Aggiungi una trama nella tua linguaThe musical adventures of the greatest of the Rock Bands.The musical adventures of the greatest of the Rock Bands.The musical adventures of the greatest of the Rock Bands.
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Whatever the real Beatles may have thought of this, it is what turned me on to them. I was 8 and thought I didn't like them. The language I most understood was cartoons, and when this came on, I completely turned around.
I actually don't remember the story cartoons very much. Mainly, I remember the "singalong" segment in the middle. Paul, John, or George would introduce the segment (which was sort of a Mitch Miller "follow the bouncing ball" breakfaster, only without the ball). He then would call for the "prop man," and Ringo would come out and say, "The regular prop man's sick, so I'm taking his place." The other Beatle would say something like, "Well, this next song is a really swinging number," and Ringo would say, "Swinging number, eh? I think I've got just the thing," and would go offstage and then reappear on a trapeze, which he would proceed to screw up. It was totally predictable, stupid, and always funny, or is in retrospect.
I actually don't remember the story cartoons very much. Mainly, I remember the "singalong" segment in the middle. Paul, John, or George would introduce the segment (which was sort of a Mitch Miller "follow the bouncing ball" breakfaster, only without the ball). He then would call for the "prop man," and Ringo would come out and say, "The regular prop man's sick, so I'm taking his place." The other Beatle would say something like, "Well, this next song is a really swinging number," and Ringo would say, "Swinging number, eh? I think I've got just the thing," and would go offstage and then reappear on a trapeze, which he would proceed to screw up. It was totally predictable, stupid, and always funny, or is in retrospect.
The Beatles cartoon has become beloved and notorious for its production values: wonderful songs used as a backdrop for cookie-cutter stories and shoddy yet funkylicious animation that fits the time period these shorts were made. I've only ever seen this cartoon through bootlegs; and that's another thing, this cartoon has NEVER seen an official release on home video formats. There aren't even official VHS tapes of the show. You can only get bootlegs on eBay or YouTube if you're lucky. This show is like The Star Wars Holiday Special of hard-to-get television 'gems' that we're still waiting to be released on DVD.
This show has The Beatles, and the real stars of the show are really the songs themselves; it doesn't matter what context they're played in, they're always good tunes to listen to. Now Apple Corps, King Features Syndicate and company, can we PLEASE get an official DVD release of this nugget of television animation history?
This show has The Beatles, and the real stars of the show are really the songs themselves; it doesn't matter what context they're played in, they're always good tunes to listen to. Now Apple Corps, King Features Syndicate and company, can we PLEASE get an official DVD release of this nugget of television animation history?
I remember several of this show's episodes because it replayed on Teletoon in Canada (I think, it might've been the Family Channel). Anyways, the cartoons were very Monkey-esque, that is they usually ended up in some sort of a jam or situation, but then they sang a song and everything worked out well. I realize that it's silly to describe the Beatles' cartoons as Monkey-esque, because the Beatles predated the Monkees, however that seems like the most apt way to describe these cartoons. They were NOT very good. They typically invoked rarer songs that really didn't get a lot of airplay (not the hits). For the longest time I understood that the Beatles actually voiced themselves, however this apparently was not the case. They don't really voice themselves in 'Yellow Submarine' either, except in the live-action epilogue. These cartoons seemed very formulaic for the time, and the basic premise was often redone to correspond to the musical group of the time. For example, I recall large similarities between the Beatles cartoons and the Jackson 5 cartoons, however the Jackson 5 typically had a more 'futuristic' viewpoint (they went into space and encountered aliens and stuff like that). I'm also reminded of old Scooby-Doo cartoons, where there were those interminable chase scenes over the dubbing of a musical number. Apparently the Beatles themselves were not overly enamoured with these pieces either. Having said that, I'm sure that now is a good time to get these cartoons out as a DVD collection to span the entire Beatles' media contributions. I'm sure that a lot of people would be all over them purely for the sake of nostalgia, entertainment, and curiosity.
In 1965 Ed Vane took over as head of daytime programming at ABC. Saturday mornings were dominated by CBS- Vane wanted to change that. He felt the best bet was a Beatles cartoon. Working with Al Brodax at King Features, a deal was made for 26 shows with 2 cartoons per show at a budget of $32,000/show (cheap for 1965). And Brodax had just 5 months before the premiere. Result was a rush job with all the animation outsourced outside the U. S. Results were as you would expect-simple animation with lots of cycles repeating. Still, "The Beatles" was the top rated cartoon for the year, and ABC came in #1 on Saturday mornings. That shocked CBS into opening its wallet and spending millions on a complete revamp of their lineup.
13 more Beatles cartoons were made over the next two seasons- since they're not as rushed the quality is noticeably better. Al Brodax went on to produce the Yellow Submarine film.
13 more Beatles cartoons were made over the next two seasons- since they're not as rushed the quality is noticeably better. Al Brodax went on to produce the Yellow Submarine film.
The thing I remember most about this series was the fact that George's speaking voice sounded exactly like Frankenberry's, from the Frankenberry/Count Chocula breakfast cereal commercials that were popular at the time...In other words, nothing even remotely resembling the baritone nasal scouse of the real George Harrison. I also seem to recall a couple of occasions where the animators didn't quite get the lead vocalist correct (in one episode, Paul was singing lead on "No Reply"). In spite of all that, the series still managed to be quite entertaining, and was the first place I had ever heard the songs "From Me To You" and "Paperback Writer." I only owned Beatle albums and not singles, and neither of those songs were on any Beatle LPs at the time.
Lo sapevi?
- QuizThe Beatles themselves reportedly did not care for this series. They were also less than enthusiastic about the idea of Brodax and Dunning doing a feature film. However, they changed their minds about the feature film when they began seeing completed footage from Yellow Submarine (1968). (John Lennon admitted in the 1970s that he "got a blast" out of watching reruns of the old cartoons.)
- BlooperThere are numerous occasions when the cartoon depicts the wrong singer, usually choosing John Lennon in favor of Paul McCartney or George Harrison.
- ConnessioniFeatured in Zappa (2020)
- Colonne sonoreAnd Your Bird Can Sing
(uncredited)
Written by John Lennon and Paul McCartney
Performed by The Beatles
[Opening credits for Seasons 2 and 3]
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