Ciclone sulla Giamaica

I saw this fantastic movie for the first and only time as a child in a theater when it was first released in 1965. Since then, I've hoped to see it again and share it with others, but it is not available for viewing anywhere. Repeat, ANYWHERE. It never appears on American TV (I've checked, there are several web sources one can use to track whether specific movies are scheduled to run, and I've never seen any of them showing High Wind appearing on any North American station. In fact, the only time any of theses sources showed it being broadcast anywhere was once, on a network in Japan back in 1988). It has never been re-released for theatrical showings, and it has never been released on video. I even regularly check eBay to see if a "black market" copy might be available, but none have ever shown up.

Mt gut tells me the reason for this is likely the usual in these sorts situations: some endless (and meaningless) copyright dispute. I don't know if that's the case, but if it is, I wish the opposing parties would wake up and realize that (a) this release -- as great as it is -- is too old and unknown to be a big future money maker for anybody, and (b) that whatever that income might be, because of their arguing neither of them is making ANY money of this film.

A great movie, but one lost, in all likelihood because of greed. What a shame.

I had watched this eons ago on Italian TV but had long forgotten it - the film does come across as somewhat unmemorable at the end of the day, but this offbeat pirate-adventure-with-child-interest has a beguiling charm all its own. That said, the film's very low-key nature might not win it much approval among action-film fans...

Curiously enough, half the film is actually spoken in Spanish (without the benefit of English subtitles!) - and, while it tends to wander because of this, also gives the proceedings a welcome air of full-blooded vividness! Anthony Quinn is his usual larger-than-life self, but his befuddled interaction with the kids endears him to viewers even more here. James Coburn is very amusing as Quinn's second-in-command, who can't speak a word of Spanish and is often at a loss as to what is going on around him (though I would have liked some form of an explanation as to his incongruous presence there). Dennis Price has a notable cameo towards the very end as a solicitor leeringly prying into the children's 'experience' with the pirates, while "guest star" Gert Frobe only appears in one crucial scene as a wounded Dutch captain (but who eventually has a huge bearing on the plot resolution); the film also features Nigel Davenport as the children's father and Lila Kedrova as a 'tavern-keeper'.

The opening hurricane sequence - which gives the film (and the novel it is based on) its title - is extremely well done, though the climactic courtroom sequence and its outcome (the willful execution of the pirates) is rather too rushed to be as effective as it needs to be. The antics of the children, of English and Spanish origins, are fun to watch - but Deborah Baxter leaves the best impression, as she is the one to bond most with Quinn. Larry Adler's lovely score subtly accentuates Douglas Slocombe's colorful widescreen imagery.

Alexander Mackendrick was an American-born/Scotland-bred director who made his name at Britain's famed Ealing Studios and went on to have a very brief but often brilliant career; this was actually his penultimate work. Incidentally, the two films of his I've yet to watch - MANDY (1952) and SAMMY GOING SOUTH (1963) - also feature children as their protagonists.

This mood-provoking 60's-style (ballad theme song) drama recounts a moment from an even earlier era, when there was piracy on the high seas.It stars a group of children who prove there is a group of human beings even less civilized than pirates, or can at least give them a run for their money. Anthony Quinn tenders the character of Chavez, captain of a pirate ship, of whole cloth: we always believe in Chavez and find him a worthwhile study. We have loved like him--whether it was a cuddly little animal or a neat person in our world awhile--for no reason other than that the loved delights us. While the love itself is pure, it can bring on trouble. This is demonstrated in both the film story line and the film's history, the latter being that the film has been basically closeted , perhaps due to society's discomfort with a grown-man's-affection-for-a-little-girl story line. Debra Baxter as Emily is a total charmer, realistically skinnier while unparented at sea.The tale evolves around her character, a 10-year-old English kid raised in Jamaica and now being shipped with her siblings and another family to the mother land to be reared out of her heathen ways.While Chavez's gang invades their ship, the children, as always in their own world, explore the pirate vessel and are still aboard when the clueless pirates take off. They are discovered and the pirates want to chunk them on the next island or worse, but Chavez insists the kids stay until they get to a safe port.The crew mutinees, the kids are saved, but Emily thinks she has committed a deed she will be punished for. An excellant dramatization of the potency of the untamed internal value system, aptly including society's "outsider-bad-men" as a frame of reference. It's a movie to chew over and think about. Children of both sexes enjoy it again and again.

I first saw this film as a child, and was surprised that I remembered so much of it over 30 years later. It is an unusual story of children who end up on a pirate ship by a quirk, and their relationship with the pirates, who regard them as unlucky. Which turns out to be true, in an unforeseen way. Anthony Quinn, as pirate captain, is superb, as are all the cast, especially the actress playing Emily, the oldest child.

Forget any preconceived ideas you might have about the plot. This is a haunting, unforgettable story.

Having read the book in 1965, I took my (then) 3 young daughters to see the film. They were so stirred and charmed that they made me sit through a second screening. Anthony Quinn and James Coburn were brilliant, lovable rogues and the main little girl was someone my kids could identify with. Gert Frobe as the Dutch sea captain was memorable, and the English cast, director Alexander Mackendrick and the screenwriter(s) should be commended for creating a superb example of the art of cinema. I have but one sad comment: Why isn't this film available on videotape or disk, or at least on cable?