VALUTAZIONE IMDb
5,3/10
314
LA TUA VALUTAZIONE
A un pilota americano disoccupato e squattrinato viene offerto lavoro in Mozambico e diventa subito una pedina inconsapevole in un mondo di traffico di droga, rapimenti e omicidi.A un pilota americano disoccupato e squattrinato viene offerto lavoro in Mozambico e diventa subito una pedina inconsapevole in un mondo di traffico di droga, rapimenti e omicidi.A un pilota americano disoccupato e squattrinato viene offerto lavoro in Mozambico e diventa subito una pedina inconsapevole in un mondo di traffico di droga, rapimenti e omicidi.
- Regia
- Sceneggiatura
- Star
Hildegard Knef
- Ilona Valdez
- (as Hildegarde Neff)
Dietmar Schönherr
- David Henderson
- (as Dietmar Schonherr)
Gert van den Bergh
- The Arab
- (as Gert Van Den Bergh)
Sophia Kammara
- Nightclub Employee
- (as Sophia Spentos)
Recensioni in evidenza
A merry yarn and predictably cheesy in all the right places. The fight scenes are particularly wanting and the dialogue is more than inadequate in places, but one is compelled to hang in there to let the plot unravel. The characters are implausible rather than larger-than-life, especially the Arab contingent, but this was 1965 and the swinging sixties seems an acceptable excuse. As usual, for movies of this period and genre, the hero is sadly old enough to be the father of the damsel in distress, leaving one to wonder: where were all the young, virile men before 1970? Perhaps it's also somewhat surprising that, being a British-made film, there is a distinct lack of black actors and extras, especially as this actually was filmed in Mozambique! Overall, it's not the worst way to kill an hour and a half, unless you have something better to do such as walk the dog.
This is an excellent movie! I just watched it as a blu ray dvd, it looks great! Made in 1964, it is one of those older films, where the viewer needs to have some patience as the story develops. The script is outstanding, it is by Peter Yeldham, who wrote many fine movies. All the cast are very good.
What makes this movie different than many films, is that it is about a 50/50 combination of adventure and mystery. That means there aren't as many big-action type scenes as in a pure adventure film. This is not an imitation James Bond type movie. There's very good character development. Steve Cochran is likeable as the world-weary American pilot who steps up when needed. Vivi Bach and Hildegard Knef are very classy. There's a 1960's feel, in a kind of different way than usual. I suspect some viewers don't "get" this movie, because they expected a cheesy Bond knock off. This is not that, at all. Highly recommended, especially on the new blu ray version.
What makes this movie different than many films, is that it is about a 50/50 combination of adventure and mystery. That means there aren't as many big-action type scenes as in a pure adventure film. This is not an imitation James Bond type movie. There's very good character development. Steve Cochran is likeable as the world-weary American pilot who steps up when needed. Vivi Bach and Hildegard Knef are very classy. There's a 1960's feel, in a kind of different way than usual. I suspect some viewers don't "get" this movie, because they expected a cheesy Bond knock off. This is not that, at all. Highly recommended, especially on the new blu ray version.
In 1964, the year of production of MOZAMBIQUE, that territory was a Portuguese colony in East Africa. Well, the only thing Portuguese that appears in the entire film is some shots of Lisbon, the Portuguese capital, at the very start of this British-South African-German production.
Immediately reducing the film's authenticity, the names of supposed Portuguese cops and criminals are either Italian (Commaro) or Spanish (Gonzalez, Valdez, Rodriguez, etc). The only Portuguese word one hears is "obrigado" (thank you). The rest, even words like señora and señorita, are Spanish, which I - born and bred to the age of 16 in colonial Mozambique - never heard while there.
The official language being Portuguese, the only Portuguese word I saw was "bar", which is written exactly the same way in English. All public notices, company names and adverts are in English, a very rare occurrence in colonial Mozambique. Furthermore, car license plates are not Mozambican, they are Rhodesian.
Given that then Southern Rhodesia was landlocked, as Zimbabwe is today, the port scenes you see are surely South African, possibly Durban.
The buildings are all of British design, there is no Portuguese architecture on sight. The police uniforms are not Portuguese, in fact I saw no distinguishable badges or other insignia.
Southern Rhodesia would declare UDI (Unilateral Declaration of Independence) the following year, 1965, as the UK came under increasing pressure to grant independence to its colonies. Given that white British citizens ran Southern Rhodesia, clearly the UK authorities and studios where this film was edited, thought it bad for business to label it with anything connected to the then fading British Empire.
The solution? Make the Portuguese look bad instead by naming it Mozambique, quickly run up a few supposedly Portuguese names - Da Silva is the most common of all Portuguese surnames, so a character so named does appear on the roll - and let the fan spatter it at leisure.
No doubt as a joke, and to give the film producers some of their own venom, the Portuguese authorities rendered the film's title as "Operação Zanzibar" (Operation Zanzibar). It is true that 10% of the film takes place on that island off then British colony Tanganyika, now Tanzania, but Portuguese spectators certainly wondered why a flick entitled MOZAMBIQUE should go on show as OPERATION ZANZIBAR instead. About 15 minutes into the flick and you knew why: it had naught to do with Mozambique.
As for the film itself, Steve Cochran looks too old for the part, his hairline receding badly. He plays a pilot who survived a crash and now fears flying, but dishy Vivi Bach helps distract him while aboard a Lufthansa aircraft. The support cast of unknowns is pretty dire, the saving graces being two stunningly beautiful women, Hildegaard Knef as the femme fatale and Vivi Bach. The former even sings a song in German - an out and out rarity in Mozambique in 1964 - and other songs are heard in restaurants where waiters speak native English, no accent at all.
The ageing Cochran, his career in decline, must have been in bad need of a paycheck, or he would never agree to participate in this farse. But all is not bad for the aged character he portrays: he has both female beauties interested in him, and manages to get into Bach's room in the dead of night and - lo and behold! - she promptly opens up to him. James Bond had just emerged as a film franchise with DR NO, FROM RUSSIA WITH LOVE and GOLDFINGER, but not even Bond did it better!
South African actor Gert vanden Bergh plays an Arab smuggler, looking much too fat and white for the part.
The script is patchy, jagged, full of flat characters, and with more holes than the proverbial Swiss cheese. One sequence where Cochran and Bach are fleeing Zanzibari cops armed with rifles is particularly ludicrous: Bach is barefoot, Cochran looks old, yet they keep gaining in relation to their pursuers, who cannot fire a shot right to save their lives.
Cochran even has time to find rope, be the gentleman and allow Back to climb a wall first, go down the outside wall and jump onto a guard, thankfully avoiding impalement on the rifle.
The film's climax takes place at the famously beautiful Victoria Falls, in then Rhodesian territory. One of the main villains falls too suspiciously like a doll from the glorious Victoria Falls Bridge, which must have been a source of pride to Brits and Rhodesians alike at the time.
However... climax outside of Mozambique in a film entitled MOZAMBIQUE defies logic.
One star for decent photography, the other for gorgeous Knef and Bach. 2/10. The rest is a tissue of misrepresentations from beginning to end, poorly acted and suffering from pedestrian direction - to put it very mildly - by Robert Lynn.
Amateurish and unintentionally laughable waste of 97 minutes.
Immediately reducing the film's authenticity, the names of supposed Portuguese cops and criminals are either Italian (Commaro) or Spanish (Gonzalez, Valdez, Rodriguez, etc). The only Portuguese word one hears is "obrigado" (thank you). The rest, even words like señora and señorita, are Spanish, which I - born and bred to the age of 16 in colonial Mozambique - never heard while there.
The official language being Portuguese, the only Portuguese word I saw was "bar", which is written exactly the same way in English. All public notices, company names and adverts are in English, a very rare occurrence in colonial Mozambique. Furthermore, car license plates are not Mozambican, they are Rhodesian.
Given that then Southern Rhodesia was landlocked, as Zimbabwe is today, the port scenes you see are surely South African, possibly Durban.
The buildings are all of British design, there is no Portuguese architecture on sight. The police uniforms are not Portuguese, in fact I saw no distinguishable badges or other insignia.
Southern Rhodesia would declare UDI (Unilateral Declaration of Independence) the following year, 1965, as the UK came under increasing pressure to grant independence to its colonies. Given that white British citizens ran Southern Rhodesia, clearly the UK authorities and studios where this film was edited, thought it bad for business to label it with anything connected to the then fading British Empire.
The solution? Make the Portuguese look bad instead by naming it Mozambique, quickly run up a few supposedly Portuguese names - Da Silva is the most common of all Portuguese surnames, so a character so named does appear on the roll - and let the fan spatter it at leisure.
No doubt as a joke, and to give the film producers some of their own venom, the Portuguese authorities rendered the film's title as "Operação Zanzibar" (Operation Zanzibar). It is true that 10% of the film takes place on that island off then British colony Tanganyika, now Tanzania, but Portuguese spectators certainly wondered why a flick entitled MOZAMBIQUE should go on show as OPERATION ZANZIBAR instead. About 15 minutes into the flick and you knew why: it had naught to do with Mozambique.
As for the film itself, Steve Cochran looks too old for the part, his hairline receding badly. He plays a pilot who survived a crash and now fears flying, but dishy Vivi Bach helps distract him while aboard a Lufthansa aircraft. The support cast of unknowns is pretty dire, the saving graces being two stunningly beautiful women, Hildegaard Knef as the femme fatale and Vivi Bach. The former even sings a song in German - an out and out rarity in Mozambique in 1964 - and other songs are heard in restaurants where waiters speak native English, no accent at all.
The ageing Cochran, his career in decline, must have been in bad need of a paycheck, or he would never agree to participate in this farse. But all is not bad for the aged character he portrays: he has both female beauties interested in him, and manages to get into Bach's room in the dead of night and - lo and behold! - she promptly opens up to him. James Bond had just emerged as a film franchise with DR NO, FROM RUSSIA WITH LOVE and GOLDFINGER, but not even Bond did it better!
South African actor Gert vanden Bergh plays an Arab smuggler, looking much too fat and white for the part.
The script is patchy, jagged, full of flat characters, and with more holes than the proverbial Swiss cheese. One sequence where Cochran and Bach are fleeing Zanzibari cops armed with rifles is particularly ludicrous: Bach is barefoot, Cochran looks old, yet they keep gaining in relation to their pursuers, who cannot fire a shot right to save their lives.
Cochran even has time to find rope, be the gentleman and allow Back to climb a wall first, go down the outside wall and jump onto a guard, thankfully avoiding impalement on the rifle.
The film's climax takes place at the famously beautiful Victoria Falls, in then Rhodesian territory. One of the main villains falls too suspiciously like a doll from the glorious Victoria Falls Bridge, which must have been a source of pride to Brits and Rhodesians alike at the time.
However... climax outside of Mozambique in a film entitled MOZAMBIQUE defies logic.
One star for decent photography, the other for gorgeous Knef and Bach. 2/10. The rest is a tissue of misrepresentations from beginning to end, poorly acted and suffering from pedestrian direction - to put it very mildly - by Robert Lynn.
Amateurish and unintentionally laughable waste of 97 minutes.
There are no real portuguese people in the movie, and to make it worse, the ones pretending to be portuguese don't even know how to say things in portuguese. When the actors pretending to be portuguese try to speak portuguese, they speak in spanish or very badly. Not just that, but some words are not even portuguese words... "Señorita" is a spanish word... "Senhorita" is a portuguese word.
The cars have license plates from the city of Beira in Mozambique, but the scenes look nothing like Beira. The only city mentioned is Lourenço Marques (Maputo), yet no place in the movie looks like anywhere in Mozambique. The only real place that the movie has is Victoria Falls, and it is not in Mozambique. There was no portuguese advisor for this movie. Sad. Triste.
Furthermore, the fighting scenes are unrealistic, and some scenes are too stretched.
I am a portuguese man in Mozambique, and this movie only has one part that I like... The part where big letters appear and it is written "The end".
The cars have license plates from the city of Beira in Mozambique, but the scenes look nothing like Beira. The only city mentioned is Lourenço Marques (Maputo), yet no place in the movie looks like anywhere in Mozambique. The only real place that the movie has is Victoria Falls, and it is not in Mozambique. There was no portuguese advisor for this movie. Sad. Triste.
Furthermore, the fighting scenes are unrealistic, and some scenes are too stretched.
I am a portuguese man in Mozambique, and this movie only has one part that I like... The part where big letters appear and it is written "The end".
MOZAMBIQUE
This movie plays like a Euro-Spy but it is actually a South African German movie. I first heard about it in the Dec. 1964 issue of CONTINENTAL FILM REVIEW magazine where they gave the title as BLONDE FREIGHT FOR ZANZIBAR. Good news...It is being released on Blu-Ray DVD. Enjoy it.
Lo sapevi?
- QuizThe penultimate film of Steve Cochran before his mysterious death from a lung infection while sailing off the coast of Guatemala in 1965. He died before the release of his final film, "Tell Me in the Sunlight," which he had also written, produced, and directed.
- BlooperIn the opening scenes, a man climbs a wide expanse of steps, with a large rubbish bin situated at the commencement of the steps. As he reaches the concrete bollards across the top of the steps he turns to face somebody and is stabbed. In the next shot he is rolling down the steps, but someway from the bollards where he stopped and clatters into the rubbish bin which is no longer at the base of the steps. Whilst the man is rolling over, there is no evidence of his having being stabbed, but when a policeman reaches him, there is a long bladed knife protruding from his chest.
- ConnessioniReferenced in Home and Away: Episodio #1.1810 (1995)
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Dettagli
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was Operazione Zanzibar (1964) officially released in Canada in English?
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