La signora e i suoi mariti

Oh yes, absolutely. Just go to the movies to see a flick done with all the nerve in the world and for what? "To make a buck" I have an idiot sitting next to me, he is the pseudo intellectual who killed movies like this. I envy my parent's generation, as far as movie going habits are concerned. Doris Day comedies and Belle de Jour. Tell me who could be so unself conscious today to make "What a Way To Go" for what it is. The world has changed so much, women, us, that it would be impossible not to make it feel satirical,"Down with loveish" "What a Way to go" maybe satirical in its own way but it's not self conscious. If we cold only disconnect the micro chip implanted in our brains during the 70's we could have a wider spectrum of our lives without passing judgment, learning or re learning to enjoy. Shirley Mac Laine is priceless. Adorable. Superb. Paul Newman, lovely and very funny. Robert Mitchum plays it hysterically straight. The Gene Kelly episode has a life all of its own. Robert Cummings plays Robert Cummings beautifully as usual. Dean Martin plays himself and a softer version of himself, Dick Van Dike plays a sort of Rob Petrie who wants to simplify. Directed by J Lee Thompson, a Brit, with "Guns of Navarone" to his credit. He had signed a few odd gems like "Woman in a Dressing Gown", "Tiger Bay" and "Return from the Ashes". I thought I mention that. Listen to me, disconnect the micro chip, lay back and enjoy!

"WHAT A WAY TO GO" is the epitome of the lush mid 60's style comedies. Great cast. Shirley MacLaine as Louisa, is a simple girl who longs for the simple life. Although her mother, played by the great Marx Brothers straight woman Margaret Dumont, pushes her to get with the money, Louisa marries for love. Once a little prosperity has touched hubby # 1, he works himself to an early grave. Poor Louisa goes through 3 more husbands who also are devoured by their various forms of greed leading to their demise(s). Finally with husband # 5 , Dean Martin as Leonard Crawley, she has found the simple life...or has she ? As Louella Parsons would have put it : Shirley was never lovelier than in this picture ! Edith Head clothes, and hair by Guilaroff, MacLaine looks wonderful wallowing in her chicest mourning weeds...Best Segment : Hubby #3 Bob Mitchum ........

MacLaine gets a huge workout in this episodic comedy about a woman from humble beginnings who is satisfied with the smaller things in life, but who keeps marrying men who make a fortune and then die, leaving her a wealthy widow four times over! Each one of the marriages sees MacLaine experiencing a new level of frustration and enveloping herself in an increasingly over-the-top super-glam wardrobe. As she relates the marriages to the rather manipulative psychologist Cummings, each relationship is seen as if it were a certain movie genre. Van Dyke lives a simple existence as a small-time store owner and their sequence contains an old silent-movie vignette. Newman is an expatriate artist living in Paris, so theirs is a slightly naughty French art film. Mitchum is a businessman loaded with dough which lends itself to a parody of the fur-and-fashion Ross Hunter women's pictures. Then marriage to small town hoofer Kelly includes a big song and dance number out of a 1940's musical. Also on hand is loutish playboy Martin, who plays the man her mother (Dumont) wanted her to marry in the first place. MacLaine gives a worthy performance with lots of physical comedy and an impressive dance sequence. She's occasionally a little shrill, but that's the character. Van Dyke is solid, Newman is sexy (and shows more skin here - albeit G-rated - than in the bulk of his other movies), Mitchum is charming, Kelly is appropriately self-involved and Martin is his usual suave, laid-back self. All of the actors establish a nice chemistry with MacLaine (who lived many a gal's dream when she got to pair up with all the leading men of this film!) It's fun to see these actors hamming it up and having fun with their unusual roles. The real star, however, apart from MacLaine, is the eye-popping, jaw-dropping parade of costumes and wigs. Some are breathtakingly glamorous, some are atrociously eye-assaulting, but they really steal the show, especially during the Mitchum sequence. Edith Head clearly had a field day (but lost the Oscar to equally-gifted Cecil Beaton for his "My Fair Lady" gowns.) There are also some attention-getting set designs. It's the kind of frothy, harmless, yet beautiful film that rarely gets made today. Some modern movie-goers will note MacLaine's uncanny resemblance to Renee Zellweger at times in this film. She gave this type of frothy flick a go in "Down With Love", but no one came (of course, it wasn't as good, so it isn't surprising!) The pattern of the movie threatens to become tiresome, but the changes in stars and venues and the clever scripting of Comden and Green help keep it afloat.

To describe WHAT A WAY TO GO as an ultra-light 1960s confection would be an understatement: frothy, foolish, and seeking no more than to be mildly entertaining, it is a classic of its kind and of its era.

The plot is episodic. When multi-millionaire Louisa May Foster tries to give away her money she finds herself slapped onto a psychiatrist's couch--where she details the story of a little girl from the wrong side of the tracks who was only interested in marrying for love. But as fate would have it, every husband she touched turned to gold, and their successes spelled finish to the marriage in no uncertain terms, with each widowhood leaving Louisa even more fabulously wealthy than before. What's a poor little rich girl to do? The charm here is in the cast and the production values. Although she offered considerably more in her most celebrated films, Shirley MacLaine had a remarkable way with light comedy, and she pulls out all the stops as the eternal widow, at times sassy, at times silly, but never less than completely watchable. Her unlikely co-stars--Dean Martin, Dick Van Dyke, Paul Newman, Robert Mitchum, Gene Kelly, Robert Cummings and (in her final film) the amazing Margaret Dumont--are also up to the task.

The humor is both obvious and sly, lampooning various rags-to-riches (or in one case riches-to-riches) stereotypes with a wink, a nod, and now and then an unexpectedly sophisticated bit of wit. The film works best when it gently mocks both itself and the more obvious cinematic conventions of its day, as when Louisa recalls each of her marriages with the words "it was like one of those movies where..." Everything from silent film to musicals gets a poke, and over-budgeted romantic blockbusters suddenly become considerably more comic than you'd ever imagine.

The production values are first rate, and to say there is always something to look at on the screen would be an understatement: they are deliberately and often deliciously over the top--and often as amusing as the performances. (The "Lush Budget" sequence, in which MacLaine changes gowns every few seconds, is particularly witty.) True, the movie is a no-brainer, but it is a fun one. Only a sour-puss could resist! Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

This was a film which, like many in the old days, used to come on 'regular' commercial television as a weekend matinée. Now, of course, it is nowhere to be found on television and is just itching to be released on home video. In retrospect, it impresses even more as a dark comedy; how much darker can you get when the central character is a four-time widow? And what a cast: Dick Van Dyke at the height of his TV popularity; Paul Newman (one of the biggest movie stars of the 1960's); and veterans Robert Mitchum, Dean Martin, and Gene Kelly. And the fantasy vignettes!! Some viewers have commented that they don't like them, but I think they add to the insane atmosphere of the film: MacLaine's union with Newman viewed as a black-and-white, slightly X-rated, Italian film or her life with Kelly imagined as a Hollywood musical (a clever way, incidentally, to show off her own talent as a dancer- not to mention those long, magnificent legs). My favorite one (isn't it everyone's?) is the fantasy sequence with husband Robert Mitchum- which shows off a spectacular Edith Head fashion show. I don't know who is sitting on the rights to this film, but it would be a wonderful gift for the movie-loving public to see this released to the masses ASAP.