La dea della città perduta

She is an enjoyable piece of Hammer fluff and that is all there is to say really. True movie fans of Hammer movies see the iconic stars Peter Cushing and Christopher Lee in roles and that makes this movie a treat to watch as they have a presence that gives a certain dignity to the movie. As the lead Ursula Andress shows why she was a sex symbol in the 60's as she is stunning and smoking hot to look at and her acting who cares she is not a thespian that is for Cushing and Lee to do she is to look sexy and alluring and she does that well. The cast does a good job with a good story but as with everything in life there are some shortcomings. One the sets looked cheap and the story one could see events coming because it lacked some intrigue but these are fine as many a movie has this problem but my biggest problem was the lead of John Richardson he may look like Ken come alive but he was so wooden I swear Woody Woodpecker was going to town on his acting skills he has no presence, read lines in a monotonous monotone fashioned and looked bored throughout. In addition his eyes look glazed during the entire movie like he was in a trance and he just awful. Despite this a fun and entertaining movie and critics may carp about many a thing but this movie is true popcorn and I for one like to be entertained I was and would recommend this movie to be seen.

I don't know if SHE was the most expensive film Hammer ever made but it sure looks like it. Of course it's not LAWRENCE OF ARABIA or ZULU but it does try to cash in on those two films at a fraction of their cost (and length). In addition to Ursula Andress in her prime (in fact "She Who Must Be Obeyed" is the role she was born to play), we get Hammer stalwarts Peter Cushing and Christopher Lee both giving really strong performances especially Cushing who is unlike any other character I've ever seen him play in a Hammer film.

John Richardson, who starred with Barbara Steele in the iconic BLACK SUNDAY back in 1960 and would be opposite Raquel Welch in ONE MILLION YEARS B. C. the following year, makes for a strong and attractive Leo Vincey. The different ending (from the book and other versions) gives the film a surprising poignancy you wouldn't expect.

H. Rider Haggard's novel of an ageless queen and a forgotten city has been filmed many times starting back in the silent era and as recently as 2001 but only this one and the 1935 RKO version have had any kind of staying power. Comparing the two is like comparing apples and oranges. One is in B&W, the other color, one is set in the Arctic, this one (like the book) is set in the desert. The '35 version has tremendous art deco sets, Nigel Bruce, and the legendary Gustav von Seyfertitz. Helen Gahagan was regal as SHE but Andress is exotic and very desirable.

While the settings here aren't nearly as lavish, they were influential and this version was a favorite of countless impressionable minds during the 1960s including future filmmakers George Lucas and Steven Spielberg. This Warner Archive edition stops short of a full restoration but the widescreen transfer allows us to see SHE in all its glory...For more reviews visit The Capsule Critic.

This Hammer production is a fantasy-adventure film. After a brief encounter with a beautiful mysterious woman, a group of adventurers set off to find a lost city in remote Palestine in which she claims to rule. It turns out that she is an immortal being, and one of the party is a reincarnation of her long-lost love. The men subsequently find the lost city and encounter at first-hand She Who Must Be Obeyed…

Despite the presence of a number of Hammer regulars, this is essentially an Ursula Andress vehicle. She was just off the back of her iconic sea-emerging moment from Dr No and was clearly hot property at this time. Not the most gifted or charismatic actress, Andress is never-the-less a very beautiful woman, and therefore looks the part in this role. She is kitted out with an array of fabulous flowing gowns and ornamental head-dresses. And seeing as she is very much the main selling point of the film, it's important to note that she is certainly very aesthetically pleasing. The story itself is very much by-the-numbers, and not especially interesting but is merely a means to an end. Namely an excuse to introduce Ursula in regal attire in fantasy surroundings. These sets are limited by the budget of course, but like all Hammer films it still looks pretty good all things considered. Unlike most Hammer films, though, there is also some on-location photography too, with scenes shot in the desert in the Middle East. This indicates quite clearly that the famous old studio invested a bit more into this production than most, and clearly this was not misplaced seeing as She was one of their biggest commercial successes. Despite this, it isn't in the final analysis an example of the best of their output. It's a little lacking in excitement for too much of the time. Having said this, it does have a rather good ending that is both creepy and surprising. And not only that, it does have both Peter Cushing and Christopher Lee at its disposal which can never be a bad thing quite honestly. So with this in mind and also taking into account that we have a gorgeous ice queen in the lead role, She is a film that has some good things going for it.

Lovely Hammer vehicle about a group of Britishers trying to find fame, fortune, and for one, love in the desert. The three men are Peter Cushing as a professor of archaeology, Bernard Cribbins as his valet, and John Richardson as Leo...the man promised all if he makes the perilous trip through the desert for She. She is an atypical Hammer film. There is not a lot of blood and horror, but plenty of adventure. The film boasts a fine Hammer troupe of wonderful actors. Cushing is exceptional as the professor. Cribbins(a very underrated actor) also shines. Andre Morrell and Christopher Lee also are on hand. Lee has little to really do, however. The male lead Richardson is a bit on the monotonous side, but he does an adequate job. She, the queen of a lost city and people, is played by sex goddess Ursala "Undress" Andress(she keeps her clothes on in this one). Andress probably does give her finest acting performance in this film(it's okay but don't get TOO excited!). The settings look very good, very realistic, and the score by veteran Hammer composer James Barnard easily is the best thing about the film. Bernard creates a wonderful variety of music which enhance the action and romance in the film.

I'm not sure why everyone dislikes this film. It not only looks absolutely fantastic for a Hammer film, but also features some fantastic performances by some some of Hammer's best actors(and some who aren't Hammer actors). Some of the amazing performances come from the always excellent Peter Cushing, the(finally)newly knighted Christopher Lee, the great Bernard Cribbins and in her first(and last) Hammer film, the gorgeous Ursula Andress as SHE herself. This film is also wonderfully directed by another one-off Hammer director, Robert Day. However this film does have some low points as well. Some of the plot threads are a little silly and some of the later scenes are very repetitive. By no means the best Hammer film, but no where near the worst.