VALUTAZIONE IMDb
6,9/10
1327
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.
- Regia
- Sceneggiatura
- Star
Jacques B. Brunius
- 1st Detective
- (as Jacques Brunius)
Henri Vidon
- Man in Train
- (as Henry Vidon)
Recensioni in evidenza
I just want to briefly agree with the previous comments here. I haven't seen this movie in over thirty years, since high school, but it stands out vividly in my memory. Intriguing story beautifully acted by three outstanding stars. Why do films fall by the wayside? I hope this isn't one of the lost films that we keep hearing about. I guess our only hope of seeing this now is if TCM broadcasts it....or if it becomes a Criterion DVD release. Criterion has been wonderful in giving us beautiful prints of rare or hard to find classics. If anyone hears of Return from the Ashes returning from the ashes (LOL) please post the info here.
TCM gave this movie two stars. Ridiculous. I saw this film YEARS ago. I never forgot it and at one point, I tried to find out the name of it and was directed to another film. I suspected when I read the plot on the channel guide that this was the movie.
Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.
He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.
During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.
The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.
When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.
A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).
By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."
Highly recommended.
Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.
He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.
During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.
The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.
When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.
A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).
By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."
Highly recommended.
One of those excellent films that has never been released on video or DVD. The first time I watched this there were only 2 other channels and both were showing programs I hated at that particular moment, so I ended up watching this film by default. What luck! I was treated to a beautiful, haunting film that featured great performances by Herbert Lom, Samantha Eggar, Maxmillian Schell and Ingrid Thulin. Thulin's performance in particular is flawless. She is utterly convincing as a death camp survivor trying to return to the world. If cable ever gets tired of endlessly re-running "Jaws", "The Breakfast Club" and "It's a Mad Mad Mad Mad World" (Excellent films but shown 5 nights a week) and happens to air this true gem, be SURE you see/record it. The second time I caught it was on PBS--20 years after my initial viewing.
In a flash of incredible foresight, I recorded this gem as I watched it for the first time (maybe like 2 years ago...) The signature music has a waltzy, hypnotic cadence that completely draws you in, & a fascinating story unfolds in "post-war Paris", shot in appropriately atmospheric black & white. >From the very opening train scene, I was riveted. This one is on my shelf of films that I watch over & over again. Maximilian Schell is brilliantly handsome/wicked, as Stanislaus. I'd never even heard of Ingrid Thulin before -- someone on here mentioned her character, Michele, as "middle-aged" - that's not the impression I got. Michele is a jaw-droppingly gorgeous, dazzling blonde Swede{?}, who was married to a much older man, with a daughter. So she appears to be a young widow with a step-daughter in her late teens. On top of her late husband's sizable estate, Michele is also an X-ray technician. Ingrid Thulin is wonderful as Michele, combining just the right balance of high intellect yet vulnerability - very believable central character. Herbert Lom & Samantha Eggar also give stand-out performances.
I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.
I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.
Classy mid 60s thriller with plenty of meat in the burger and almost no cheese.
"Return" goes to all the familiar places but never lingers long on cliches.
I remember the theater cards in the lobby saying "Nobody enters the theater after Fabienne enters her bath".
It's twisty and pushes the plausibility envelope some, but the ride is good enough to cover the bumps.
This is one of the last films to use lobby hype, and it didn't need any hype. Ingrid Thulin shines in a truly convincing way, what a talent. Samantha Eggar simmers with heat and hate. Schell and Lom both set their person bars a little higher in this one..
Bottom Line: Just Find It And Watch It.
This is one of the last films to use lobby hype, and it didn't need any hype. Ingrid Thulin shines in a truly convincing way, what a talent. Samantha Eggar simmers with heat and hate. Schell and Lom both set their person bars a little higher in this one..
Bottom Line: Just Find It And Watch It.
Lo sapevi?
- QuizJulius J. Epstein, the screenwriter of this film, also co-wrote the screenplay for Casablanca (1942).
- BlooperIngrid Thulin's clothes and hairstyle in the beginning of the film are very mid-1960s, although the film begins around 1940.
- Citazioni
Dr. Michele 'Mischa' Wolf: Don't grovel. If I have to remember you at all I want to remember Stan the actor, the cynic, the complete bastard.
- ConnessioniVersion of Il segreto del suo volto (2014)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Return from the Ashes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was Dimensione della paura (1965) officially released in India in English?
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