The Intelligence Men

I love Morecambe and Wise so I enjoyed this film. They are on top form as bumbling British agents who are trying to stop the bad guys who are "on their side" from doing their bad deeds. There are some really funny scenes and some great lines ("waiter there's a dead man in this soup") and a reasonable cast. Yet though this film is very much enjoyable, it is not as good as their next film "That Riviera Touch", because it begins to get a bit unfunny at times. Nevertheless it's worth watching just for the fantastic opera scene at the end of the film which recalls Danny Kaye's equally hilarious opera performance at the end of his film "Wonder Man". It is also interesting to see how young Morecambe and Wise were when they made the film. Enjoy! 8/10

As a fan of the classic British comedy, this film has stayed with me since my childhood. It was only through accessing the IMDb that I was able to actually find the name of the film. Eric Morecambe shines brighter than ever in The Intelligence Men with clever deflections off straight characters and using the pretence of knowledge of "spy things" to create classic comedy moments. I.e. being taught spycraft and the side-aching Judo sketch will have you rolling in the aisles. Although what aisles you would having running past your TV are your own business. Not necessary "not to be missed", but certainly not a disappointment as with so many contemporary "blockbusters".

Get hold of this film somehow and let a classic British double act entertain a you. Learn Judo the Morecambe way and "Get out of that!".

Often lampooned as a poor relation to the famous duo's T.V series, this and the two other films they made(That Riviera Touch/The Magnificent Two)are great showcases for these two comic legends. DO NOT be put of by comments that often follow the films around that often accuse the two of selling out to Hollywood. This is as good a performance that you will ever see from Britain's favourite comedy duo.

When a coffee shop owner is mistaken for a MI5 spy, the real MI5 enlist his help in uncovering an assassination plot in London. With master of disguise Ernie Sage by his side, Eric Morecambe battles dangers and beautiful women to save the day - whether he knows it or not.

This was Morecambe and Wise's first attempt to take their huge success on TV into film. And it unfortunately doesn't totally carry over. The plot is irrelevant but it doesn't really matter - in fact the film slows down in some scenes where the 'serious' actors have to do dialogue that moves the plot along. Outside of these scenes it's really all about Eric and Ernie doing their usual stand-up routine in different situations.

The film is funny, simply because of Morecambe's act and Wise's straight man, basically each scene is the same as the TV show in that each scene has a basic structure that allows the duo to do their stuff within it. The film contains many very funny scenes that are like this but too many fail because the laughter and improvisation of the TV show has been replaced by tightly scripted scenes and multiple shoots and takes. This takes a lot of the life out of their routine and some bits, most notably the musical numbers fall flat. Having said that, I don't think Eric Morecambe can help but be funny and most of the film is really funny, mainly jokes that are repeated during the film - "get out of that" and the running joke of Eric not recognising Ernie in 'disguise' being some of the best.

Overall this is a funny film simply because of Ernie and Eric. However if you've never seen their TV show then you're missing out on the funniest stuff they've ever done, cause, sadly, this film never comes close to their best.

Morecombe & Wise's' brief foray into films came a little too early to match their seventies peak and one watches their first film hoping it will be funnier than it ever turns out; although it contains a nice appearance by the boy's early writers Sid Green and Dick Hills, and a running gag involving a sinister stalker in a fur collar and homburg hat, the revelation of whose actual identity (SLIGHT SPOILER COMING:) provides a memorable anti-climax.

And of course it benefits from the fact it was authentically made during the era of James Bond and from the visual style of the period, especially the glamorous women and the quality of the colour.