La città senza legge

Oh, I love this movie. For all the wrong reasons. It's a creaking, crawling mess of clichés, enlivened by a geriatric cast. Town Tamer is surprisingly bloody (without the actual blood, of course). It all looks like a mid-sixties (and I mean that in more than one way) TV western with Dana Andrews and crew appearing to be dying from dyspepsia.

And yet, you might pick up on the ease in which all these many veteran actors and actresses fall--or totter--into their respective parts. I guess I have a weakness for movies that beg the MST3000 treatment.

If you ever get to see it, I'd suggest cutting out a silhouette of the guy and the two robots and taping them to the bottom of your TV screen.

C'mon, it'll be fun.

Town Tamer can only get better.

This film begins in Kansas with a gunslinger by the name of "Tom Rosser" (Dana Andrews) having been hired to rid a small town of various criminal elements. Unfortunately, in the process of doing this his wife "Carol Rosser" (Coleen Gray) is accidentally shot and killed by an unknown assailant instead. To that effect, knowing only that a wealthy businessman by the name of "Riley Condor" (Bruce Cabot) paid the mysterious gunman, Tom makes it his mission in life to find and kill Riley regardless of what it takes. That being said, the scene then shifts to two years later with Tom riding on a stagecoach to Montana and while traveling he happens to strike up a conversation with an attractive woman named "Susan Tavenner" (Terry Moore) who tells him that she is joining her husband "Guy Tavenner" (DeForest Kelley) who works at a saloon in the same town in which Tom has been hired to clean up. She then informs him that her husband just happens to be employed by a man named Riley Condor-and this is exactly what Tom wanted to hear. Now, rather than reveal any more, I will just say that this film was made during a time in which the American Western dominated the drive-in movie circuit and it wasn't until the 70's that pictures of this type essentially went into decline and were replaced by their low-budget cousins from Italy and Spain. Be that as it may, although I happen to like both of these styles, those viewers who enjoy films of the Classic Western variety might want to check this one out and I have rated it accordingly. Slightly above average.

For a western film, it's a pretty fun watch. Two of my favorite actors are in this one which makes it all that much better: Lon Chaney and Deforest Kelley.

Tom Rosser is hired to help clean and straighten up a town where some of the folks in the area want to keep the town as wild as possible - and running it the way they want it ran, not the way mayor and law want it to be. It's up to Rosser take the men out get the town back to good.

The movie does take a few turns which keeps the story on the interesting side. All the actors give fine performances - so it's worthwhile watching if you like a good old fashioned gun-slinging western film.

7.5/10

Producer A.C. Lyles made a spate of westerns in the mid-'60s that employed a lot of veteran actors who were, frankly, too old to get work anywhere else. While it was nice of him to give them jobs, the least he could have done was to not embarrass them, and I'm afraid that's what most of these movies do, especially this one. It's about a marshal hired to clean up a town, and the troubles he has and some long-ago secrets he's afraid might come out. Dana Andrews, like pretty much everyone else in this picture, is too old for the part; he was almost 60 when he made this, and age and a lifetime of drinking problems (which he has freely admitted to) had taken a toll on his physical appearance. He's just not even remotely believable as the kind of fast gun you'd hire to clean up your town. Although the cast is filled with old veterans, only a few of them, notably Lyle Bettger, can muster up the energy to turn in good performances. It's not their fault, of course, and the hack script and limp direction by Lesley Selander (who himself was 65 years old by then and had been making B westerns for more than 30 years) doesn't help either. The film has the look of someone who got some old friends together and said, "Let's make a western." While that may be a nice gesture, it doesn't make for a good movie. This one isn't. Avoid it.

This is far from being a high budget blockbuster with sweeping cinematography, high level production values and innovative writing. It has to rely on the actors working on sets that could have and probably were used in television westerns. Fortunately, the actors, most being solid character types, deliver the goods very professionally and carry the story and the viewer's interest. That acting even manages to overcome some dull and predictable directing.

Dana Andrews shows the effects of years of alcohol by this point and although that actually plays to the lead character, one suspects the movie would have been elevated with someone like Glenn Ford in that role but no doubt he would have needed a higher pay cheque as well. Terry Moore could have been given more to do as they downplayed romance in favour of the building confrontation. But she definitely looks good handles what she is given well.

Pat O'Brien, Lon Chaney Jr., Bruce Cabot, Lyle Bettger, Richard Arlen, Barton MacLane, Richard Jaeckel all show up like old friends who have done these roles a dozen times each but what could have been stale characterizations are instead well dished out from practised professionals still trying to earn their pay and their next job.