I quattro figli di Katie Elder

The first scene I think of when I think of this film is the sight of John Wayne belting George Kennedy in the mouth with a 2 by four.It hurts my jaw just to look at it,or even think about it.He deserved it,by the way,as John Wayne once again takes on the bad guys,this time with the help of three brothers,played by Dean Martin,Earl Holliman,and Michael Anderson,Jr.They are not perfect,themselves,mind you,but they feel they, as well as their late parents,were done wrong and set out to make things right again.As for Katie Elder,we never get to meet her,as the film begins with her funeral,but we are told so much about her,that by the end of the film we have painted a pretty vivid picture of her in our minds.This movie is very adventurous,as most Duke films are,sad at times and even takes the time to be comical in places.The film also makes me sad for the Duke personally,because,as some of you may know,that on a break from filming this movie,Duke discovered he was sick with cancer for the first time.This movie is indeed a must have for any John Wayne fan.

Feisty Katie Elder has passed on and her sons have arrived in Clearwater, Texas for her funeral. Katie's four sons are played by John Wayne, Dean Martin, Earl Holliman, and Michael Anderson, Jr. and three's a certain amount of hostility directed towards them from some quarters. And a bit of fear evident in the town's people. It also turns out that their father had been murdered a few months before that and their ranch now belonged to James Gregory. When questions are asked, trouble starts.

One thing is clear though, none of her kids has quite turned out the way she hoped, but the three oldest are going to see that young Anderson becomes some kind of success in life.

Despite some glaring plot weaknesses The Sons of Katie Elder is a film that is sold by the sincere playing of its leads. I'm not quite sure why the Elder boys didn't come back with the news of their father's death and settled things back then. Or why Michael Anderson was so resistant to some higher education.

This was a special film for John Wayne, the first post cancer operation film he made. And he did it and all his subsequent films with essentially one lung. One thing about Duke was that he really loved MAKING movies. I've always thought on some level he wanted them to make money because that way he could make more of them. Wayne just loved being out on location, working all day and partying all night, this was him. Although his health gradually deteriorated and he became more testy and irritable and he had more and more need of an oxygen tank as years past, he wouldn't give it up until he HAD to. For John Wayne it really was a labor of love.

Wayne surrounded himself with a good cast of familiar players for the most part. This was his second film with Dean Martin who after completing this film started on his highly acclaimed variety show. And his guest on his first show, John Wayne to plug the upcoming release of their film. They are an interesting pair of older Elder brothers. Wayne who lives by a strict code and Martin who gets by on his wits and a larcenous streak. Still the affection the two had for each other in real life comes forth on the screen.

Dino has a real moment to shine when he sneaks out and brings Dennis Hopper back to the stable where Wayne and a wounded Anderson are holed up. One of his best acted scenes from any of his films.

George Kennedy plays a menacing gunman that James Gregory hires and he also gets quite a clout from John Wayne with a two by four after Kennedy was bullying John Doucette. It's a great cinematic moment from a Wayne film, but afterwards you can't find any trace of injury on Kennedy for the rest of the film. I remember in Joe Kidd when Clint Eastwood gave Don Stroud a similar clout, Mr. Stroud looked every bit the injured party for the rest of that film.

Though we never see Katie Elder we get quite the picture of the uncomplaining pioneer mother through the townspeople that knew her and their sons. I'm still also not sure though why Earl Holliman was supposed to be such a bad role model, he's a hardware merchant in another town. Still the other three Elder boys want Anderson to aim higher than that.

Elmer Bernstein's musical score is one of the best that is featured in a John Wayne film. Wayne films were always distinguished by good use of music, something the Duke learned from John Ford. Bernstein and the Duke first worked together in The Comancheros and this one is every bit as good as that rousing score.

The action sequences are the best part of the film and the last half hour with the ambush on the bridge by Gregory's men right up to the explosive climatic battle with Wayne and Gregory, the excitement doesn't let up for a New York minute. No western fan should miss it.

After their mother's death , four brothers are reunited . John Wayne is a gunslinger , Earl Holliman is an easy and silent young , Michael Anderson Jr. is a college graduate and Dean Martin is a drunk gambler. When they aware that her mother's death might have been killing , they come together to devise a a way to seek vengeance in the murderer , James Gregory , who hires an ominous gunfighter , George Kennedy , along with bullies and hoodlums . As the ranch owner Katie Elder's four sons determine to avenge the murder of their father and the swindling of their mother .But the marshal, Paul Fix, tells them to lay off .

This cultured actioner Western contains a wonderful friendship between brothers , thrills , dashingly violent action , rider pursuits , impressive attacks and loads of crossfire . In ¨The sons of Katie Elder" Hathaway does the human touch including lots of nice moments , it is a very fine picture that could become another western worthy of any anthology . This John Wayne movie is well in the tradition of classics as ¨The Magnificent seven¨, ¨Garden of evil¨ or ¨The searchers¨ . One of the Duke's most popular film of the 60s ,-in his first character following cancer surgery- as well as ¨¨The Alamo¨, ¨Rio Bravo¨, ¨El Dorado¨and ¨McLintock¨. In the film "The sons of Katie Elder" the spectator enjoys because it has a lot of issues that make it agreeable . Even the female character played by attractive Marta Hyer, reveals a woman who knows that she wishes and makes it irresistible . Large support cast formed by Western usual players as Paul Fix , James Gregory, Earl Holliman and special mention to big Dean Martin . Breathtaking and lively musical score by Elmer Berstein , one of the best of Western genre along with ¨The Magnificent Seven¨ and ¨Comancheros¨ soundtracks. Colorful and spectacular cinematography in Cinemascope and Techniclor by Lucien Ballard.

This well-paced in cracking style flick is stunningly directed by Henry Hathaway and usually works very well . He does the human touch and full of insight that accompanied him during most of his films and the story develops pleasantly in a large frame with an interesting plot and fully adjusted to the requirements of the action .The motion picture is professionally directed by Henry Hathaway with strong screen presence by John Wayne , both of whom collaborated in various Westerns , they included ¨Five Card Stud¨ , ¨North to Alaska¨ and Wayne's Academy Award-winning ¨True grit¨. Hathaway himself was only even nominated for an Oscar , but his movies themselves are testimony to his skills to heighten narrative tension and shoot action so exhilarating it made adrenalin run . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨From Hell to Texas¨, ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . He was an expert on Western genre as he proved in ¨True grit , Five card stud , Nevada Smith ,How the West was won , Rawhide , Brigham Young , Buffalo Stampede, Garden of evil¨ and of course ¨The sons of Katie Elder¨. Rating : nice Western that will appeal to John Wayne fans.

John, Tom, Matt and Bud, these are the Elder boys, who upon meeting up at the funeral of their recently deceased mother, find that their father may have been murdered over a card game. The boys must cast off sibling rivalries and find out just what has been happening in their childhood town of Clearwater, Texas.

Unfairly given harsh treatment upon its release by the critics and beset with behind the scenes problems, The Sons Of Katie Elder actually holds up rather well in this day and age. All the required traits are in the film to make it an oater of some worth, a splendid cast with as much macho beef as you can shake a stick at, a top Elmer Bernstein score, the wonderful use of the Casa Blanca location and a revenge driven plot of some note. So why is it hard to actually sell this picture to the staunch Western crowd? Well coming as it did in 1965 it certainly has something of a modern sheen to it, an uneasy bed fellow with the wild west theme of the picture. The casting of the brothers just about works, but Michael Anderson Jr (Bud) and Earl Holliman (Matt) do seem to be overawed by the presence of John Wayne (John) and Dean Martin (Tom), meaning as a foursome it never quite gets to being a tight acting unit. The length of the picture may also be an issue to some? Long periods of inaction work to me personally because the characters (family unit) are gaining much needed depth, but for those wanting guns a toting at frequent intervals are not exactly catered for.

Yet what action there is surely more than makes it worth the viewers patience? From the Duke swinging a nice piece of hickory to a wonderful riverside shootout, Henry Hathaway's Western is not found wanting for memorable sequences, in fact if you ask me then the mere sight of the Duke blasting away with a six shooter in each hand is a truly blood pumping joy, and don't get me started on a delightful Dean Martin scene as he raffles his glass eye! So all in all it's not without its itches, but as 60s Westerns go, The Sons Of Katie Elder is a hugely enjoyable picture to enjoy by the fireside on a Sunday afternoon. 7/10

I just saw this movie some 30 years after my first viewing of the film--and surprisingly I found it to be a lot more entertaining than my first recollections of the film.

It's a traditional Hollywood western: good wins over evil, the hero gets the girl, and law is maintained. It has no complications. Even the Mexicans are shown squatting at the funeral far apart from the others only getting up to bury the body. That was how most Westerns were made...So what's good about the film?

Elmer Bernstein's music is as good as his music in 'The Magnificent Seven', if not better. The range of actors: a believable John Wayne, an entertaining Dean Martin with "third-eye" act, a menacing George Kennedy, a "likable" Strother Martin in a brief role as the winner of the third eye, and a fine performance by young Dennis Hopper makes the film above average viewing.

The real hero of the movie is "Katie Elder" dead when the film begins, respected as the film unfolds, and never seen on screen. Everyone seems to remember her with awe. She is epitomized by the empty rocking chair (final shot) and a Bible she leaves behind.

Henry Hathaway's westerns will not be reflective ones as are later Westerns such as "Will Penny", "Tell Them Willie Boy is Here" or "Monte Walsh"--his movies tend to affirm the status quo of typical Hollywood westerns with a heart (good Christian values, strong connection with nature and animals--horses in this movie--as he did in "How the West was Won") and no mind (insensitive to Mexicans and Red Indians). The Christian values in the film are fuzzy, e.g., fool some poor gullible guys at a bar and emerge a hero, or sell a blind horse to gain money and remembered for it at your funeral, etc. This film of Hathaway, ably supported by Bernstein's music and Lucien Ballard's camera, is a great movie for an audience that wants to see a traditional western unfold--and but not be asked to think beyond what is shown.