana Jones. Well, watch this movie and you will experience even more deja-vus.

This is a well done and very entertaining adventure-comedy movie. Go see it.

This film is very typical of the spirit of the sixties, a nice mixture of exotic adventure film, comedy and action. It seems not to be everyone's taste, but it's definitely my liking! The story is being driven at a frantic pace and Belmondo is completely in his element. He runs, jumps, and twirls in all directions. Some action scenes are still impressive by today's standards. Ursula Andress brings the necessary touch of charm and seduction and Jean Rochefort (without his legendary mustache) is impeccable in his role of faithful servant. The images shot on location in Hong Kong, India, and Nepal are a real treat and have a documentary value today. Ideally, watch it after the even better "the man from Rio", of which he does not quite reach the level, but constitutes a very pleasant and entertaining sequel. I recommend to watch it with your children and teenagers, the will love it!

Back in the '60s, everyone loved a cool spy flick. James Bond, Derek Flint, Harry Palmer (and even Maxwell Smart) were the famous secret agents, but probably not as many people remember "Les tribulations d'un chinois en Chine". It has French everyman Arthur Lempereur (Jean-Paul Belmondo) getting involved in espionage in Hong Kong. A really fun scene is the whole chase scene. However, in my opinion, the intrigue and stuff gets overshadowed by Ursula Andress's presence. There's one scene in particular that will very likely remind you of her role in "Dr. No".

So, there always had to be spy stories involving hot babes. A flick similar to this one is "Die Holle von Macao" (also called "The Corrupt Ones") which starred Elke Sommer. You'll probably like both movies.

Apparently - "Up To His Ears" (from 1965) was the rip-roarin' French comedy that actually inspired American film-maker, Steven Spielberg to undertake directing "Raiders Of The Lost Ark" (from 1984).

To be sure - When certain scenes (involving some truly wild and incredible stunts) take place in the action - The viewer will automatically recognize clear similarities between these 2 pictures.

I'd also say that there is clearly something of a "decidedly" Monty Python-esque feel to the overall flow of events that take place in this wacky tale, as well.

But - Unfortunately - When it comes to the whole slapstick eccentricity of this film's zany action - It seems that the French don't appear to know too much about creative restraint. And, so - Before long - This potentially amusing tale gets too carried away with itself. And, with that - Coherent sensibility promptly sails right out the window.