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Charuprakash Ghosh in Mahapurush (1965)

Notizie

Mahapurush

Why Bengal needs to get over Satyajit Ray
A portrait of Satyajit Ray by Rishiraj Sahoo | Source: Wikimedia commons

Let’s start to play a game here – What is common between the 9 Bengali films listed below:

1 – Antaheen (2009, dir: Aniruddha Roy Chowdhury) advertised that this was the first film after Satyajit Ray’s Aranyer Din Ratri where Aparna Sen and Sharmila Tagore acted together. It went further stating that even the Ray masterpiece didn’t have the two pitted against each other in the same frame as this film did.

2 – Abar Aranye (2003, dir: Goutam Ghose) took three of the four characters of Aranyer Din Ratri to the forest of Dooars on a sequel train at a time when the DVD, CD version of the Ray original was not readily available.

3 – Aborto (2013, dir: Arindam Sil) flaunts that all the characters of the film have the same names as the different major characters in the master’s film oeuvre.

4 – Charulata 2011 (2012, dir:...
Vedi l'articolo completo su DearCinema.com
  • 08/07/2014
  • di Amitava Nag
  • DearCinema.com
Nayak (1966)
Satyajit Ray’s Nayak to screen at Berlin
Nayak (1966)
A still from “Nayak”

A restored version of Satyajit Ray’s Nayak will screen at the upcoming Berlin International Film Festival in the ‘Berlinale Classics’ section.

The film, that won a Special Recognition in 1966 at the same festival, has been restored by Rdb Entertainments in 2K resolution last year.

Ray’s Nayak is a film about a film star who is travelling to Delhi from Calcutta to receive his National Award and reveals a lot more about his personality to a young journalist than he intends to.

The film had also won the National Award for Best Feature in Bengali.

Five other Ray classics, including Charulata, Mahanagar, Kapurush, Mahapurush and Jai Baba Felunath had been restored earlier by Rdb Entertainments.
Vedi l'articolo completo su DearCinema.com
  • 24/01/2014
  • di NewsDesk
  • DearCinema.com
Wide preps slate for autumn markets
French sales outfit Wide Management has added a slew of titles in recent months.

Tiff contemporary world cinema premiere Ningen, about a Japanese CEO under pressure to save his company, is the second feature from Noor directors Cagla Zencirci and Guillaume Giovanetti.

Portuguese drama Bobo, by Ines Oliveira, plays in the Tiff discovery programme. The feature follows two women who unite over their mutual desire to protect a child.

Vinko Bresan’s Karlovy Vary competition comedy The Priest’s Children has sold to a number of European territories while Jean-Louis Daniel’s Paris-set Shanghai Belle, also in-demand, tells the story of young models discovering a life of drugs, sex and prostitution.

Also on the slate are Snails in the Rain by Yariv Mozer, Letters of a Portuguese Nun, Rene Feret’s The Film to Come, and Us comedy Only in New York, in which a stand-up has a novel take on the Israel-Palestine conflict.

Wide has also...
Vedi l'articolo completo su ScreenDaily
  • 30/08/2013
  • di andreas.wiseman@screendaily.com (Andreas Wiseman)
  • ScreenDaily
Exhibition of posters designed by Satyajit Ray in UK from Aug-Oct
Picture credit: Mahapurush/The Holy Man © BFI National Archive

Besides hosting a Satyajit Ray season throughout August and September, the British Film Institute (BFI) is holding the first exhibition in the UK to highlight Satyajit Ray’s design works.

The exhibition will be held at the BFI Southbank from 14 August until mid-October and is free for all.

Before Ray directed Pather Panchali in 1955, he worked as a graphic designer for an advertising agency in Kolkata. In addition to creating over 30 films throughout his career he also designed many of their sets, costumes, credit sequences and posters.

A selection of the director’s poster designs will be on show in the Atrium at the BFI Southbank. It will include both original and facsimile posters, showcasing the best of Ray’s creations.

“Ray’s unique graphic style owed as much to Indian art and indigenous folklore as it did to Western traditions.
Vedi l'articolo completo su DearCinema.com
  • 15/08/2013
  • di NewsDesk
  • DearCinema.com
Venice Film Festival Line-Up Announced, Led by The Zero Theorem, The Wind Rises and More
Following the announcement that came earlier this week, launching yet another hugely impressive line-up at the 2013 Toronto International Film Festival, the respective line-up has now been announced for what is in some ways its European counterpart, the 2013 Venice Film Festival.

The announcement shows that the two will continue to have a number of films overlapping, including Alfonso Cuarón’s Gravity (the Opening Night Film in Venice), Peter Landesman’s Parkland, Stephen Frears’ Philomena, and more. But it also brings with its news of where a number of films will be making their debut, including Terry Gilliam’s The Zero Theorem; the latest film from Hayao Miyazaki, The Wind Rises; James Franco’s Child of God; Lee Sang-il’s Yurusarezaru Mono, the Japanese remake of Unforgiven; and Steven Knight’s Locke, led by Tom Hardy, and shot in one take.

In Competition

Es-Stouh – Merzak Alloucache (Algeria, France, 94’) L’Intrepido – Gianni Amelio (Italy,...
Vedi l'articolo completo su HeyUGuys.co.uk
  • 26/07/2013
  • di Kenji Lloyd
  • HeyUGuys.co.uk
Haradhan Bannerjee, Soumitra Chatterjee, and Madhavi Mukherjee in Il codardo (1965)
Venice to screen Ray’s “Kapurush-o-Mahapurush” in Classics section
Haradhan Bannerjee, Soumitra Chatterjee, and Madhavi Mukherjee in Il codardo (1965)
A still from “Kapurush”

The 70th Venice International Film Festival (28 August – 7 September 2013) will screen restored versions of Satyajit Ray’s Mahapurush (The Holy Man) and Kapurush (The Coward) as part of Venezia Classici. The films are based on the short stories: ‘Janaiko Kapuruser Kahini’ by Premendra Mitra (The Coward) and ‘Birinchibaba’ by Parashuram (The Holy Man).

Venezia Classici, the section devoted to restored films and documentaries was introduced last year at the Venice Film Festival. It features a selection of the finest classic film restorations – the rediscovery of neglected or underrated films of the past – completed over the past year by film libraries, cultural institutions or production companies around the world.

This year a Jury composed of Film students from various Italian Universities will award two prizes: Award for Best Film of Venezia Classici and Award for Best Documentary on Cinema.

Sorcerer (1977), the masterpiece by the recipient of the Golden...
Vedi l'articolo completo su DearCinema.com
  • 16/07/2013
  • di NewsDesk
  • DearCinema.com
Venice reveals ‘restored’ selection
Chantal Akerman
Italian actress Claudia Cardinale to be guest host for the section at the 70th Venice International Film Festival where William Friedkin will receive a lifetime achievement honour.

Claudia Cardinale, best known for roles in Once Upon a Time in the West and Fellini’s 8 ½, is to be the guest host of Venezia Classici, the section devoted to restored films and to documentaries about cinema of the 70th Venice International Film Festival (August 28 – September 7.

The section, introduced last year, features a selection of classic film restorations completed over the past year by film libraries, cultural institutions or production companies around the world.

Cardinale will attend the screening of Vaghe stelle dell’Orsa, Luchino Visconti’s 1965 film in which she starred that won the Golden Lion at the 30th Viff and has been restored by Sony Pictures Entertainment.

It is is one of the four classics restored this year that has been conserved at the Historic Archives of the...
Vedi l'articolo completo su ScreenDaily
  • 15/07/2013
  • di michael.rosser@screendaily.com (Michael Rosser)
  • ScreenDaily
Mr. and Mrs. Iyer (2002)
Locarno Open Doors to screen Indian classics
Mr. and Mrs. Iyer (2002)
Mr. and Mrs. Iyer

The Open Doors screening at Locarno International Film Festival 2011 will present thirteen “Indian classics” and a retrospective of Satyajit Ray, through the restored copies of his work.

Locarno Open Doors, an initiative that focuses on a different region every year—is focused on India. These screenings are open to the public.

Open Doors seeks to highlight films and filmmakers from countries in the South and East where independent cinema is still developing.

Indian classics

Aag by Raj Kapoor – India – 1948 – 138 min

Halodia Choraye Baodhan (The Yellow Birds) by Khai Jahnu Barua – India – 1987 – 120 min

Kanasembo Kudureyaneri (Riding the Stallion of a Dream) by Girish Kasaravalli – India – 2010 – 110 min

Manthan (The Churning) by Shyam Benegal – India – 1976 – 134 min

Meghe Dhaka Tara (The Cloud-Clapped Star) by Ritwik Ghatak – India – 1960 – 126 min

Mr. And Mrs. Iyer by Aparna Sen – India – 2002 – 123 min

Neecha Nagar (Lowly City) by Chetan Anand – India – 1946 – 122 min

Nizhalkkuthu (Shadow Kill) by...
Vedi l'articolo completo su DearCinema.com
  • 15/07/2011
  • di NewsDesk
  • DearCinema.com
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