I giorni di Bryan

"Run for Your Life" was one of those shows that Johnny Carson loved to joke about, back in the sixties; with the premise that a wealthy 30-ish lawyer had a fatal disease with only one or two years left to live, when the show entered it's third season, did this mean the specialists were quacks, or that the hero's globe-trotting adventures invoke some 'miracle cure'?

The joking aside, the series' novel premise gave star Ben Gazzara an opportunity to display his well-respected dramatic skills (he'd created the role of Brick in "Cat on a Hot Tin Roof" on Broadway, and, with Peter Falk, would make a major impact in John Cassavetes' innovative films of the sixties and seventies), and turn the routine plots into often engrossing character studies.

There could never be a truly 'happy' end to any episode; even when 'Paul Bryan' resolved the issues raised in a show, he could never enjoy the 'fruits' of his endeavors, or even promise to return to the people whose lives he'd changed. If he fell in love (which, naturally, happened), he had to either deny it, or pass the reciprocated love to someone else (unless the girl herself died), so 'bittersweet' was the best term to describe the show, a quality similar to "The Fugitive", as well.

As NBC required 'action' in their series, "Run for Your Life" had Bryan often "in harm's way", and each time he was treated by a doctor or hospital, there was the added tension of whether his exertions might accelerate his disease. Gazzara's Bryan was not trying to commit suicide, but was trying to live his remaining time to the fullest, so his anguish when facing risks had a very 'real' basis, and gave Gazzara some of his best series' moments.

Despite the 'backlot' feel of the 'international' locales (the show never went on location), and the casting of the same actors who appeared in many other Universal-produced series of the period, veteran producer Roy Huggins tried to keep each episode fresh and original, through the use of stock footage, music, and clever editing.

"Run for Your Life" was not a 'great' series, but was unconventional for it's time, and, as a showcase for Ben Gazzara, was definitely worth watching.

Grace Lee Whitney appeared briefly in the 1965 TV series "Run for Your Life," the story of the terminally ill Paul Bryan (Ben Gazarra). The fourth episode of the series is titled "Never Pick Up a Stranger" and begins in a small town on a Sunday morning. Whitney plays the character Millie, a fast-talking diner waitress, who serves a cup of coffee. The story revolves around Bryan's encounter with a runaway Kathy (Brenda Scott) and his decisions after returning her to that small town. Barry Sullivan portrays the hardass local sheriff, who is aggressive in his attempts to get Bryan back on the road. Grace makes another appearance in the middle of when the sheriff arrives to present Bryan with a warrant for his arrest. There are several twists until we find out why the Sheriff is after our innocent hero. Grace was on the cusp of joining the cast of "Star Trek" and would film several of the first few episodes but be written off the show before the first installment aired. This part is a perfect example of her underutilization as an actor despite a decade of dues being paid in good performances on a range of shows.

At one time, TV shows occasionally had an interesting premise. This one's a variant on the question of what you'd do if you had the means and perhaps the time. Time, though, this character doesn't have, and the threat of death is probably what gives the series its focus and urgency. "To cram thirty years of living into one or two" is the voiced-over premise at the start of an episode; we would all do well to remember it at the start of a day, and live as though it's the last one, not recklessly but deliberately.

This was a very clever concept. A lawyer, Paul Bryan, has been diagnosed with an incurable disease and has been told he has just two to three years to live. The idea put this lead character in the position of living life to the fullest and the most responsible. There is a message in that for all of us somewhere, isn't there?

While somewhat morbid straight off the top, the concept made for interesting viewing from my perspective. Ben Gazzara played the main character and each week he would resolve other people's problems, but at the end of the show he would still be facing the anguish of a limited time on this earth. One of an unnamed genre of shows like "The Fugitive" and "The Incredible Hulk", "Run for Your Life" was set in locales all over the world, but probably filmed on studio back-lots, renovated to look like the French Riviera, Hawaii and Rio. The idea was that Bryan was seeing the world with what little time and resources he had left. Each episode he would engage in new relationships, involving himself in new circumstances, resulting in high action and adventure.

This wasn't a great show, but was certainly a product of its time. Always reminded us of our own mortality, which all of us need occasional reminders of in life.

...that of not just the adventures of a dying man with only a year or two to live, but also make him rich and playboy handsome, and even though he's doomed by illness, bless him with otherwise relative good health so as to be symptom-free until the very end, and with that, set him free upon the world to basically go wherever he wants and do there whatever he wants. Okay. I'll bite.

I watched this show without fail during its first season, each and every episode-- 30 in all. It had everything a teenage boy of that era might like, hot women, hot cars and exotic places; every week the dying hero falls in love with a beautiful babe, while living life to the fullest possible extent. That it's all being enjoyed by a dying man, Paul, played by Ben Gazzara, at first only subtly and slightly puts a damper on all the fun. Hey, there's a lot to experience! But, to me, eventually, i.e., by the second season, the maudlin aspect of it all began to seriously undermine the enjoyability of the show. Who wants to be constantly reminded of the unrelenting imminence of death? By season 2 something had changed, maybe it was me, but for some reason I no longer liked the show.

Thinking back on it, in a way, the show is a lot like another 60s show, Route 66. If you take out the Corvette and the buddy, and inject the dying man conceit.

8 Stars for the inspired idea and for the 60s nostalgia