Negli anni '50, la paura e la violenza aumentano mentre il popolo di Algeri lotta per l'indipendenza dal governo francese.Negli anni '50, la paura e la violenza aumentano mentre il popolo di Algeri lotta per l'indipendenza dal governo francese.Negli anni '50, la paura e la violenza aumentano mentre il popolo di Algeri lotta per l'indipendenza dal governo francese.
- Regia
- Sceneggiatura
- Star
- Candidato a 3 Oscar
- 9 vittorie e 8 candidature totali
Brahim Hadjadj
- Ali La Pointe
- (as Brahim Haggiag)
Yacef Saadi
- Djafar
- (as Saadi Yacef)
Fouzia El Kader
- Halima
- (as Fusia El Kader)
Mohamed Ben Kassen
- Petit Omar
- (as Petit Omar)
Si Mohamed Baghdadi
- Larbi Ben M'hidi
- (non citato nei titoli originali)
Franco Morici
- Mahmoud
- (non citato nei titoli originali)
Tommaso Neri
- Captain
- (non citato nei titoli originali)
Rouiched
- The Drunk Man
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'The Battle of Algiers' offers a raw, documentary-style portrayal of the Algerian War of Independence. It delves into colonialism, resistance, and brutal tactics, highlighting moral ambiguities and human suffering. The film's realism is enhanced by local actors and on-location shooting. Its narrative structure provides a comprehensive view of the conflict, making it relevant to contemporary issues of occupation and resistance.
Recensioni in evidenza
I wish I could locate a videocassette of this film--subtitled, not dubbed. The first time I saw it, I was a little put off by what I thought was a pompous disclaimer that "not one foot" of documentary footage had been used. But, in light of the finished product, it's a remarkable statement. If a film has better captured the harsh and ugly realities that are an inevitable part of a true revolutionary movement, I never saw it. It is greatly to its credit that one never gets a sense of "good guys vs. bad guys" here--only of people trapped in a truly impossible set of circumstances, from which no escape is possible without confrontation and bloodshed. It was depressing to see this movie in Berkeley in the early 70s, and hear the audience cheer the "heroic" Algerian revolutionaries while booing the "villainous" French, in view of the great pains that had been taken to present a balanced viewpoint. This film is thrilling, heartbreaking, thought-provoking, and beautiful--sometimes by turns and sometimes all at once. If you haven't seen it and it show up anywhere in the vicinityh, drop everything and go--and pray that it's subtitled and not dubbed. (There are dubbed prints and, as is usually the case, dubbing pretty nearly wrecks it.) This is a masterpiece.
"Battle of Algiers" is simply one of the greatest films every made. If film making can be about truth as well as fantasy, then a movie that includes a title card telling viewers that there is not one foot of documentary or newsreel footage in it must deserve viewing.
"Battle of Algiers" contains scenes that seem so real, you suspect that they couldn't have been staged. When three Algerian women come down from the Casbah to plant bombs in the French quarter of the city, you can almost cut the tension with a knife. When the bombs go off, you think they must have been real bombs. And when you see the devastation they leave in their wake, you cannot fail to be moved. The massive rebellion in the streets at the end of the film also seems so real, you sit wondering how many extras must have been injured filming those scenes.
"Battle of Algiers" combines brilliant photography, crisp direction, an intriguing plot and some very fine acting. Throw in a terrific music score, splendid editing, impressive special effects and the best example ever of docudrama style production and you have a masterpiece of film making.
But film making is not nearly as important as human life and no film in general release today says more about America's current involvement in the middle east and many other parts of the world than this picture about the French in Algeria, made more than three decades ago.
Every American should view this film, then think about our current occupation of Iraq.
"Battle of Algiers" contains scenes that seem so real, you suspect that they couldn't have been staged. When three Algerian women come down from the Casbah to plant bombs in the French quarter of the city, you can almost cut the tension with a knife. When the bombs go off, you think they must have been real bombs. And when you see the devastation they leave in their wake, you cannot fail to be moved. The massive rebellion in the streets at the end of the film also seems so real, you sit wondering how many extras must have been injured filming those scenes.
"Battle of Algiers" combines brilliant photography, crisp direction, an intriguing plot and some very fine acting. Throw in a terrific music score, splendid editing, impressive special effects and the best example ever of docudrama style production and you have a masterpiece of film making.
But film making is not nearly as important as human life and no film in general release today says more about America's current involvement in the middle east and many other parts of the world than this picture about the French in Algeria, made more than three decades ago.
Every American should view this film, then think about our current occupation of Iraq.
10ryzzard
An historian writing about the Algerian war against the French colonial authorities entitled his book "A Savage War of Peace". "The Battle of Algiers" provides many answers to that enigmatic title. It does not attempt to show us the entire war but centers on the city of Algiers. Even though you are told at the beginning that no documentary footage is used it is at times hard to believe as many of the images you see have a stark and often unsettling reality to them. Considering that this was a co production between Algeria and Italy the film is remarkable in that it does not turn itself a political tirade by taking sides. Instead the camera is a sort of neutral observer allowing us to witness events that spiraled from individual demonstrations to a full scale war of savage intensity. French officers who fought the Nazis a few years before degenerated into the mode of their former enemy while Algerians had no problems exploding bombs that would kill their own people. The camera shows no heros or villains but humanity in its darkest forms. This is a powerful film with superb direction and cinematography. It truly is one of a kind and once seen will never be forgotten.
..who had lived through the real battle.
Director Pontecorvo and cinematographer Marcello Gatti are true geniuses who amazingly filmed the movie in black and white and experimented with various techniques to give the film the look of newsreel and documentary film and that too making it an engrossing n enlightening experience.
Although the rebels lost the Battle of Algiers, they won the Algerian War n their freedom from the French colonial regime.
This movie showed the impact of colonialism on daily lives.
The guy who played Ali is noteworthy, one of the rebel female has a sharp contour cheeks and the character lil Omar will always be remembered.
The torture of the rebel prisoners is the most poignant relevance to the recent ongoings worldwide.
The ironical aspect is that of the Colonel, who himself suffered torture by the Nazis in a concentration camp, now torturing common civilians to obtain information.
Director Pontecorvo and cinematographer Marcello Gatti are true geniuses who amazingly filmed the movie in black and white and experimented with various techniques to give the film the look of newsreel and documentary film and that too making it an engrossing n enlightening experience.
Although the rebels lost the Battle of Algiers, they won the Algerian War n their freedom from the French colonial regime.
This movie showed the impact of colonialism on daily lives.
The guy who played Ali is noteworthy, one of the rebel female has a sharp contour cheeks and the character lil Omar will always be remembered.
The torture of the rebel prisoners is the most poignant relevance to the recent ongoings worldwide.
The ironical aspect is that of the Colonel, who himself suffered torture by the Nazis in a concentration camp, now torturing common civilians to obtain information.
I ask myself why we never see these kind of movies on TV, instead of airing again and again the same old lethal weapons, jurassic parks, and other similar stuff? This is real cinema, this is why it is considered a form of art!
With the metaphysical crudeness of black and white, the dramatical facts of the Algerian rebellion against the French are accounted. The movie has the realistic appearance of a chronicle. And there are tons of intellectual honesty, too. I mean that there are no white hats VS black hats. You can see terrorists troubled as they are about to leave a bomb in a cafe. Policemen who struggle to save an arabian child from being killed by outraged crowd. Most of all, I like the frank words of Colonel Mathieu about the "bad methods" he's using during interrogations... Watch the movie and you will know.
With the metaphysical crudeness of black and white, the dramatical facts of the Algerian rebellion against the French are accounted. The movie has the realistic appearance of a chronicle. And there are tons of intellectual honesty, too. I mean that there are no white hats VS black hats. You can see terrorists troubled as they are about to leave a bomb in a cafe. Policemen who struggle to save an arabian child from being killed by outraged crowd. Most of all, I like the frank words of Colonel Mathieu about the "bad methods" he's using during interrogations... Watch the movie and you will know.
Lo sapevi?
- QuizOne of the few films in Oscar® history to be a nominee in two separate non-consecutive years. It was a foreign film nominee for 1966 and then a nominee for screenplay and direction for 1968.
- BlooperIn the final scenes, showing the mass street protests, the French police are backed up by armored vehicles that are Soviet-made SU-100 tank destroyers. These were part of the Algerian military when the film was made in 1966 after independence, but would not have been present or used by the French at any time.
- Citazioni
Ben M'Hidi: It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do.
- Curiosità sui creditiThe credits for the French release, which are used for contemporary versions of the film, differ from the credits in the original Italian release. In the original credits, Brahim Hadjadj is below Jean Martin and Yacef Saadi, Tommaso Neri is billed as one of the leads, Franco Moruzzi is credited, and Samia Kerbash is given the surname "Michele". The French release gives Hadjadj top billing, removes Neri and Moruzzi from the credits, and refers to Kerbash by her correct surname.
- ConnessioniEdited into Commando Leopard (1985)
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Dettagli
Botteghino
- Budget
- 800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 879.794 USD
- Fine settimana di apertura Stati Uniti e Canada
- 64.870 USD
- 11 gen 2004
- Lordo in tutto il mondo
- 962.002 USD
- Tempo di esecuzione
- 2h 1min(121 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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