Aggiungi una trama nella tua linguaFifty-something Edith Lambert is thrilled to find out that she's expecting a baby, but her husband Harry is less enthusiastic.Fifty-something Edith Lambert is thrilled to find out that she's expecting a baby, but her husband Harry is less enthusiastic.Fifty-something Edith Lambert is thrilled to find out that she's expecting a baby, but her husband Harry is less enthusiastic.
- Premi
- 1 candidatura in totale
Michael Abelar
- Lumberyard Man
- (non citato nei titoli originali)
Lou Bernard
- Lumberyard Man
- (non citato nei titoli originali)
Robert Biheller
- Young Husband
- (non citato nei titoli originali)
Ted Blair
- Lumberyard Man
- (non citato nei titoli originali)
Gino Cappelletti
- Lumberyard Man
- (non citato nei titoli originali)
Charles Dornan
- Surveyer
- (non citato nei titoli originali)
Johnny Eimen
- Boy
- (non citato nei titoli originali)
Tommy Farrell
- Fred Ainsley
- (non citato nei titoli originali)
Jesslyn Fax
- Saleswoman
- (non citato nei titoli originali)
Pamelyn Ferdin
- Little Girl in Elevator
- (non citato nei titoli originali)
John Francis
- Plumber
- (non citato nei titoli originali)
Recensioni in evidenza
10ellery99
I thought this movie was GREAT! And I also thought Jim Hutton & Connie Stevens were great as well...I was sorry to see it end! Very enjoyable.....
Crotchety Harry Lambert (Paul Ford) owns a small lumber yard. He is not happy with his new-thinking employee son-in-law Charlie Clinton (Jim Hutton). He is pushing his daughter Kate (Connie Stevens) to start a family. His wife Edith (Maureen O'Sullivan) receives surprising news. She's pregnant.
It's a fun concept especially for the older couple. It's based on a 1962 play. The younger couple is a little off. They are playing more immature especially Connie Stevens. She's in her late twenties. The character plays more early twenties. Charlie shows that he's forward thinking early on, but he retreats back to the 50's. The younger couple is more annoying than funny. The two couples are far too similar. I kept thinking of Norman Lear doing All in the Family. I like the first half a lot. The second half takes a couple of awkward turns where it could funny but somehow it's not that funny. It becomes a bit too angry without the humor.
It's a fun concept especially for the older couple. It's based on a 1962 play. The younger couple is a little off. They are playing more immature especially Connie Stevens. She's in her late twenties. The character plays more early twenties. Charlie shows that he's forward thinking early on, but he retreats back to the 50's. The younger couple is more annoying than funny. The two couples are far too similar. I kept thinking of Norman Lear doing All in the Family. I like the first half a lot. The second half takes a couple of awkward turns where it could funny but somehow it's not that funny. It becomes a bit too angry without the humor.
This film is a forgettable piece of fluff that's perfectly fine if, say, you're sick in bed and don't have many other options. Paul Ford plays the classic 1960's successful businessman but bumbling husband whose home life is a mess, and Maureen O'Sullivan is his long suffering wife who's gets pregnant in, I don't know, probably her mid- to late-50's. Connie Stevens is their daughter and Jim Hutton is their son-in-law, who bounce back and forth between being supportive and argumentative, whatever each particular scene requires. And apparently, the moral of the film is that political corruption pays off in the end.
If this sounds good to you, then go ahead and tee up this film. But I have to warn you: For the sweet love of all that is holy, fast forward through the horrible, horrible theme song. When I heard the opening theme, I literally started hating the movie already. The same song repeats during the ending credits, so get ready with the kill switch then, too.
If this sounds good to you, then go ahead and tee up this film. But I have to warn you: For the sweet love of all that is holy, fast forward through the horrible, horrible theme song. When I heard the opening theme, I literally started hating the movie already. The same song repeats during the ending credits, so get ready with the kill switch then, too.
Since this film followed a successful Broadway play, I can only conclude that the play must have been funnier. I found Paul Ford's character completely repugnant. He is a blowhard who has no appreciation for anyone around him. This is supposed to be hilarious but I just found it irritating and sad. The idea that a lovely, charming woman like Maureen O'Sullivan would be married to the crude, unattractive Paul Ford strains credulity. Not the fault of the actor - he is very funny in other movies - it is instead the result of the hostile screenplay.
I have to put this one on my personal top 10 list. Its quaint and very well cast. Maureen O'Sullivan is awesome, and Paul Ford, well what can you say about him, he is magnificent. They play the expecting middle-aged couple to perfection. Everything about this movie is classy, especially the ladies outfits. Women knew how to dress back then, and looked like ladies. The dialogue is snappy & funny, and the film never drags, but is funny from start to finish.
If you want a nice little movie to watch on a rainy Sunday afternoon, to cheer you up, this is one DVD to pop in the machine and watch.
If you want a nice little movie to watch on a rainy Sunday afternoon, to cheer you up, this is one DVD to pop in the machine and watch.
Lo sapevi?
- QuizTimothy Hutton, son of Jim Hutton, made his first screen appearance in this movie as the little boy who runs to his father.
- BlooperLate in the movie, after the "drunken fight" scene when Edith tells Harry "it's not true", a portable phonograph (record player) sitting on a table alternates between being crooked on the table and being aligned with the table edge.
- Citazioni
Charlie Clinton: A lot of people hate you. What's that got to do with it? Look, if the city needs lumber, it might as well be ours.
Harry M. Lambert: Just what do you mean by a lot of people hate me?
- ConnessioniReferenced in What's My Line?: Maureen O'Sullivan (1965)
- Colonne sonoreNever Too Late
Music by David Rose
Lyrics by Jay Livingston and Ray Evans
Sung by Vic Damone during the opening credits
Played often in the score
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Dettagli
- Tempo di esecuzione1 ora 45 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Never Too Late (1965) officially released in India in English?
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