VALUTAZIONE IMDb
7,5/10
12.628
LA TUA VALUTAZIONE
Un uomo rapisce una donna e la tiene in ostaggio solo per il piacere di averla lì.Un uomo rapisce una donna e la tiene in ostaggio solo per il piacere di averla lì.Un uomo rapisce una donna e la tiene in ostaggio solo per il piacere di averla lì.
- Regia
- Sceneggiatura
- Star
- Candidato a 3 Oscar
- 5 vittorie e 11 candidature totali
Kenneth More
- Miranda's Older Friend
- (scene tagliate)
Allyson Ames
- First Victim
- (non citato nei titoli originali)
Gordon Barclay
- Clerk
- (non citato nei titoli originali)
William Beckley
- Crutchley
- (non citato nei titoli originali)
William Bickley
- Crutchley
- (non citato nei titoli originali)
David Haviland
- Clerk
- (non citato nei titoli originali)
Edina Ronay
- Nurse
- (non citato nei titoli originali)
- …
Recensioni in evidenza
A butterfly collector finds a Camberwell Beauty and then sets his sights on a larger specimen ( i.e. a human whom he had been secretly admiring for some while ) to add to his collection ! Despite that this film has a limited number of characters, two to be precise, it is very good and captivating indeed, thanks to some excellent camera work and a semi-Hitchcockian sound track ! Naturally, and even more so with this type of film, it's the first viewing which leaves the lasting impression ! Now where could that lovely old house have been situated ? ? The picture quality is absolutely excellent and whilst viewing it recently it suddenly seemed to me that the 1960's were only yesterday and that the forty years that have elapsed since the making of the film had all been condensed into a form of black hole.
Films using a limited number of characters and a pretty basic plot are a bit of a risk but this one passes the test with flying colours and there are little if any dull moments. Both characters perform excellently and the viewer can sympathize with both, especially at the outset ; only as the film advances does one become aware of the underlying horror and this indeed makes the film far more effective than any old blood-and-gore horror movie.
First-time viewings are sure to wear down the edges of most of the viewers' seats ! To be recommended to all those who privilege suspense over special effects !
Films using a limited number of characters and a pretty basic plot are a bit of a risk but this one passes the test with flying colours and there are little if any dull moments. Both characters perform excellently and the viewer can sympathize with both, especially at the outset ; only as the film advances does one become aware of the underlying horror and this indeed makes the film far more effective than any old blood-and-gore horror movie.
First-time viewings are sure to wear down the edges of most of the viewers' seats ! To be recommended to all those who privilege suspense over special effects !
The Collector is one of the best movies I've ever seen with regards to suspense. This 1965 movie sent chills down my spine several times. Terence Stamp (Freddie Clegg) is exceptional. At first the movie appears a bit silly, but horror soon steps in. Freddie Clegg collects butterflies and then he collects a woman. Literally. He keeps her locked in his basement. Definitely not for children, but this movie is a must for horror fans. I recommend it highly.
Based on John Fowles' influential novel of the same title, The Collector is a dark and pioneering film that presents us with a character unlike most other cinematic psychopaths and a situation ripe with gripping tension. Helmed by experienced director William Wyler - man who turned his hand to, and was mostly successful with, a number of genres throughout his illustrious career, The Collector is an exercise in classy, high quality horror and is an obvious front runner to films like The Silence of the Lambs. Incidentally, The Collector probably stands up better today than it did upon its release over forty years ago. The story focuses on Freddie Clegg, a wealthy but lonely man who lives in solitude in an old Tudor style mansion out in the country. His hobby is collecting and mounting butterflies, and one day he decides to apply what he knows about his hobby to the world of romance, and proceeds to deck out his basement so that a human can live there, and then goes and captures himself a 'girlfriend'. The unlucky lady is Miranda Grey, a woman who isn't too happy to oblige the collector's strange purpose for kidnapping her.
The book that this film was based on not only went on to influence other works of fiction, but also apparently became an influence for real life serial killers. The Collector's influence has allegedly inspired at least five actual serial killers; and if that isn't a harrowing fact about this story; I don't know what is! The story itself never delves into the realms of impossibility, and manages to stay realistic throughout, which lends the film an effective edge. The main focus is always on the relationship between the collector and his captive, and director William Wyler is keen to keep this at the forefront of the film. The conversations they have and the actions between the two represents compulsive viewing, and that is definitely where the true greatness of this film shines through; the scene involving the Catcher in the Eye and Picasso is this film at it's best. The style of the movie is very British, and this is complimented by the central performers. Terence Stamp is wonderfully understated, but still impressively insane, while Samantha Eggar makes a mark as the unfortunate victim. Overall, I guess that the reason why this film isn't too well respected today is down to the fact that it was so ahead of it's time. However, if you want a thriller that offers some brilliant suspense and a realistic story - The Collector is a must see!
The book that this film was based on not only went on to influence other works of fiction, but also apparently became an influence for real life serial killers. The Collector's influence has allegedly inspired at least five actual serial killers; and if that isn't a harrowing fact about this story; I don't know what is! The story itself never delves into the realms of impossibility, and manages to stay realistic throughout, which lends the film an effective edge. The main focus is always on the relationship between the collector and his captive, and director William Wyler is keen to keep this at the forefront of the film. The conversations they have and the actions between the two represents compulsive viewing, and that is definitely where the true greatness of this film shines through; the scene involving the Catcher in the Eye and Picasso is this film at it's best. The style of the movie is very British, and this is complimented by the central performers. Terence Stamp is wonderfully understated, but still impressively insane, while Samantha Eggar makes a mark as the unfortunate victim. Overall, I guess that the reason why this film isn't too well respected today is down to the fact that it was so ahead of it's time. However, if you want a thriller that offers some brilliant suspense and a realistic story - The Collector is a must see!
I started watching this movie by chance and the first few scenes were so captivating that I had to watch it till the end.. at that time I was not aware that its a movie by 'William Wyler' who's famous for movies like 'Ben-Hur', 'The Best Years of Our Lives', and 'Roman Holiday'.
A two hour drama focused mostly on only two characters (Freddie Clegg and Miranda Grey) with many long scenes with no dialog at all apparently seems a boring idea but screenplay is brilliant, editing is prefect and each moment is deliberate.. the element of suspense is heightened to the point of tension that just kept me hooked into watching more to know what will happen next.. and above all, the dark instability of Freddie's character and his gradually intimate series of arguments, conflicts, confrontations and negotiations with Miranda was more than enough to keep me on edge throughout..
Freddie Clegg, the shy and introvert bank clerk who got a chance to make true what had previously been only his fantasy.. there are so many shades in this character.. driven by obsession & regression.. one moment he seems harmless, eager to please, and dismal in his desire for love and care.. and next moment he is bitter, stubborn and self-centered to the point of becoming blind to anyone else's feelings and thoughts.. one is always uncertain of what to expect from him next.. Terence Stamp is just terrific as Freddie Clegg and portrayed each and every shade of Freddie's personality with utmost brilliance..
Miranda Grey, a young art student.. the object of Freddie's desire.. her real personality is of an extrovert, confident, independent and dynamic girl who want to do so much in life but owning to circumstances imposed on her, she has to become an obedient and submissive person.. Samantha Eggar played this character perfectly.. one can see how initially she's in anger and pain of denying her real personality but near end how she actually become the one..
Stories where characters are portrayed as black & white, evil & innocent, wrong & right seems boring to me.. I enjoy situations when both the right and wrong person are equally confident that they're right.. confident to that extent that you become doubtful that who is right in real.. or if both are right at the same time.. this movie certainly offer such experience.. throughout the movie viewers must try to understand both character's perspectives..
I love how the title of the film reflects the hobby of collecting butterflies and the subject of the film as two sides of the same coin.. smart, beautiful yet creepy.. dialogs are effective and kind of that stays in memory.. one that is on my mind is 'It's no good shouting. You can't be heard. And anyway, there's no one to hear.' and yes, 'They're looking for you, but nobody is looking for me.', and then that entire argument over the Picasso's painting.. so many scenes, dialogs are just stuck into mind and will stay here for long I guess..
A two hour drama focused mostly on only two characters (Freddie Clegg and Miranda Grey) with many long scenes with no dialog at all apparently seems a boring idea but screenplay is brilliant, editing is prefect and each moment is deliberate.. the element of suspense is heightened to the point of tension that just kept me hooked into watching more to know what will happen next.. and above all, the dark instability of Freddie's character and his gradually intimate series of arguments, conflicts, confrontations and negotiations with Miranda was more than enough to keep me on edge throughout..
Freddie Clegg, the shy and introvert bank clerk who got a chance to make true what had previously been only his fantasy.. there are so many shades in this character.. driven by obsession & regression.. one moment he seems harmless, eager to please, and dismal in his desire for love and care.. and next moment he is bitter, stubborn and self-centered to the point of becoming blind to anyone else's feelings and thoughts.. one is always uncertain of what to expect from him next.. Terence Stamp is just terrific as Freddie Clegg and portrayed each and every shade of Freddie's personality with utmost brilliance..
Miranda Grey, a young art student.. the object of Freddie's desire.. her real personality is of an extrovert, confident, independent and dynamic girl who want to do so much in life but owning to circumstances imposed on her, she has to become an obedient and submissive person.. Samantha Eggar played this character perfectly.. one can see how initially she's in anger and pain of denying her real personality but near end how she actually become the one..
Stories where characters are portrayed as black & white, evil & innocent, wrong & right seems boring to me.. I enjoy situations when both the right and wrong person are equally confident that they're right.. confident to that extent that you become doubtful that who is right in real.. or if both are right at the same time.. this movie certainly offer such experience.. throughout the movie viewers must try to understand both character's perspectives..
I love how the title of the film reflects the hobby of collecting butterflies and the subject of the film as two sides of the same coin.. smart, beautiful yet creepy.. dialogs are effective and kind of that stays in memory.. one that is on my mind is 'It's no good shouting. You can't be heard. And anyway, there's no one to hear.' and yes, 'They're looking for you, but nobody is looking for me.', and then that entire argument over the Picasso's painting.. so many scenes, dialogs are just stuck into mind and will stay here for long I guess..
After winning a large amount in the pool in Reading, the outcast bank clerk and entomologist Freddie Clegg (Terence Stamp) buys an isolated house in the countryside. He stalks the art student Miranda Grey (Samantha Eggar) in London and uses chloroform to kidnap and bring her in his van to his house. The sociopath Freddie locks Miranda in the cellar and she discovers that he has had an unrequited crush on her since they were teenagers. Freddie promises to respect Miranda with his platonic love and to release her in a month on June, 11th. He shows also his collection of butterflies carefully kept in a room. However, Miranda feels that she is another collectible species only for the deranged man that feels power and control with the situation and he has no intention to let her go.
"The Collector" is another masterpiece of William Wyler that has been copycatted along the years by filmmakers that presently add violence, torture and gore to the plot. The performances of Terence Stamp and Samantha Eggar are top-notch in this theatrical film and they succeed to carry alone the whole story. I can not precisely tell how many times I have watched this film, but the last time I had seen it was on 07 October 2000. Surprisingly "The Collector" has only been released in Brazil in a rare VHS, a pride and joy of my collection. My vote is ten.
Title (Brazil): "O Colecionador" ("The Collector")
Note: On 03 May 2013, I saw this movie again, now on an imported Blu- Ray.
"The Collector" is another masterpiece of William Wyler that has been copycatted along the years by filmmakers that presently add violence, torture and gore to the plot. The performances of Terence Stamp and Samantha Eggar are top-notch in this theatrical film and they succeed to carry alone the whole story. I can not precisely tell how many times I have watched this film, but the last time I had seen it was on 07 October 2000. Surprisingly "The Collector" has only been released in Brazil in a rare VHS, a pride and joy of my collection. My vote is ten.
Title (Brazil): "O Colecionador" ("The Collector")
Note: On 03 May 2013, I saw this movie again, now on an imported Blu- Ray.
Lo sapevi?
- QuizAccording to Terence Stamp, Wyler wouldn't let Samantha Eggar off the set during the day. He also wouldn't allow her to eat with anyone else during the lunch break. Stamp argues Wyler knew what he was doing, as the director whispered to him one day on set, "I know this looks cruel, but we're going to get a great performance out of her."
- BlooperWhen Freddie is trying to silence Miranda when she is in the bath, the cones covering her nipples can be clearly seen.
- Citazioni
Miranda Grey: I've stayed the four weeks.
Freddie Clegg: I just have to have you here a little longer.
Miranda Grey: Why? What more can I do? What more can you want?
Freddie Clegg: You know what I want... it's what I've always wanted. You could fall in love with me if you tried. I've done everything I could to make it easy. You just won't try!
- ConnessioniFeatured in Cinema: Alguns Cortes - Censura III (2015)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El coleccionista
- Luoghi delle riprese
- Gabriels Manor, Marsh Green Road, Marsh Green, Edenbridge, Kent, Inghilterra, Regno Unito(Kidnapper's Tudor Farmhouse Lair, Village)
- Azienda produttrice
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By what name was Il collezionista (1965) officially released in India in English?
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