Zulu

I watched three videos the other night: Belly of the Beast, Kill Bill#1, and ZULU. Belly was better than most of Seagals efforts lately, Bill had a bigger budget but was pretty ordinary, and last,at about 2am, I watched ZULU. Sure I was tired, but I soon got my second wind. The others, while more graphically violent, numbed my senses, wereas ZULU stimulated them!!! Who cares that the deaths were stylized (little gore) and there were no four-letter words...... While I can remember very little now about the first two, images dialog, music and camera from ZULU are still with me, days later. A sterling effort, you actually CARE about these people. This movie could not be produced today to this quality - even by the best in the world. A classic: five out of five. (loved the "colour seargant" character!!

I have read others comments with interest, particularly those complaining about small bullet holes. Well it was 1964, and to be truthfull, do you need gore to explain a true event?

Anyway - a couple of facts about the story which were not depicted correctly. Cetewayo did not order the attack. In fact he ordered his men NOT to attack, but a head strong son ignored him.

The tribute song at the end of the film, did not take place, the Zulu just disappeared into the night.

Now, having said that, and having read the books and seen the film (x number of times since I was 15 (in 1968). I had the opportunity in 1998 to travel to Rorkes Drift and stand where the soldiers stood to face the Zulu.

The foundations of the hospital building has a museum built over it full of interesting stuff, the small grave yard to the fallen soldiers, and the grave stone remembering all the dead zulu are thought provoking.

But what strikes you most is how small the area was in which the soldiers held their ground, with Zulu firing on them from the hills behind and charging them from 3 sides. As you stand inside foundation stones marking the site of the walls etc, the hairs stand up on the back of your neck, and you wonder just how you would have reacted facing up to such a huge army, charging down on you.

If you are a Zulu film fanatic, and should you get the chance - go there. And take time to visit the site of the film Zulu Dawn, where the Zulu attacked the garrison camped at the foot of a hill BEFORE moving on to the small unit at the Drift. White stones mark where men fell, kept bright by dedicated Zulu staff.

It is only natural I suppose for an avowed socialist such as Stanley Baker to have formed a professional bond with two of Hollywood's blacklisted liberals. Some of Baker's best work is for Joseph Losey while 'Zulu' is the finest and most commercially successful of his collaborations with Cy Endfield.

Adapted by John Prebble from his own article, it is shot on location amidst the grandeur of the Drakensberg Mountains in glorious Technirama 70mm by Stephen Dade, has one of John Barry's strongest scores, excellent editing by John Jympson, especially in the battle sequences and boasts a strong cast.

Stanley Baker gives his customarily earthy, no-nonsense performance as Chard whilst Michael Caine in his breakthrough role as Bromhead has ironically been obliged to disguise his cockney roots and has never been quite as effete. Caine was originally considered for the part of Private Hook which went to James Booth whose performance ranks as his finest filmic hour. The requirements of film have dictated that Hook be portrayed as a thief and drunkard whereas in reality he was by all accounts a model soldier. Marvellous support from the imposing Nigel Green as Colour-Sergeant Bourne although the original Bourne was a mere 5' 3''. Patrick Magee impresses as Surgeon Reynolds whilst the superlative Jack Hawkins steals his scenes as the missionary Witt(wisely eschewing a Swedish accent)

Since the film was released there has been a seismic historical shift and nations have been forced to come to terms with their colonial past. One observer has noted that this is essentially 'a cavalry Western in which white men kill indigenous people in order to steal their land and are deemed heroic for doing so.' Empire-making has become synonymous with ethnic-cleansing.

Despite is dramatic licence, glaring inaccuracies and ideological flaws this film is a well-constructed, stirring, Kiplingesque tale of derring-do and individual bravery that has deservedly remained a perennial favourite.

.

A stirring, inspiring film about ordinary British soldiers, caught off-guard and forced to fight for their lives.

During the Victorian period, discipline within the British Army was at its very peak, and the Officers were well versed in standard military manoeuvres. However, Lord Chelmsford, leading the colony out of ISLANDWANA, effectively sealed the fate of the 1000 or so Soldiers encamped on the slopes of the mountain at Islandwana, and in turn forced the Mission station at Rourkes Drift into a seemingly impossible situation; Beat off the attack.

Luckily, Lt John Chard of the Royal Engineers had been assigned to Rourkes Drift to "Build a Bridge", thus saving him from massacre and lending his wisdom and sharp military mind to the ragged bunch of soldiers at the station.

Lt Gonville Bromhead, superbly played by Michael Caine, epitomised the "Military Families" that had been commanding regiments for Decades during the 18th and 19th Centuries.

The film speaks for itself, culminating in the final, mesmerising, breath-taking, desperate battle to hold fast against a disciplined attack from the ZULU impi.

Strangely, the film makes no mention of Cetsewayo's order that no force should attack any entrenched British position. The Rourkes Drift attack was spearheaded by one of his headstrong sons, eager to prove his courage and leadership skills to his respected warrior father.

With narration from none other than Richard Burton, stirring music, the pre-battle singing at dawn, and the three level firing lines on a "mealy-bag" redoubt, you can't do better than "ZULU".

In January 1879, about 100 British soldiers are forced to hold the small outpost of Rorke's Drift in South Africa's Natal province against about four thousand attacking Zulu warriors.

Based on a true story, this is one of the greatest war movies ever made. The film quickly sketches the personalities of the main characters, and when the action starts it quickly moves into high gear. It successfully mixes tension and action in a way that few war movies have yet matched.

The performances are great, particularly co-producer Stanley Baker as the hard-as-nails Lieutenant Chard who assumes command on the strength of his seniority, and Michael Caine, in his first major starring role, as the aristocratic Lieutenant Bromhead, who comes into conflict with Chard.

Refreshingly, the film is respectful in it's portrayal of the Zulus as honourable and dignified warriors.

The script features plenty of memorable dialogue and a decent amount of humour. It also features some stirring music from John Barry.