Shenandoah, la valle dell'onore

In Shenandoah, Virginia, the widower farmer Charlie Anderson (James Stewart) lives a peaceful life with his six sons - Jacob (Glenn Corbett), James (Patrick Wayne), Nathan (Charles Robinson), John (James McMullan), Henry (Tim McIntire) and Boy (Phillip Alford), his daughter Jennie (Rosemary Forsyth), and his daughter-in-law and James' wife Ann Anderson (Katharine Ross) in his farm.

Charlie does not let his sons to join the army to fight in the American Civil War that he considers that it is not their war. Meanwhile Jennie marries to her beloved Lieutenant Sam (Doug McClure), but they do not have honeymoon since Sam has to go to the front. When Charlie's youngest son Boy is mistakenly taken prisoner by soldiers from the North. Charlie rides with his sons to rescue Boy, while James and Ann stays in the farm. But it is time of violence and war, and tragedy reaches the Anderson family.

The heartbreaking and unforgettable "Shenandoah" is one of my favorite westerns, with the story of a family caught by the American Civil War. The plot has elements of "Friendly Persuasion", with the strong code of honor of the patriarch of a family and James Stewart has another top- notch performance. My favorite scene is when Charlie prepares the room of an abandoned farm to give the opportunity of a honeymoon to Jeannie and Sam. My vote is eight.

Title (Brazil): "Shenandoah"

Note: On 09 Dec 2018 I saw this film again.

A patriarch widower (a magnificent James Stewart) from Virginia is determined to keep his family out of the Civil War (1861-1865). He attempts to remain neutral against the ravages of war but the happenings get worse and his six sons (Patrick Wayne, Glen Corbett, Rosemary Forsyth , Tim McIntire , among others) are involved . His daughter (Rosemary Forsyth) marries a confederate officer (Doug McClure) and his adolescent son is prisoned by Yankees .

Good Western with powerful story that captures action , emotion and sentimental drama . The opening battle scenes are taken from ¨The Raintree country¨ and are printed as a mirror image of the original footage . Superb acting by the veteran James Stewart as the heartbreaking father who is forced into action to find his unfortunate sons. Largely secondary cast as Paul Fix as a doctor , Denver Pyle as the Pastor , George Kennedy as Yankee General , Strother Martin as train machinist , Harry Carey Jr , Bob Steele , among them . Film debut for Katherine Ross , previously her successful 'Butch Cassidy and Sundance Kid' . The tale was the basis for posterior Broadway musical stage played by John Cullum . Colorful and glimmer cinematography by William H. Clothier , John Ford's usual . Rousing musical score with sensitive leitmotif by Frank Skinner . The motion picture was well directed by Andrew V. McLagen . He is a John Ford's disciple and son of the giant actor Victor McLagen . He's an expert on Western as ¨Last hard men¨ , ¨Rare breed¨, and ¨Bandolero¨ again with James Stewart and of course 'Shenandoah', his best Western . And directed several John Wayne vehicles as ¨McLintock¨ , ¨Chisum¨, and ¨Cahill¨ . Furthermore , specialist on Warlike genre as ¨Devil's brigand¨, ¨Wild Geese¨, ¨Sea wolves¨ , among them. Rating : Above average, well worth seeing . The flick will appeal to James Stewart fans.

Compelling drama about a man's efforts to keep his family safe and out of the Civil War. It's an anti-war story that was obviously meant to be about the then-current war, Vietnam, as much if not more than the one in the story. The film looks and feels like a western, although it's set in Virginia. Like most westerns from back then, it's a mix of serious drama with action scenes and even some moments of comedy. James Stewart plays the lead and gives an exceptional performance. Fine support from George Kennedy, Paul Fix, Patrick Wayne, Doug McClure, Katharine Ross (in her film debut), Glenn Corbett, and Rosemary Forsyth, who does a great job as Stewart's ballsy daughter. Some riveting emotional scenes and some nice action. Definitely worth a look for Stewart fans or anyone who enjoys films with subtext.

Shenandoah (1965)

A leisurely, somewhat by-the-book movie, directed by a television veteran, Andrew V. McLaglen. The story, of a family who resisted the Civil War by sheer stubborn principles (like objecting to war), is interesting, and a bit different. This has the feel of a Western, but it's set in Virginia, so is closer to "Drums Along the Mohawk" in depth and intention.

But more to the point--James Stewart is the patriarch, and he brings an older, deeper, wiser sensibility to the film than all the other actors combined. It's a great performance top to bottom, and he pulls it off with complexity and rare conviction. The plot is absorbing because of Stewart, and that's the final word, really.

It doesn't hurt to note this is 1965, and the Vietnam war is getting going on a large scale, making the front of Life Magazine. Whether or not this is a comment on that war, or on war in general, it's hard to know from here, but the audience must have seen it that way. There is a conflict of innocence and sheer naiveté that doesn't always wash well with common sense, and this large family is nothing if not smart. The large crisis that marks the halfway point was avoidable by paying attention to the hat a little more.

But these men and women still show the power of passive resistance to a war that seemed, to them, to be nonsense.

A peaceful, hardworking farming family suffers the strains and unavoidable losses of the Civil War in `Shenandoah.' James Stewart is the head of the clan, who does not keep slaves and refuses to fight for men who do. Since the death of his wife, he has raised his large family to work hard and fight for what is right, and now the onset of the war forces them to come to terms with everything they believe in.

The film is largely set on Stewart's farm in the Shenandoah Valley. At the start of the film, the family tries to go about its business as if the war did not exist. Ignoring the war becomes increasingly difficult, however, with soldiers constantly marching through the property trying to recruit the sons and requisition the livestock. When the youngest son is taken prisoner Stewart decides the time has come to take action, so they set out to find the boy. Along the way, lives are lost, values are tested, and mindsets are changed with experience.

Stewart's performance as the proud patriarch is excellent. It is a grizzled, more mature Jimmy Stewart than one is used to, with a cigar stub constantly dangling from his mouth and a perpetual scowl on his face, but in essence it is the same proud, upright character that he has always specialized in. He is effective in conveying the fear and vulnerability of a man who is unsure of the right thing to do, looking out for his family and land in the midst of a war-torn nation. His conversations at his wife's gravestone stand among the most poignant work of his career.

`Shenandoah' takes its time in telling its story, interspersing simple, low-key scenes (in church, at the dinner table) with action sequences. Its characters are real people with real problems, and with whom the audience can readily identify. It is a mature, beautifully realized film, with scenic photography and sensitive performances.