Maxwell Smart, una spia altamente intellettuale ma maldestra che lavora per l'agenzia CONTROL, combatte le forze del male dell'agenzia di spionaggio rivale KAOS con l'aiuto della sua compete... Leggi tuttoMaxwell Smart, una spia altamente intellettuale ma maldestra che lavora per l'agenzia CONTROL, combatte le forze del male dell'agenzia di spionaggio rivale KAOS con l'aiuto della sua competente compagna, l'Agente 99.Maxwell Smart, una spia altamente intellettuale ma maldestra che lavora per l'agenzia CONTROL, combatte le forze del male dell'agenzia di spionaggio rivale KAOS con l'aiuto della sua competente compagna, l'Agente 99.
- Vincitore di 7 Primetime Emmy
- 11 vittorie e 13 candidature totali
Recensioni in evidenza
'Nuff said.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.
Also, let's not forget the ensemble cast that displayed such a great chemistry with each other. Don Adams, Barbara Feldon, Edward Platt, Dick Gautier, King Moody, Robert Karvelas and, of course, Bernie Kopell all made this show a great viewing experience.
Nobody but Don Adams could have played Maxwell Smart. He IS Maxwell Smart! Adams comic timing and expressions are superb. It's a pity he hasn't gotten the recognition he deserves. Surrounded by the first rate Barbara Feldon ('99') and Edward Platt ('The Chief'), supported by a fabulous group of comic actors (particularly Bernie Kopell as Siegfried), and some talented guest stars (most unforgettable - Larry Storch as 'The Groovy Guru'!), and with consistently funny scripts, this show set a standard in comedy that is as good as, if not better than, much more "respected" shows like 'M.A.S.H.', 'Taxi' and 'Cheers'.
Forget the reunions, movies and attempts to revive 'Get Smart'. Just stick with the original and best "grooovy baby" Super Spy! There's nothing as hilarious as this show at its best! One of the greatest TV shows of all time.
I can safely say that in my eyes, there are only four true supers pies: James Bond, Derek Flynt, Harry Palmer and Maxwell Smart. This show is absolutely magnificent...and hilarious.
Lo sapevi?
- QuizWhen Don Adams was negotiating his salary, he had his choice between more money per week and no ownership stake in the show, or less money per week and part ownership. Adams chose the ownership deal and never regretted it considering the series' durable popularity in syndication gave him a regular income even as he struggled with being typecast by it.
- BlooperIn the closing credit sequence, one of the double doors fails to merge completely when it closes.
- Citazioni
Maxwell Smart: [running gag, after being warned by the Chief that his next assignment will be the most dangerous yet] ... And loving it!
- Curiosità sui creditiThe opening credits are a sequence of Maxwell Smart going through a seemingly endless series of doors to reach CONTROL headquarters.
The closing credits are of Smart leaving CONTROL through the same doors, but he changes his mind about leaving and starts back toward the CONTROL entrance. The door nearest Smart closes and injures his nose.
- ConnessioniFeatured in A Secret Agent's Dilemma, or A Clear Case of Mind Over Mata Hari (1965)
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Dettagli
- Tempo di esecuzione25 minuti