Shenandoah, la valle dell'onore

A patriarch widower (a magnificent James Stewart) from Virginia is determined to keep his family out of the Civil War (1861-1865). He attempts to remain neutral against the ravages of war but the happenings get worse and his six sons (Patrick Wayne, Glen Corbett, Rosemary Forsyth , Tim McIntire , among others) are involved . His daughter (Rosemary Forsyth) marries a confederate officer (Doug McClure) and his adolescent son is prisoned by Yankees .

Good Western with powerful story that captures action , emotion and sentimental drama . The opening battle scenes are taken from ¨The Raintree country¨ and are printed as a mirror image of the original footage . Superb acting by the veteran James Stewart as the heartbreaking father who is forced into action to find his unfortunate sons. Largely secondary cast as Paul Fix as a doctor , Denver Pyle as the Pastor , George Kennedy as Yankee General , Strother Martin as train machinist , Harry Carey Jr , Bob Steele , among them . Film debut for Katherine Ross , previously her successful 'Butch Cassidy and Sundance Kid' . The tale was the basis for posterior Broadway musical stage played by John Cullum . Colorful and glimmer cinematography by William H. Clothier , John Ford's usual . Rousing musical score with sensitive leitmotif by Frank Skinner . The motion picture was well directed by Andrew V. McLagen . He is a John Ford's disciple and son of the giant actor Victor McLagen . He's an expert on Western as ¨Last hard men¨ , ¨Rare breed¨, and ¨Bandolero¨ again with James Stewart and of course 'Shenandoah', his best Western . And directed several John Wayne vehicles as ¨McLintock¨ , ¨Chisum¨, and ¨Cahill¨ . Furthermore , specialist on Warlike genre as ¨Devil's brigand¨, ¨Wild Geese¨, ¨Sea wolves¨ , among them. Rating : Above average, well worth seeing . The flick will appeal to James Stewart fans.

Shenandoah (1965)

A leisurely, somewhat by-the-book movie, directed by a television veteran, Andrew V. McLaglen. The story, of a family who resisted the Civil War by sheer stubborn principles (like objecting to war), is interesting, and a bit different. This has the feel of a Western, but it's set in Virginia, so is closer to "Drums Along the Mohawk" in depth and intention.

But more to the point--James Stewart is the patriarch, and he brings an older, deeper, wiser sensibility to the film than all the other actors combined. It's a great performance top to bottom, and he pulls it off with complexity and rare conviction. The plot is absorbing because of Stewart, and that's the final word, really.

It doesn't hurt to note this is 1965, and the Vietnam war is getting going on a large scale, making the front of Life Magazine. Whether or not this is a comment on that war, or on war in general, it's hard to know from here, but the audience must have seen it that way. There is a conflict of innocence and sheer naiveté that doesn't always wash well with common sense, and this large family is nothing if not smart. The large crisis that marks the halfway point was avoidable by paying attention to the hat a little more.

But these men and women still show the power of passive resistance to a war that seemed, to them, to be nonsense.

Compelling drama about a man's efforts to keep his family safe and out of the Civil War. It's an anti-war story that was obviously meant to be about the then-current war, Vietnam, as much if not more than the one in the story. The film looks and feels like a western, although it's set in Virginia. Like most westerns from back then, it's a mix of serious drama with action scenes and even some moments of comedy. James Stewart plays the lead and gives an exceptional performance. Fine support from George Kennedy, Paul Fix, Patrick Wayne, Doug McClure, Katharine Ross (in her film debut), Glenn Corbett, and Rosemary Forsyth, who does a great job as Stewart's ballsy daughter. Some riveting emotional scenes and some nice action. Definitely worth a look for Stewart fans or anyone who enjoys films with subtext.

I saw this movie the 1st time with my dad when I was in grade school. It brings up a lot of big issues. Like "High Noon" or "The Searchers" there is an underlying theme that may or may not have been intended. Released in 1965 when Vietnam was just beginning to become a hot issue. In his last 'chat' with his dead wife, he vocalized a dove perspective on war in general--that the people who think that war is a good idea usually aren't the ones who will be dodging bullets, chemical weapons or bombs.

Having the youngest son rescued by an African American was also a daring move at the time.

Worth a look. It may not be historically accurate, but it touches on some important and timely, considering the nature of current events.

In may important ways,this is one of Hollywood's most accurate attempts to show what the Civil War was like,both on the battlefield and at home. But director Andrew McLaglen,the 45-year old son of famous movie director Victor McLaglen,and writer James Lee Barrett never let strict adherence to accuracy get in the way of their historical soap opera,and that why the film has been such an endearingly popular hit. When it was released in 1965,it came out during the time of the Vietnam War(when it was still a hot issue),and the violence of racial turbulence that occurred during the Southern United States. Not to mention during the height of the Civil Rights movement. It was also the basis for a very successful Broadway musical(which had nothing at all to do with the film itself).

In the fictional community of Shenandoah Gap(in the hills of Virginia),widowed patriarch Charlie Anderson(James Stewart)rules his clan of six sons and two daughters and is determined not to pay any attention to what is happening beyond the boundaries of their 500-acre farm. "This war is not mine and I take no note of it," he states without hestination or doubt. Anderson does not believe in slavery and has no thoughts on the preservation of the Union. He's more concerned with the raising of his children and the running of the farm. During the first part of the movie,it takes almost an hour to limit in the details of that world-the conflicts with neighbors and authorities,and the romance between daughter Jennie(Rosemary Forsyth) and Sam(Doug McClure of The Virginian TV series),a young Confederate officer. About half-way through,Anderson is forced to take action,and the pace of the film quickens. Well-timed coincidences keep things moving briskly,but the whole tone of the film takes on a sad quality as the family comes to understand how badly the war is going for Virginia. By far the best scene is an encounter between Anderson and Colonel Fairchild(George Kennedy),a Union officer whose warweariness seems absolutely authentic. In that moment,the film has the tough-mindedness associated with the James Stewart-Anthony Mann westerns of the 1950's. But McLaglen quickly reverts to the sentimental melodramatics and breathtaking action scenes that were always his strong suit. If the battle scenes(which are brilliant in detail)give some of the scope of other Civil War epics,then they are true to the individual combatants and greater more tactics as engagements. As such,they're believable,though in appearance and sensibility,the film has the standards characteristics of a western. Since the producers pitch this as a western picture in further perspectives.

At the time Shenandoah was made,the top three westerns of their day were at the top of the TV ratings:"Gunsmoke","The Virginian",and "Bonanza". It was the TV series "Bonanza",that was the top rated show on television and at the time was at the peak of its popularity. Any similarity between these two families is intentional since in character and story setting the TV series Bonanza was based in the regions of the Nevada Valley,while the motion picture Shenandoah was based during the height of the Civil War in the hills and valleys of Virginia. For the most part,McLaglen wisely keeps the camera on his star,and James Stewart carries the film and gives one of the most riveting performances of his career. While several of his younger supporting cast adopt unfortunate Southern accents,he sticks to the voice that everyone knows. That's a good thing,because Stewart is called upon to deliver many long,weighty and wise monologues since on a actual note was to be the most pontificatory role of his long established career. The speeches work because they're grounded in a believable sense of reality. The locations for shooting of the picture did not occur in the Southern regions of the United States,but in areas of Oregon that are similar to the Shenandoah Valley. Slavery was not as prevalent there as it was in other parts of the South;smaller farms were prevalent since the central crops were tobacco,corn,and cotton(in some areas)and not to mention a lot of chicken production and turkey farms(they grow a lot of turkeys down there). Finally,the film's refusal to take sides in the war serves as well. This was not only a sensational action-western flick,but one of those Hollywood tear-jerking melodramas that means to entertain while remaining fairly faithful to history. It does just that.

Shenandoah was one of the highest grossing movies of 1965,and was nominated an Academy Award for Best Sound. It was right up there with some of the biggest movies of that year.."In Harm's Way","The Sound Of Music","The Greatest Story Ever Told","Thunderball","Doctor Zhivago", and "The Sons Of Katie Elder".