I diafanoidi vengono da Marte

With the advent of space travel, many space stations are sent into the cosmos. It's New Year's Eve. Space station Alpha-Two is attacked by the Deafenoids which brainwash its crew. Captain Tice and his crew find the Alpha-Two crew frozen and they come under attack themselves.

It's an Italian spaghetti sci-fi movie. The actors are dubbed. It has 50's sci-fi designs with a dash of 60's style. It's European. It's not that imaginative but the miniature work is silly fun. The spacewalks are ridiculous. It's bad but there is some fun with the weird mix of badness. The actors are not helped by the stiff dialogue. The story is essentially The Fog in space which limits any action. People rarely run in this movie. There is an all-out brawl later in the movie but it's too late by then. This is begging to be mocked in a fun way.

Antonio Margheriti's second entry in the GAMMA ONE series of Italian Spaghetti Science Fiction movies is a marvel of form over substance. I love the ultra low budget production design, at times histrionic or wooden acting, the funky 1960s color schemes, and the brooding, mind-boggling sense of pending cosmic doom that infuses nearly every minute of the production. It is almost a perfect translation of the Spaghetti Western to SciFi terms: A good looking film composed of individual moments, some of which are actually quite evocative.

The story is a different matter. I have absolutely no idea what is going on here in terms of the specifics, but as far as the broader premise I will hazard to try: Mankind is threatened by disembodied phantom beings from another galaxy who want to inhabit the bodies of "perfect specimens" of humanity in an ongoing effort to dominate the cosmos. United Democracies space soldiers Tony Russell, Franco Nero and good old Enzo Fiermonte do battle with them on an abandoned space station invaded by the Diafanoids during a New Year's eve celebration.

So far so good, but there is almost a dizzying myriad of subplots, background stories, romantic interludes, poignant discussions, awkward spacewalk scenes, intense space battles, shootouts with flaming pistols, space meals with space food served in modular containers and dined on from ergonomically designed eating stations, hard-nosed space commanders barking orders at pretty female subordinates, and lots of footage of Margheriti's trademark spaceships with their propane special effects afterburners.

It gets a bit too much to keep track of, which is also a quality shared by Spaghetti Westerns, and if Margheriti & his scriptwriters can be faulted for anything it is perhaps being more ambitious with their plotting than their production is capable of fulfilling. Contemporary viewers without a background in ultra low budget genre films will probably be annoyed by the miniature work with models in particular, which are more complicated but not much more advanced in their execution than what is seen in Margheriti's first two SciFi movies, 1960's ASSIGNMENT: OUTER SPACE and 1961's BATTLE OF THE WORLDS. The spacewalk scenes are also somewhat limited in their effectiveness by their depiction in the form of actors in wire harnesses being swung back & forth on a sound stage by off-camera technicians.

Considerations like those weren't important to Margheriti, however, who simultaneously made four films that together amount to far more than the sum of their parts. 1964 was actually a remarkable year for Margheriti, who made no less than eight movies including his undisputed masterpiece CASTLE OF BLOOD (DANSE MACABRE) and the Peplum classic GIANTS OF ROME in addition to the four Gamma One films. However he found the energy he had the verve to extend himself and take chances, creating a diverse body of work in only 12 months that put him at the forefront of the emerging Italian B movie circuit.

Mario Bava may have been more of a visionary director (and his 1965 film PLANET OF THE VAMPIRES remains the single most impressive bit of Italian science fiction from the period) but Margheriti was a craftsman who was able to churn out product that pleased audiences in abundance. Perhaps it can be stated that where Bava was the more consummate artiste, Margheriti ran a production line studio which went for a bulk-rate approach. Instead of making just one movie with careful didactic attention he made four that together have more imagination, guile and sheer celebration of the act of making movies than all of the 3 contemporary Star Wars movies films put together.

6/10, for being what it is.

While this is a rather poor sci-fi film, for the time it wasn't all that bad. While compared to the artistry of "2001" which debuted just two years later it comes up severely lacking, all sci-fi from around 1966 was pretty shabby compared to the groundbreaking "2001". So, cut this cheesy Italian film a bit of slack when it comes to special effects! Now I am not saying it's all that good a film. But, at least it is watchable.

"The War of the Planets" begins in the near future. Space travel is routine and things look a bit like "The Jetsons" in this film. However, when a strange greenish cloud-like 'thing' appears in the sky, BAD things will follow! A group of astronauts are transformed into zombie-like people--who are A LOT like the "Star Trek" notion of The Borg. In other words, the infected people all think as one and are emotionless jerks. Can they be stopped or will everyone become duller than Dick Cavett on Valium?! The film has the usual 60s fare--the usual sort of spacey outfits , silly paranoid plot and sexist banter. It's all a bit silly but for fans of cheesy sci-fi (and I am one), it's all enjoyable silliness. Not all bad--and the plot idea wasn't bad at all.

Tony Russel returns to his role of brave astronaut Commander Mike Halstead, in this follow- up to "Wild, Wild Planet", which had been the first entry in this "Gamma One" series of groovy Spaghetti Sci-Fi productions. Mike and associates such as Ken (Carlo Giustini) and Jake (the always welcome Franco Nero) must do battle with an alien race. Their natural form is of a green light / mist, and they possess other humans in order to enslave them and fulfill some unknown purpose.

"War of the Planets" is okay. This viewer clearly sees it more favorably than some people, but he still admits that it's something of a comedown. There's just not as much of the general weirdness and neat ideas as in "Wild, Wild Planet". There is also not a great deal in terms of genuinely surreal and colorful environments. The story (by Ivan Reiner and Renato Moretti) is more by the numbers, overall.

The actors, too, don't appear too enthused. One standout is Michel Lemoine, who plays the possessed Captain Dubois. He has a most amusing look on his face the entire time. Handsome Russel is still a decent hero, but Lisa Gastoni as his love interest / fellow astronaut Connie isn't given anything truly substantial to do. It's also a hoot to see Mike taking orders from a general, who is his father, to boot!

There may not be a lot to praise with this one, but if you're like me and fancy this sort of entertainment, you could do worse.

Six out of 10.

(aka: WAR OF THE PLANETS)

Caught this one on TCM and it's typical for Italian space operas of the time, with the notable exception of Mario Bava's PLANET OF THE VAMPIRES (1966).

The main problems are that the script is so poorly thought out, that it was probably written as they filmed each scene on the spot. And the sets look so low budget that even Ed Wood did a more credible job with PLAN 9 FROM OUTER SPACE. At least Ed's film was 'entertaining', unlike this boredom.

Aliens in the form of green smoke and flashing lights take over orbiting space stations around the Earth. It brainwashes some people into committing acts of sabotage while others are just left immobile with a little green tinge to their skin. I guess they did this to keep the film budget down.

It's up to the Earth space forces led by Tony Russell to save the world from the aliens and with pretty Lisa Gastoni (as well as dumb #2, Franco Nero) by his side, we are treated to one of the cheapest looking space battles in cinema history.

I also notice that this film has the MGM logo at the beginning of it. They must have been so desperate for product in 1965 that they had to resort to importing Euro turkeys like this one. Besides which, Anthony Margheriti did much so much better in the horror genre that he should have stuck to it.

So if you're into MST3K-type effluent (which I'm not), then this is the film for you.

2 out of 10