Sherlock Holmes: notti di terrore

I am both a fan of Sherlock Holmes and an interested observer of the case of Jack the Ripper. This film, with excellent show-saving performances by John Neville, Anthony Quayle, Robert Morley and the whole cast, was clearly written by a Sherlockian rather than a Ripperologist. A lot of Holmes's lines are lifted from stories in the original cannon. The fictional story here (where Holmes encounters Jack the Ripper) is good and basic, and I prefer the simplicity of its solution to the complexity of that in "Murder by Decree", the other Holmes-Ripper film, made in 1979. The research, however, on the Jack the Ripper crimes was clearly lousy, if not non-existent: From the first five seconds of the film, with Mary-Anne Nichols (nicknamed "Polly", but would The Times call her that?) having a knife stuck through her neck and seconds later a fat woman discovering her, when in reality, Nichols had her throat cut and her uterus torn out, two hours before she was discovered by two men. The "dear boss" letter is anything but complete here, there is no mention of the other letters or reasonable explanation for why the Ripper sent it. The writing on the wall for murder three is absent. Still, if you don't mind historical inaccuracies, this film is definitely worth watching. It has my approval.

I have no idea how many times Sherlock Holmes has battled Jack the Ripper over the years but here he is at it again, and in brilliant color to boot. I mention the color since the film, coming as films were rapidly being only made in color, takes great pleasure in showing us the colorful world of Victorian London and White Chapel in particular. Its a very 1960's sort of thing to do, as is the use of bongos on the soundtrack. Neither of these things really hurt the films plotting, but they do place it in a reality that could only be an English film studio in the 1960's. There's a feeling attached to many non-Hammer English films of the period that the producers were trying to give you something you couldn't get at home on a black and white TV, namely color. This need to show off detracts from what is a good thriller.

The plotting of Holmes attempt to solve the Ripper killings is reasonably well done. The hows and whys of the killings are interesting, however I have to say that I find that they are not as well done as in Murder by Decree, which is one of my favorite films (Holmes or otherwise.) For this reason I have some reservations, which are purely personal and should not stop you from at least watching this good movie.

John Neville as Holmes gives a very human portrait of a man of both mind and action, doing what ever it is to get the case solved. His relationship with Watson is pretty much as equals, something that is missing from most Holmes films which present the Holmes/Watson relationship in such away as to make you wonder why they are friends. I like that you can understand why they are together.

Over all, a good little movie, though as I said it suffers by comparison.

This is a great little thriller which featured the Sherlock Holmes vs. Jack The Ripper premise many years before the better known 'Murder By Decree'. John Neville (The X Files' "The Well-Manicured Man") makes a great Holmes, and Donald Houston plays a very good Watson. Robert Morley appears as Holmes' brother Mycroft, and the rest of the cast includes dependable character actors like Anthony Quale, Judi Dench, Frank Finlay, and even Barbara Windsor of "Carry On" fame. 'A Study In Terror' lacks the big budget excess of 'From Hell' and is all the better for it. For me it is a much more entertaining movie.

Sherlock Holmes (John Neville) and Dr. Watson join the hunt for the notorious serial killer, Jack the Ripper.

Between this movie and "Murder by Decree", this is the superior film. More dark humor, a better Holmes, and much more of a horror aesthetic. One could argue it is not a horror film, but I would strongly disagree... early on, we see a man in black gloves (but no face) shove a dagger through the skull of a victim. Another is stabbed and left discarded in a tub. This is very much on the periphery of the giallo or slasher film.

There is some similarity between this and "From Hell", also. Which of those two is better, that is hard to say. They are different animals. This one has more of the humor (albeit dark), but "From Hell" is the more grisly picture. They both have some of the royalty aspects, though this one invents the names of the royals rather than uses the actual suspects.

I would recommend this film rather highly.

The two big crimefighting superheroes of the middle 60s were James Bond,and Batman.I think that the cultural miliue that was going on had a significant influence on the way that these films and tv programs impacted this film.It is an interesting and respectable addition to the Holmes canon.And while neither Neville as Holmes nor Huston as Watson do more than imitate Rathbone and Bruce,they do what they need to do with honors.What I found fascinating was the casting of Morley as Mycroft Holmes.A physically appropos choice(Mycroft is described as mildly obese,balding,untidy,and indolent)Morley also suggests the powerful intellect and penetrating insight that Mycroft possesses.And even if he does add some rather stuffy,pompous,and overly fussy comic relief,what of it?The movie does benefit,and it "fleshes out"(forgive the pun,given Morley's size)Mycroft's eccentric personality.