All'inizio del XX secolo, due rivali, l'eroico Leslie e il cattivissimo professor Fate, iniziano un'epica corsa automobilistica da New York a Parigi.All'inizio del XX secolo, due rivali, l'eroico Leslie e il cattivissimo professor Fate, iniziano un'epica corsa automobilistica da New York a Parigi.All'inizio del XX secolo, due rivali, l'eroico Leslie e il cattivissimo professor Fate, iniziano un'epica corsa automobilistica da New York a Parigi.
- Vincitore di 1 Oscar
- 3 vittorie e 14 candidature totali
- Barfly
- (non citato nei titoli originali)
- Barfly
- (non citato nei titoli originali)
Recensioni in evidenza
The Great Leslie (Tony Curtis) and Professor Fate (Jack Lemmon) are competing daredevils at the turn of the 20th century. Leslie is the classic hero, Fate the classic villain. Leslie proposes an around the world automobile race and Fate sees this as a chance to - finally - best Leslie by fair means or foul. Complicating matters is a suffragette (Natalie Wood) who insists on entering the race so she can report on it. Arthur O'Connell plays the newspaper editor whom she comically browbeats - and shocks - into employing her.
The most impressive aspect of The Great Race is the lively performance by Jack Lemmon who dominates the film in every frame in which he resides. Lemmon had done comedy and drama up to this point, but it was a departure for him to do farce and do it as the villain, although there are plenty of spots where he is humanized to the point that you don't really think of him as such. He also had tremendous support from the sidekick role of Max as played by Peter Falk. While Tony Curtis and Natalie Wood may have been considered the leads of the film, in the end it was Jack who stole the whole show.
Jack Lemmon steals the show as the deliciously despicable Professor Fate. Lemmon brings melodramtic greatness to what would normally be the Terry Thomas role (and I love Terry Thomas). His partner in crime is Peter Falk, as the harried, but loyal Max. Together, they make this film great.
Tony Curtis is the perfect true-blue hero, even if that becomes a bit obnoxious. He's so great that you just can't wait for Prof. Fate to get one up on him.
Natalie Wood gets a bit annoying, too, as Maggie Dubois. Her strident proclamations about equality start to get on your nerves fairly rapidly. She's not quite intrepid enough for Nellie Bly, and not quite smart enough for Gloria Steinum. She has some good comedic moments, though.
The film is episodic in nature and a bit uneven, but there a great moments throughout. Scenes to look for: The early daredevil rivalry between the Great Leslie and Prof. Fate, the saloon brawl in Borracho, the Prisoner of Zenda send-up, and the pie fight.
Hollywood doesn't make great slapstick farces like this anymore. Humor now revolves around groin injuries and stupid one-liners and catch phrases. We don't see great character pieces anymore. It's a shame as these kinds of movies hold up well; especially as family fare.
The DVD is pretty bare-bones. It would have been nice to have some commentary from Blake Edwards and Tony Curtis. Warner Brothers has but out some pretty substandard DVD packages, this one included. Still, it's worth the price just to watch the movie.
One of the movie's several charms is that it draws heavily from Victorian clichés that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen.
The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos.
But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffragettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots. Lots of fun.
Gary F. Taylor, aka GFT, Amazon Reviewer
Much has been made of how the script's "Prisoner of Zenda" subplot slows the action. Yet these scenes shot in Salzburg have contributed several zingers to the stock of movie quotes floating around in general circulation. Someone must have liked the "Potzdorf" episode, as "More brandy!" and "Drat!
I never mix my pies!" remain among Jack Lemmon's most cited lines.
Surviving participants in the real-life 1908 competition did not care for this trashing of their personal history. I loved it on its first release way back when, and it remains a pleasant (if long) watch on cable TV and home video.
Lo sapevi?
- QuizThe pie fight scene lasts only four minutes but took five days to shoot and is the longest pie fight sequence in movie history. At first, the cast had fun filming the pie fight scene, but eventually the process grew tiresome and dangerous. Natalie Wood choked briefly on a pie which hit her open mouth. Jack Lemmon got knocked out a few times: "A pie hitting you in the face feels like a ton of cement." At the end of shooting the sequence, when Blake Edwards called "Cut!" he was barraged with several hundred pies that members of the cast had hidden, waiting for that moment.
- BlooperIn the final sprint to Paris, Maggie's costume changes. Since her costume changes at a regular rate throughout the film, this was probably intentional.
- Citazioni
[On a melting iceberg]
Leslie: [measures the base] 37 inches to go.
Fate: Oh, 37 inches to go. Huzzah! At the rate we've been melting, that's good for about one more week!
Leslie: You'd better keep it to yourself.
Fate: Oh, of course I'll keep it to myself.
[Leslie walks away]
Fate: [muttering] Until the water reaches my lower lip, and then I'm gonna mention it to SOMEBODY!
- Curiosità sui creditiJack Lemmon is only credited as Professor Fate and not for his second role as Crown Prince Hapnik.
- Versioni alternativeThe Great Race has been re-released in France in 1996. However, after the race starts, all scenes involving people from the newspaper in New York have been cut. The French authorities or distributors took them as a mockery of the French suffragette's, feminist's and women's lib movements.
- ConnessioniEdited into Lo schermo a tre punte (1995)
- Colonne sonoreThe Sweetheart Tree
Words by Johnny Mercer
Music by Henry Mancini
Performed by Natalie Wood (dubbed by Jackie Ward) (uncredited)
Robert Bain guitar accompanist (uncredited)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La carrera del siglo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Tempo di esecuzione2 ore 40 minuti
- Proporzioni
- 2.35 : 1